"In a candid and perhaps unguarded moment, Paul McCartney told Guitar Player in 1990, "What do they say? 'A good artist borrows, a great artist steals' – or something like that. That makes The Beatles great artists because we stole a lot of stuff." McCartney wasn't admitting to theft. He was saying that The Beatles didn't operate in a vacuum and they assimilated what was happening around them to create original music. Their "yeah, yeah, yeahs" had previously been used by Elvis Presley and The Isley Brothers and their introduction to "I Feel Fine" mimics Bobby Parker's "Watch Your Step". When McCartney woke up one morning with a beautiful melody in his head, he was sure he had nicked it. After friends told him it was original, he recorded it as "Yesterday". I would speculate that McCartney had heard Nat "King" Cole's "Answer Me, My Love". The mood and the tempo are similar and Nat even sings, "You were mine yesterday, I believed that love was here to stay." Written in 1963, "All My Loving" was McCartney's first attempt at writing an MOR standard, but play "Kathy's Waltz" from the Dave Brubeck Quartet. You might think that a modern jazz group was improvising around "All My Loving", but "Kathy's Waltz" was recorded in 1959."
"Going-to-the-Sun Road is a scenic mountain road in the Rocky Mountains of the western United States, in Glacier National Park in Montana. The Sun Road, as it is sometimes abbreviated in National Park Service documents, is the only road that traverses the park, crossing the Continental Divide through Logan Pass at an elevation of 6,646 feet (2,026 m), which is the highest point on the road. Construction began in 1921 and was completed in 1932 with formal dedication in the following summer on July 15, 1933. Prior to the construction of the road, visitors would need to spend several days traveling through the central part of the park, an area which can now be traversed within a few hours, excluding any stops for sightseeing or construction."
"In 1965 I was up in Canada, and there was a friend of mine up there who had just left a Rock'n'Roll band in Winnipeg/Manitoba near where I come from on the prairies to become a folk singer a la Bob Dylan, who was his hero at that time, and at the same time there were breaks in his life and he was going into new and exciting directions. He had just newly turned 21, and that meant in Winnipeg he was no longer allowed into his favorite hangout which is kind of a teeny-bopper club and once you're over 21 you couldn't get in there anymore, so he was really feeling terrible because his girlfriends and everybody that he wanted to hang out with, his band could still go there, you know, but it's one of the things that drove him to become a folk singer was that he couldn't play in this club anymore. But he was over the hill. So he wrote this song that was called "Oh to live on sugar mountain" which was a lament for his lost youth. And it went like this... [sings a few verses]. And I thought, God, you know, if we get to 21 and there's nothing after that, that's a pretty bleak future, so I wrote a song for him, and for myself just to give me some hope. It's called The Circle Game."
"les Zazous, long-haired proto-beatnik dissidents who conscientiously chose not to take sides with either the Nazis or the Resistance, but instead "opted out." As a result, they were distrusted and hated by both sides. The Nazis disdained them as depraved and decadent, while the French Resistance regarded them as collaborators. Obviously Neil was intrigued by the dramatic possibilities of being in such an ambiguous and precarious position. Stylistically the song betrays the influence of American producer "Bobby O" Orlando, with whom Neil and Chris were working at the time. (In particular, note the strong musical similarity to the cult classic "Passion" by the Flirts, written and produced by Bobby O.) A British TV program devoted to fashion, The Clothes Show, used part of "In the Night" as its theme song, which prompted the Boys to record a new version in 1995. The newer rendition, an instrumental, replaced the old one as the TV theme music and was released as a bonus track on the "Before" single. Oh, and in case you're wondering how things turn out for the Zazou addressed in this song, I would be remiss not to point out that its music ends with a percussive effect highly reminiscent of the firing of a machine gun. Make of that what you will."