Saturday, July 5, 2025

The Smiths - i won't share you, 1987

"Recording at the Wool Hall provided a more relaxed atmosphere, with a fully stocked wine cellar often emptied after long sessions by the band and Street. While Morrissey typically retired early, Street recalled that overdubs would continue late into the night, often followed by partying. The sessions were marked by a shift in musical approach and ongoing communication about the band's evolving sound. Ed Power wrote in The Independent that "everyone else was more than willing to join [Marr] in this new love affair. Parties at Wool House became a nightly event. With Morrissey tucked up in bed with his favourite Sylvia Plath anthology, the musicians would cover their favourite Spinal Tap songs into the wee hours".

The Soft Cavalry - mountains, 2019

"Melodic and timeless, the album lands in the atmospheric dimensions between Pink Floyd, Talk Talk and Mansun."

Junip - line of fire, 2013

"The end is very dramatic, as he sings: "Step back from the line of fire" about 8 times, but with the strings going for it, more harmonies, more drums and the Moog thing, and it's just very lovely really, a nice atmosphere. After the 8 times, there's an instrumental until the end which is very soothing."

Bee Gees - i can't see nobody live, 1997

"The Bee Gees were at their zenith in this live performance. Their song writing and vocal skills have greatly enriched my love of music and then Celine Dion singing Immortality Wow what a concert!"

Thursday, July 3, 2025

Paul McCartney - things we said today live, 1990

"McCartney wrote the song in May 1964 while cruising the Caribbean aboard a yacht called Happy Days with his then-girlfriend Jane Asher. Music critic Ian MacDonald said, “The sombre lyric—provoked by the frustrating interruptions of a relationship between two career people—matches the lowering gloom of the music.“

The Moody Blues - tuesday afternoon forever afternoon live at red rocks, 1993

"A Night at Red Rocks with the Colorado Symphony Orchestra is a live album by The Moody Blues, recorded from a live performance at the Red Rocks Amphitheatre on 9 September 1992. This performance was the first time The Moody Blues performed in concert backed by a full orchestra. The concert was held in celebration of the 25th anniversary of their second album, Days of Future Passed, which had featured the London Festival Orchestra. The full video of this concert was broadcast as a fundraising broadcast for PBS in the United States."

Old Sea Brigade - if love was the answer, 2025

"Benjamin George Cramer, better known as Old Sea Brigade, is an American songwriter and producer, signed to Nettwerk Music Group. Originally from Atlanta, Georgia, Cramer currently resides in Nashville, Tennessee."

The Housemartins - the light is always green cheap version, 1997

"Raise the Flag" is a bootleg compilation album released in 1997 by Saturday Elephant Productions. This album is not an official release but a collection of B-sides, live tracks, and rarities from 1984–1988, featuring 24 tracks such as "Stand at Ease," "Coal Train to Hatfield Main," "You," and "Drop Down Dead (12" Version)." It includes an 8-page full-color foldout insert with a bio, band member details, and a complete Housemartins discography. The CD, cataloged as SE02-97, is considered a rare collector's item and is noted for its jangle pop and indie pop style.

The Go-Betweens - bachelor kisses, 1984

"Despite the efforts of producer John Brand to shine it up, Bachelor Kisses is perhaps still too skeletal to have been a genuine commercial hit in 1984 (maybe a couple of years earlier it might have been a contender), but it remains one of the great treasures of the Go-Betweens’ catalogue." 

See also https://sintrabloguecintia.blogspot.com/2024/05/the-radio-dept-bachelor-kisses-cover.html. This is a fabulous cover version of this song by The Radio Dept. A dreamy and lo-fi cover, aligning with The Radio Dept.'s style.

Bee Gees - new york mining disaster nineteen forty-one live, 1997

"Released in April 1967, it was the band’s first internationally released single and their first song to hit the charts in the U.S. (#14) and the U.K. (#12). Barry and Robin Gibb’s haunting harmonies proved to be reminiscent of the Beatles, leading some to speculate that the song was actually performed by the Beatles under a different name. And “New York Mining Disaster 1941” was said to be an influence for David Bowie’s first big single, 1969’s “Space Oddity,” which had a similar theme of an astronaut trapped on his ship floating in space."

Wednesday, July 2, 2025

The Smith Street Band - song for you, 2017

"Song for You" by The Smith Street Band is a track from their 2017 album More Scared of You Than You Are of Me, released on April 7, 2017. It’s a song with indie and emo influences, written by Wil Wagner and produced by Jeff Rosenstock. The lyrics explore themes of rejection, insecurity, and unrequited love, with lines like “Rejection’s a constant, bitterness comes with age” and “One day there’ll be a song for you,” reflecting Wagner’s raw, emotional storytelling.

