Slowdive - machine gun, 1994

"I think the reason Souvlaki enjoys such acclaim and reach beyond the confines of the shoegaze canon is that, shit damn, there is such a palpable of emotional gravity here. The album’s background story as an Halstead and Goswell’s breakup record is well-established, and while the shockwaves of this are borderline naked at points (“Here She Comes”, “Dagger”, “40 Days”, “Melon Yellow”) and blearily nostalgic at others (“Altogether”), they add a melancholic undertone to the album’s radiant moments (“When the Sun Hits”, “Machine Gun”, “Souvlaki Space Stations”) and underscore “Alison” being far more depressive opiate bender than sexed-up bedroom glow (no comment on which of the two is more relatable for your average dreamgaze fan). The mood – not just the mood, the scene – here is so richly fleshed out, so much more than the sum of the album’s parts that practically every level of its craft feeds into a deeper basis for connection – and if that isn’t something you appreciate in a classic record, music ain’t for you."