Bruce Springsteen - streets of minneapolis, 2026

"I wrote this song on Saturday, recorded it yesterday and released it to you today in response to the state terror being visited on the city of Minneapolis. It’s dedicated to the people of Minneapolis, our innocent immigrant neighbors and in memory of Alex Pretti and Renee Good. Stay free, Bruce Springsteen"

Neil Young - when you dance i can really love, 1970

"The official Neil Young website gives the title as "When You Dance I Can Really Love"; however, the CD release (US catalogue number 2283-2, Europe 7599-27243-2) has the title misprinted as "When You Dance You Can Really Love." The correct title appears on other albums, such as Live Rust. It also appears in Young's handwritten lyrics included with some copies of the album."

Sintra, dia 3 de Fevereiro de 2026, de manhã cedo, com arco-iris

Stars - the passenger, 2010

"The song has a dreamy, atmospheric electropop/baroque pop vibe typical of Stars' sound from that era—lush synths, evocative lyrics, and a sense of nocturnal wanderlust."

REM - all the right friends, 1993

"All the Right Friends" is one of the earliest songs written by R.E.M., written by Peter Buck and Michael Stipe in 1979 before meeting their future bandmates, according to Peter Buck's liner notes to the band's In Time compilation album. Like all R.E.M. songs, its composition is credited to all members. The song was recorded for Murmur in 1983, but was left off the album. In January 1993, the European reissue of Dead Letter Office, a B-side album compilation, included that recording, along with an acoustic version of "Gardening at Night". The song was also recorded during the Reckoning sessions, but not used (though bootlegged), and later recorded during the Lifes Rich Pageant demo sessions (this version was included on the bonus disc of the 25th Anniversary edition of the album)."

The Beatles - ps i love you, 1963

"Written primarily by Paul McCartney, it showcases the band's early rock and roll and pop style with heartfelt lyrics and a catchy melody. The song tells a story of a man writing a letter to his beloved, ending it with the affectionate postscript "PS I Love You." It’s a sweet expression of love and commitment, wrapped in a simple, melodic tune that captures the innocence and sincerity of young romance. This track reflects The Beatles' knack for blending relatable storytelling with memorable music, a key factor in their enduring global appeal."

Rolling Blackouts Coastal Fever - mainland, 2018

"Mainland" is a song by Rolling Blackouts Coastal Fever from their 2018 album Hope Downs. The band, known for their jangly indie rock sound with bright guitar melodies and reflective lyrics, released Hope Downs as their debut studio album."

The Triffids - beautiful waste, 1984

"Beautiful Waste" is a single released by Australian rock group, The Triffids in February 1984. Not included on any of the band's studio albums nor extended plays, it was first compiled on Australian Melodrama (1994). Its B-side, "Property Is Condemned", was included on the 1984 EP Raining Pleasure. A film clip was made for "Beautiful Waste". Its name was adapted for a 2008 posthumous compilation of mid-1980s non-album tracks, Beautiful Waste and Other Songs."

Telenova - in the name of your love, 2026

"Romantic, divine, potent — whatever kind of love it is. Something that wakes you up. Calls you upwards. To something that’s not always easy or comfortable, but is rich, deep and true."

Don McLean - castles in the air, 1970

"The song describes a man who is unsatisfied with and weary of an urban lifestyle. Although native to the city, he decides to forsake not only his urban 'castle in the air' but also his love interest there."

Pink Floyd - san tropez, 1971

"Unlike the other tracks on Meddle, "San Tropez" was not written collaboratively; instead, Roger Waters wrote the piece himself and brought it into the studio already finished. It is the only track on Meddle not co-written by David Gilmour. This song is about a place called Saint-Tropez, a commune of the Var département in southern France located on the French Riviera. The song reflects an idealised vision of what a day in Saint-Tropez might be like."

Tame Impala - endors toi, 2012

“Endors Toi” means “go to sleep” in French. The track delivers psychedelic satisfaction in the form of wandering synths, crashing drums and hypnotizing delay effects."

Cloud Studies - last night i fell again cover, 2025

"Taking the loose feel of the original track and confining it to a much more rigid, thumping, song-serving, rhythmic framework – the Cloud Studies version ends up falling somewhere between Alvvays, The Cranberries, Cocteau Twins, My Bloody Valentine & The Jesus & Mary Chain. Guest starring Kirstin Isolde Lavender on lead vocals, the resulting tune is a hazy, atmospheric dreamgaze masterpiece and should be considered a how-to guide for aspiring dreampop/shoegaze musicians everywhere."

