Saturday, November 30, 2024

Counting Crows - a long december, 1996

"Lead singer Adam Duritz was inspired to write the track after his friend was hit by a motorist and injured, making the song about reflecting on tragedy with a positive disposition."

The Moody Blues - emily's song, 1971

The track "Emily's Song" was written by John Lodge for his newborn daughter.

A-ha - you'll never get over me, 2000

"a spiky, slow-tempo pop song which tells the story of an in-progress break-up. The verses are vague – “you say you wanna run/you’re not the only one…you say you want some/you’re not the only one” – but the chorus pulls no punches – especially in the second chorus when the protagonist trades barbs with his former lover. Just as he’s declaring “You’ll never get over me/I’ll never get under you/Whenever our voices speak/It’s never our minds that meet“, a female voice counters “I will get over you” repeatedly. I’m not sure if they took the idea from somewhere else but apart from being great storytelling, it sounds fantastic. The female voice in this instance is Paul’s wife, Lauren Savoy."

Renaissance - day of the dreamer, 1978

"Day of the Dreamer was a highlight of the Song For All Seasons album and is no less impressive in this reading. The interplay between the band and the strings displays an integration that most such pairings never seem to achieve. Maybe that’s because much of composer Michael Dunford’s music was based on quotes from classical pieces. Haslam’s voice rises to the occasion, hitting all the notes and holding them with apparent ease."

Laurent Voulzy - bubble star part one, 1978

"His voice is so gentle and soft and sweet and charming and it is nothing not short of great. I remember the first time I heard him. We were driving in Theoule. We were just winding a bend that overlooks the bay. Nostalgie was on the radio"

Friday, November 29, 2024

Mika - relax take it easy, 2006

"The song makes use of a melody line from the Cutting Crew hit single "(I Just) Died in Your Arms". In North America, it was released as the third single from the album. The song was released as Mika's sixth single in the UK in stores on 31 December 2007, and for digital download on 24 December 2007 as a double A-side with "Lollipop". This single peaked at number 18 on the UK Singles Chart. The song was also featured prominently in the movie Were the World Mine. It is also in the 2011 film Monte Carlo."

Of Monsters And Men - love love love, 2011

"The ENTIRE album constantly alludes to metaphors revolving around divorce, or a similar fallout, and the perspectives of the many individuals impacted by the subsequent tearing apart of a family which that usually brings. If we factor that theming into Love, Love, Love, it'd imply the lyrics are something about someone who believes that they can't bring themselves to carry a proper connection with their children after betraying their responsibilities as a parent - despite one child still having unbridled hope and faith that they can reconnect."

The Cranberries - go your own way cover, 1996

"Lindsey was beating his acoustic guitar as hard as he could and screaming his lungs out. The first time I heard it, I thought, What the heck is going on? It sounded so non-musical. I didn’t know if anything would come from it."

Elton John - the fox, 1981

"I can sit through this whole album without flinching once - there's some really nice material here, and whilst it's a far cry from classic Elton John, it's decent enough. The thundering opener "Breaking Down Barriers" is excellent, making the album seem rather promising when I first put it on. And I'm also pretty fond of "Just Like Belgium", which has perhaps the album's best pop hooks, although the nothing-instrumentation doesn't do it any favors. Then there's "Elton's Song", a complex but pleasant ballad that seems to be just the right length."

Beach House - walk in the park, 2010

"a walk in the park is a metaphor for something being easy, but the song doesn't seem like that at all."

Cliff Richard - the young ones, 1962

"‘The Young Ones’ does have its moments. I love the beat-band drum fills, while the guitars are very reminiscent of Buddy Holly’s mid-tempo hits – ‘Heartbeat’, ‘Maybe Baby’ and the like. Yet it’s far from perfect – corny couplets like: Oh I need you, And you need me, Oh my darlin’, Can’t you see…? make sure of that."

Youth Lagoon - bobby, 2011

"Bobby" is a somber and pretty cut that appears on the digital release as a bonus track and on a bonus 7" that comes along with the vinyl LP"

Saint Etienne - conchita martinez, 1993

"So Tough takes its title from the Beach Boys album Carl and the Passions – "So Tough". "Conchita Martinez" is named after the Grand Slam-winning Spanish tennis player Conchita Martínez, who later went on to win the Wimbledon singles title."

