The Go-Betweens - that way, 1983

"The Go-Betweens' country of origin has been of crucial importance in forging their identity. Unlike many groups in this country, they still maintain an admirable idealism — an uncompromising belief in their music and a distaste for the manipulative moguls operating inside the major record corporations. They don't like Britain much, they're here briefly because their record company is Rough Trade. It has faults, but they feel it's been about the best option on offer."

Bom ano novo de 2026

Confio-Te, Senhor, o próximo ano.

Dá-nos sabedoria para apascentar os dias, paciência suficiente para suportar o que deve ser suportado, e um coração puro para acreditar.
Concede que saibamos colocar-nos em humilde relação com as grandes coisas de que a vida é feita.
Que nos sintamos como aprendizes e discípulos da revelação do teu amor que acontece no tempo.
Não nos deixes acomodar: que o conforto da estalagem nunca nos seduza mais do que a beleza da viagem; 
que o conhecimento acumulado de ontem não nos dissuada de sairmos para contemplar o novo orvalho que brilha, hoje, nos prados;
que o nosso olhar não esteja fixo no dedo que aponta, mas naquela flor silenciosa que é a lua.
Em cada estação ensina-nos a tomar, a decifrar a noite inteira, não a escuridão mas uma estrela.
Ensina-nos a considerar que não é o mal, mas um traço de bondade, que melhor reflete um coração.
Ensina-nos a prestar atenção ao rebanho de nuvens para compreender que sempre, acima de nós que pisamos o chão, os céus ficam extasiados.
Ensina-nos a não querer ser senhores de nada nem de ninguém, mas sim peregrinos conscientes de que a história a que atracam é uma terra sagrada.
Para quem o quer ouvir, o vento do teu Espírito passa como um assobio primaveril anunciando o degelo.

A nossa existência nunca é tão bela como quando nos olhas, Senhor! — Card. José Tolentino de Mendonça

Paul McCartney - penny lane paul is live, 1993

"I like some of the things the Animals try to do, like the song Eric Burdon wrote about places in Newcastle on the flip of one of their hits. I still want to write a song about the places in Liverpool where I was brought up. Places like The Docker’s Umbrella which is a long tunnel through which the dockers go to work on Merseyside, and Penny Lane near my old home. Paul McCartney – Interview with Flip Teen Magazine, May 1966."

It's Immaterial - an ordinary life, 1990

 

"The song "An Ordinary Life" draws inspiration from F. Scott Fitzgerald's 1920 short story Bernice Bobs Her Hair, telling a melancholic story of unrequited affection, loneliness, and routine existence. It's often praised as part of an understated, introspective record that's gained cult status over time (e.g., ranked in Uncut's top 200 albums of the 1990s in 2024). Despite critical acclaim for its poignant portrayals of ordinary lives, the album was a commercial disappointment."

Pink Floyd - see-saw, 1968

"It is the third Pink Floyd song written solely by Richard Wright, and features Wright on lead vocals and piano, Farfisa organ, xylophone and Mellotron. On the recording sheet, the song is listed as "The Most Boring Song I've Ever Heard Bar Two". It was recorded on the 25 and 26 January 1968 at EMI Studios. David Gilmour uses a wah-wah pedal on his electric guitar and possibly contributes backing vocals."

Pearl Jam - mankind, 1996

"The inspiration behind “Mankind” is often interpreted as Gossard’s commentary on authenticity in the mid-90s rock scene. Several sources describe the song as a “scathing put-down of imposter bands” that were flooding the music scene in the wake of Pearl Jam’s success (PEARL JAM - NO CODE (1996) - The Year Grunge Broke). By 1996, the grunge explosion had given rise to many imitators, and Gossard’s lyrics and attitude in “Mankind” reflect a frustration with trend-chasing and musical facades. One music review called the track a “riff-driven put-down of second-wave ‘grunge’ bands” (The Genius Of… No Code by Pearl Jam - Guitar.com). In tone, however, Gossard approached the subject with humor and irony rather than anger. He delivers the song in a tongue-in-cheek manner, once referring to his own rough lead vocals as a bit of fun within the album (No Code – More Than Ten). The band was aware that fans and radio listeners would be surprised to hear Stone on lead – indeed, its debut “took fans and radio stations by complete surprise in 1996” (No Code – More Than Ten). This willingness to subvert expectations was very much in line with Pearl Jam’s mindset during No Code, an album defined by experimentation and defying mainstream conventions."

Fazerdaze - shoulders, 2017

"‘Shoulders’ features a casio-like keyboard sound, that reminds this listener of the casio work of Chris Knox and Tall Dwarfs, and Amelia's layered mournful vocals. Another standout is ‘Friends’ with an intro of single bass notes leading to a vocal, then simple drum beats and finally a contrasting loud guitar. We were ready for a blast of colder air and this blows and mingles some of the traces of unease that have accumulated and now reside faintly beneath the surface of this album."

Paul McCartney - we can work it out paul is live, 1993

"Paul Is Live, Paul McCartney’s third solo live album, was recorded in 1993 during his New World Tour. The tour visited Argentina, Australia, Austria, Belgium, Brazil, Canada, Chile, France, Germany, Italy, Japan, Mexico, Netherlands, New Zealand, Norway, Spain, Sweden, UK, and the USA, and was in support of McCartney’s Off The Ground album. The majority of the recordings on Paul Is Live were from the US leg of the tour, mainly from Boulder, Charlotte, and Kansas City. The title ‘Paul Is Live’ refers to the Paul Is Dead myth, which began shortly after the release of Abbey Road in 1969. McCartney and engineer Geoff Emerick began selecting songs for the album in June 1993, during a break in the New World Tour."

The Lightning Seeds - if only, 1999

"Occasionally, the Lightning Seeds sound like a warmer version of the Pet Shop Boys, especially on "If Only" and "Happy Satellite."