The Soft Cavalry - the ever turning wheel, 2019

"The album’s highlight is undoubtedly its final track, the near-seven minute The Ever Turning Wheel, flexing through the contours of the epic finale without ever appearing sticky or over-earnest (itself a feat that’s easy to get wrong). It's a track whose presence is indicative of the record as a whole: tender, considered, personal."

The Moody Blues - nights in white satin, 1974

"While it has been commonly known as part of "Nights in White Satin" with no separate credit on the original LP, "Late Lament" was given its own listing on the two-LP compilation This Is The Moody Blues in 1974 and again in 1987 (without its parent song) on another compilation, Prelude. Both compilations feature the track in a slightly different form than on Days of Future Passed, giving both spoken and instrumental tracks an echo effect. The orchestral ending is kept intact, but mastering engineers edited out the gong (struck by Mike Pinder) that closes the track on the original LP as it relates to the closing of the original album (with Side 1 beginning with the gong fading in) and not the track alone."

Beirut - gauze für zah, 2018

"The longest track on the album, Gauze für Zah, begins with the signature sound offered on more recent Randy Newman standards, before subtly slipping into deeper and haunting echoing’s as if one were settling into a meditative state."

Bee Gees - lonely days live, 1997

"Though One Night Only was originally meant to live up to its name, the Bee Gees ultimately decided to expand the “tour” and play shows across the world. In late 1998, they performed in Dublin, London, Bueno Aires and Pretoria, South Africa before finishing up the tour in Auckland and Sydney in 1999. While each of these shows have similar sets to the one in Las Vegas, a few other treats sneak in. The Pretoria concert was also recorded and (I believe) aired live at the time, though is a less polished version than the one officially released. The Bee Gees also rang in the new millennium with a full set not far from their adopted home of Miami, sending off their celebratory end of their 4th decade as the Bee Gees in style."

Moby - isolate, 2009

"Wait for Me sounds like the sparse lunar landscape depicted on its minimalistic album cover. The album is lonely and desolate, featuring spacey keyboard textures, sad vocals from a bevy of female guest artists, as well as a few by Moby himself, minimal beats, and woozy guitar that reminds me of how Reese's Pieces feel between my teeth. Also, something about this album - rather anachronistically - reminds me of the 50's."

The Sound - acceleration group, 1987

"Acceleration Group" is a song by the English post-punk band The Sound, featured as the opening track on their fifth and final studio album, Thunder Up, released on December 28, 1987, by the Belgian label Play It Again Sam. Written by frontman Adrian Borland, the song embodies the band’s signature blend of new wave, pop rock, and post-punk, with lyrics that evoke themes of persistence, defiance, and breaking free from stagnation. Lines like “The flames will flicker and the wanting will waver / But there's something in this somewhere / That's going to go on forever” and references to the “acceleration group with the acceleration groove” suggest a restless energy and a refusal to conform. The track runs for 3:34 and was recorded at Elephant Studio in London. Thunder Up marked a shift toward a more polished guitar-pop sound compared to the band’s earlier, rawer work, though it retained their emotional intensity. Despite critical praise—Melody Maker called it a magnification of “the intensity of expression,” and band members like drummer Michael Dudley and bassist Graham Bailey considered it their finest work—the album was not commercially successful. The subsequent tour, marred by Borland’s mental health struggles, led to the band’s breakup in early 1988."

Tuesday, July 1, 2025

Ford Chastain - give it time, 2024

"The sweltering mid-year months carry their own unique brands of white-hot wistfulness and seasonal depression as the days drag on and on and the nights just flatly refuse to cool off."

The Goon Sax - somewhere in between, 2018

"The songs are bright and bold, the strings swoop in occasionally to lift the songs into the skies, and there's a refreshing lightness to everything that makes the still-somewhat-difficult nature of the subject matter go down more easily. They managed to build up and expand up their sound without losing the core of what made them special."

Pet Shop Boys - it must be obvious, 1990

"But it feels like the flight of the von Trapps, does that mean it's war?" – The Trapp Family Singers, led by their patriarch Captain Georg Ludwig von Trapp, were a popular Austrian vocal group during the period just before the Second World War. Ardently anti-Nazi, they fled Austria just before their country was annexed by Germany in 1938, at which time their home was confiscated. They settled in the United States. Their story, told primarily from the viewpoint of stepmother Maria von Trapp, became the basis of Rodgers and Hammerstein's popular 1959 stage musical The Sound of Music."

Bee Gees - to love somebody live, 1997

"My fascination with the band had started way back in high school in Dhaka, Bangladesh. When I was a student in class X, my eldest brother presented me with a Record of the Bee Gees which he got during an official tour to Washington DC. One of the songs in that album was the song “To love somebody.” At the time I was too young to understand the meaning of “love” except that in a couple of years girls my age usually get to experience it as that is the time girls have crushes on a boy. I was totally unaware of the deep pain associated with the rejection of romantic love."