El Perro Del Mar - l is for love, 2009

"Death, taxes, and life's other inevitability: break-up records. Sad-eyed Swede Sarah Assbring already has one under her belt, if you count 2005 Scandinavian release Look! It's El Perro Del Mar! (later refashioned with a slightly different tracklisting in the UK and North America as the self-titled El Perro Del Mar). But that's the thing about break-ups and, by extension, break-up records: At the time each feels like a cataclysm to end all cataclysms, the definitive statement on cessation. Yet in light of the next one-- and, God help us, chances are there will be a next one-- all the ones before can seem quaint, trite, overblown, and anything but definitive. So it makes sense that Assbring should craft another ode to getting over it, just as it makes a certain sad kind of sense that the gal who sang of being sad all day long (and thinking about being sad all night long) and suggested loneliness can be pretty would again find herself in a position to make such a record. Refreshingly, Love Is Not Pop does indeed make what came before it seem quaint, representing a significant maturation for El Perro Del Mar both in sonics and sentiments. If Look!/ El Perro Del Mar was Assbring rebounding from a failed high school romance to the tune of a candy bender and the familiar, comforting sounds of 1960s pop music, Love documents a more complicated, post-collegiate parting of ways against the more sophisticated sounds of late nights and dancefloors, courtesy of co-producer (and Studio half) Rasmus Hägg."

A-ha - barely hanging on, 2000

"After reforming in 1998 to perform two songs together at the Nobel Peace Prize concert, a-ha decided to make it more than a one-time thing. The resulting album reached platinum sales and spawned four #1 hits, "Minor Earth Major Sky," "Velvet," "The Sun Never Shone That Day" and "Summer Moved On." The latter went to #1 in an astonishing 17 countries and features a world record 20-second vocal note by Morten."

Renaissance - kindness at the end, 1978

"Given its date of release, “A Song For All Seasons” must be considered as a considerable triumph. If “A Song For All Seasons” isn’t quite as good as their previous albums, at least has the distinction of coming very close. Renaissance seemed to be immune from the onrushes of punk and AOR. If there was a capitulation, on this album, it was a minor capitulation involved, because it was more in the direction of the Euro-pop than anything else, which is to say, that this “capitulation” still allowed the group to operate within their normal parameters, in a way, at least on this album."

U2 - original of the species, 2004

"Bono dedicates it to his two daughters. The image of Bono singing this song from the live recording in Chicago was used as the icon Apple used for the artist tab in the music app on their devices until 2015. Bono has also said he believes this to be the best song on How to Dismantle an Atomic Bomb."

Violens - when to let go, 2012

"We realize it’s something many artists have done in the past – singing softly to deliver a brutal message – but when we started Violens that was one of the main ideas behind it, violence and violins."

Thursday, November 28, 2024

Edward II - miles away, 1991

"Some ideas lead you to wonder why nobody thought of them before, while you wonder why anybody thought of other ideas at all. Edward II's fusion of British folk dance and Morris music with reggae is definitely in the latter category, but the result is genuinely fun. Rees Wesson's accordion and Jon Moore's fiddle fit right in with Alton Zebby's slapped reggae percussion and the lively brass section. As with Edward II's other releases, there are some intermittently interesting straightforward reggae cuts on Wicked Men, but things only get really interesting when the band starts playing with folk influences. The last two cuts, the Morris dance tune "Shepherd's Hey" and the rocked-up folk lament "List for a Sailor," are the best tracks on the album, and both received limited airplay when the album was released."

Sarah Cracknell - ready or not, 1997

"When bandmates Pete Wiggs and Bob Stanley took time out in 1996 to set up their own label, Cracknell took the opportunity to record her solo debut Lipslide (which came out in Britain in 1997, albeit with slightly different tracks). As Cracknell commented in an interview in the English press, this project was in part motivated by being tired of "people assuming that I was just a frontperson for Bob and Pete, that I was a puppet, that I didn't do any of the real work."

A-ha - thought that it was you, 2000

"Over the years his versatile and adaptable voice has lent itself to several musical genres, including synth-pop, Christian pop, rock, jazz, folk and even drum ‘n’ bass; while his interest in theology, nature, environmental issues and politics has frequently seeped into his recordings, giving much of the material a spiritual – and often philosophical – slant. With his chiselled, boyish looks and distinctive vocals, Harket was certainly the most marketable member of a-ha – but the transition to a successful solo career, following the band’s hiatus in the 1990s, wasn’t without its challenges…"

Renaissance - face of yesterday, 1971

"Following an American tour to support their first album, the band returned to the studio in the spring of 1970 to begin work on their second. The band recorded "Love Goes On", "Golden Thread", "Love Is All", and "Face of Yesterday" before they began to fall apart. Keith Relf and Jim McCarty were the first to leave, deciding to cease as performing members but remain involved with production and composition for the band. John Hawken recruited singer Terry Crowe and guitarist Michael Dunford (both from Hawken's previous band The Nashville Teens), as well as session drummer Terry Slade to replace Relf and McCarty. Louis Cennamo left shortly afterwards to join Colosseum. Bassist Neil Korner, another former member of The Nashville Teens, replaced him."

