Sufjan Stevens - the transfiguration, 2004

"The progression through the song becomes a musical procession of sorts: voices and instruments like bass, drums, and even glockenspiel are added one by one and then caught up in the tune, moving together toward the song’s summit. This musical layering creates a shimmering effect, a sonic analogue to the dazzling radiance of the face and clothing of the transfigured Christ. The layers increase in range and complexity, building on one another until the song’s climactic ending, when all complexity vanishes, the instruments and voices end in unison—a powerful musical image of the moment when Moses, Elijah, the cloud, and the voice disappear, and only Jesus remains, his divinity hidden in his humanity once again."