The Beatles - ask me why, 1963

"Written in early 1962, "Ask Me Why" is principally a John Lennon composition, but was credited to Lennon and Paul McCartney, as were all other Lennon–McCartney originals on the first pressings of Please Please Me album. McCartney said, "It was John's original idea and we both sat down and wrote it together, just did a job on it. It was mostly John's." It was part of their live act prior to their recording contract, and was one of the songs performed at their first Parlophone recording session in EMI's Abbey Road studio two on 6 June 1962. The song emulates the style of Smokey Robinson and the Miracles, by whom Lennon was influenced, and draws its opening guitar phrase from the Miracles' "What's So Good About Goodbye" (1961)."

Renaissance - love goes on, 1971

"The band recorded "Love Goes On", "Golden Thread", "Love Is All", and "Face of Yesterday" in between continued extensive touring in both the UK and mainland Europe, a schedule that was so physically taxing that McCarty became ill while on the road, leading him to announce in July 1970 that he was leaving Renaissance in order to focus exclusively on songwriting. Keith Relf was not immune to the stresses and personal conflicts of the band's nonstop schedule, and with McCarty gone, he shortly after announced that he was quitting Renaissance as well, though he continued to be present for the recording sessions in his capacity as producer. John Hawken recruited singer Terry Crowe and guitarist Michael Dunford (both from Hawken's previous band The Nashville Teens), as well as session drummer Terry Slade to replace Relf and McCarty. Louis Cennamo nonetheless was skeptical of the band's future in the light of the departure of both their primary songwriters, so when the band Colosseum contacted him with an invitation to become their new bassist, he accepted. Bassist Neil Korner, another former member of The Nashville Teens, replaced him."

Rilo Kiley - go ahead, 2001

"This song is ultimately kinder than I was 20ish years ago, and because we see things not for what they are but as we are, my 18-year-old self heard a much more sarcastic, sardonic intent underneath this track that pairs a breezy permissiveness with an absolutely astonishing willingness to accept whatever is best for the object of this song, even if that means losing them to distance, separate paths or the freedom to find somebody else that’s better."

Kitchens Of Distinction - oak tree, 2013

"Fitzgerald's impassioned, wordy, often bluntly personal vocals careened over what sounded like a mass of swirling guitars, though the band only had one guitarist."

Neil Young - birds, 1970

"You know, I don't edit my songs. I knew something was happening at the time that I wrote it to make that right, but I can't remember what it is and it doesn't apply to what I'm doing now."

The Go-Betweens - a bad debt follows you, 1983

"The Go-Betweens were already a good band well before they made Before Hollywood, but this second album is what proved for many listeners that they were great."

The Beatles - boys cover, 1963

"Ringo always used to do a song in the show. Back then he had 'Boys'. It was a little embarrassing because it went, 'I'm talking about boys - yeah, yeah - boys'. It was a Shirelles hit and they were girls singing it, but we never thought we should call it Girls, just because Ringo was a boy. We just sang it the way they'd sung it and never considered any implications."

The The - perfect, 1983

"Youthful angst and anomie are fine in their place, but not all over the place."

Pink Floyd - cirrus minor, 1969

"It was written by Roger Waters and performed by David Gilmour on vocals and guitar and Rick Wright on organ. The song has a hallucinogenic, pastoral quality, with prominent organ and bird sound effects, like those later that year featured on the Ummagumma track "Grantchester Meadows". It was also included on Pink Floyd's compilation album Relics. The song features no drums. The Hammond and Farfisa organ coda is similar to that found on the "Celestial Voices" section of "A Saucerful of Secrets".

Genesis - in the beginning, 1969

"This debut Genesis album, which has appeared under license to various labels in addition to Decca and London in different configurations, is largely of historical interest. The group was still in its formative stages, the members barely past their 18th birthdays and still working out what they wanted to sound like."

The Blue Nile - stay, 1984

"I suppose to some extent that started to bleed into our own songs – there was more and more space in what we were doing"

The Go-Betweens - you've never lived, 1984

"The song captures the Go-Betweens' signature style: literate, barbed lyrics delivered with a mix of jangly guitars, a restless rhythm, and Forster's distinctive nasal, talk-singing delivery."

Neil Young - here we are in the years, 1969

"The songs were gathered from the past and the future, mostly dreams, nothing concrete; they were mostly created as vehicles for record-making, like 'Here We Are in the Years,' or personal expression and longing, such as 'I’ve Been Waiting for You.' Some of them were stream-of-consciousness, like 'The Last Trip to Tulsa,' with no preconceived thought behind them. They were just songs. There was no big pressure on me at that time to top anything I had already done. That came later. The sky was the limit. I had no idea what was coming my way."

The Beatles - anna go to him cover, 1963

"Despite the song's title, throughout the song the lyric is "go with him" rather than "go to him".[3] Regarding the additional syllable added to Ann's name in the song, Alexander said, "it just fit better than Ann."