Monday, November 25, 2024

Fanfarlo - the beginning and the end, 2014

"There is gold beneath the ashes," sings Simon Balthazar on ‘The Beginning and the End’, the penultimate track on Fanfarlo’s excellent if flawed third album. "We have mouths to feed and Utopia to reach." These are fine, optimistic sentiments on an album that is generally thoughtful, uplifting and musically engaging, packed with deceptively complex, melodic songs that stimulate the mind and the senses alike. Yet, as indicated by its title, it’s a record that also seems sadly on the verge of giving up entirely."

Barclay James Harvest - poor boy blues, 1974

"The album ends with a trilogy of tracks which join together to form a single piece. "Poor boy blues" and "Mill Boys" cleverly reverse 2 themes between their vocal and instrumental sections. These almost folk like songs give way to one of BJH's great powerful tracks, "For no one" (no relation to the Beatle song). The track crashes in, in similar fashion to "After the day" from "..and other short stories", with John Lees pleading vocals lifting the song to an impassioned climax. "Everyone's a loner till he needs a helping hand, everyone is everybody else".

America - lonely people, 1974

"Peek spent much of the 1990s in semi-retirement, occasionally recording music at his home in Bodden Town, Grand Cayman Island. He released several solo projects and collaborated with Ken Marvin and Brian Gentry as "Peace" on three albums. In the years before his death, Peek released music via his website. His last musical collaboration was performing lead vocal on a track on the 2011 album Steps on the Water by Etcetera. He published An American Band, an autobiography based on America's most successful period, and his own spiritual journey."

The Postmarks - three little birds cover, 2008

"Bob got inspired by a lot of things around him, he observed life. I remember the three little birds. They were pretty birds, canaries, who would come by the windowsill at Hope Road."

Etienne Daho - week-end à rome, 1984

"The only song on my playlist not by a female artist was by colossal French superstar Étienne Daho and it is called Week-end à Rome, and if you haven’t heard it before you might want to sit down round about now."

Wild Nothing - only heather, 2012

"the introverted musicians those fans loved and identified with found their own solace in the Cocteau Twins’ and the Cure’s limpid eddies of pedal-pulled guitars."

Fleet Foxes - your protector, 2008

"I love how it starts really small and gets to be this huge expanse of sound with a great chorus melody. Pecknold's vocals in the beginning are great and somehow eerie."

Belle And Sebastian - the cat with the cream, 2015

"The only way to describe this song is that its Belle and Sebastian at their finest, their twee-est, and it makes us want to go home and order greasy food and cuddle something or someone in this time of polar freeze."

Sarah Cracknell - desert baby, 1997

"Preceded by the single "Anymore" in 1996, Cracknell released a solo album, Lipslide, in May 1997. Originally released in the UK only by Gut Records, the album featured dance, indie and pop tunes and received good reviews from critics."

A-ha - stay on these roads, 1988

"Life is sad and so is Pal Waaktaar. Pal, writer or co-writer of all these songs, seems over-run by melancholy. His lyrics are about crying, going away and yearning, and even the happier songs seem riddled with resignation rather than out-and-out pop joy"

Micheál And Eilish - cliffs of dooneen, 1990

"The late Liam Buckley who was born in the cottage immediately adjacent to the Cliffs of Dooneen has stated the poem was penned by Jack McAuliffe who had travelled from Lixnaw to Beale to visit his sister. Jack had spent time with locals in the fields above and shore below the cliffs. He then visited Bill and Nell Buckley's cottage, known as "99" a few hundred metres away - for tea and scones. Liam was told by his mother (Jack's host) that the poem was written at the kitchen window of the cottage. Liam says the poem was put to music years later by a local musician. Liam did not know the date the poem was written but he remembers it from the 1930s."

Paul Weller - down In the seine live, 2001

“My Best Friend’s Coat” is such a French-sounding song. I suppose there are touches of the Style Council’s “A Paris” EP and Cafe Bleu: “Down In The Seine”, “The Paris Match”, all that stuff. My lyrics were trying to tap into that vibe, get into that mindset of strolling down the Champs Elysee, hanging out down by the Seine."