"To be loved like that makes all the difference. It does not lessen the terror of the fall, but it gives a new perspective on what that terror means. I had jumped off the edge, and then, at the very last moment, something reached out and caught me in midair. That something is what I define as love. It is the one thing that can stop a man from falling, the one thing powerful enough to negate the laws of gravity." Paul Auster (Moon Palace)

Wednesday, August 14, 2024

Saint Etienne - russian, 1995

"Like most bands founded by former music journalists, Saint Etienne were a highly conceptual group. The trio's concept was to fuse the British pop sounds of '60s London with the club/dance rhythms and productions that defined the post-acid house England of the early '90s. Led by songwriters Bob Stanley and Pete Wiggs, and fronted by vocalist Sarah Cracknell, the group managed to carry out their concept, and, in the process, Saint Etienne helped make indie dance a viable genre within the U.K. Throughout the early '90s, Saint Etienne racked up a string of indie hit singles that were driven by deep club beats - encompassing anything from house and techno to hip-hop and disco - and layered with light melodies, detailed productions, clever lyrics, and Cracknell's breathy vocals. They revived the sounds of swinging London as well as the concept of the three-minute pop single being a catchy, ephemeral piece of ear candy, in post-acid house Britain, thereby setting the stage for Brit-pop. Though most Brit-pop bands rejected the dance inclinations of Saint Etienne, they nevertheless adopted the trio's aesthetic, which celebrated the sound and style of classic '60s pop."

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