"To be loved like that makes all the difference. It does not lessen the terror of the fall, but it gives a new perspective on what that terror means. I had jumped off the edge, and then, at the very last moment, something reached out and caught me in midair. That something is what I define as love. It is the one thing that can stop a man from falling, the one thing powerful enough to negate the laws of gravity." Paul Auster (Moon Palace)

Thursday, August 1, 2024

The Beatles - we can work it out live, 1965

"The song is an example of Lennon-McCartney collaboration at a depth that happened only rarely after they wrote the hit singles of 1963. This song, "A Day in the Life", "Baby, You're a Rich Man" and "I've Got a Feeling", are among the notable exceptions."

David Bowie - velvet goldmine, 1975

"Musically, "Velvet Goldmine" is a glam rock number that contains a bouncy piano part and backing vocals similar to Hunky Dory (1971), while also anticipating the cabaret feel Bowie soon experimented with on Aladdin Sane. Author Peter Doggett described it as a combination of Gene Vincent's 1950s rock'n'roll and the "electric thrust" of Marc Bolan."

Pedro Abrunhosa - eu não sei quem te perdeu, 2002

"Portuguese singer, songwriter, musician and composer. Trained in jazz music, Abrunhosa started his career in the 1980s playing in jazz bands and teaching in music and art schools in Porto. He is a co-founder of the Jazz School of Porto."

The Legends - everything you say, 2003

"The group is the brainchild of Johan Angergård, Labrador Records founder and member of Swedish bands Club 8 and Acid House Kings."

Traveling Wilburys - runaway cover, 2007

"The supergroup Traveling Wilburys recorded a version of the song, with Jeff Lynne singing lead vocals; it was released on a 2007 CD reissue of Traveling Wilburys Vol. 3."

The Strokes - heart in a cage, 2006

"Heart in a Cage" is a song by American rock band the Strokes. Written by lead singer Julian Casablancas, the song was released as the second single from the band's third studio album, First Impressions of Earth (2006)."

Belle And Sebastian - take your carriage clock and shove it, 2005

"Isobel Campbell certainly seems to think that this song was written about her. Interesting that it is followed by 'I'm waking up to us' on the Barman compilation album, which is even harsher. Her 'Monologue for an old true love' on her solo record, Amorino, could be taken as a response."

The Radio Dept - the worst taste in music flow flux clan remix, 2006

"The title track may open with a computerised rattle, but that disappears in a gush of autumnal colour, muted enough to strip the lyrics of all bite. By the time you reach the helplessly gauche The Worst Taste in Music and the anaemic opening line of Tell ("Betrayal is always sad"), the desire to drench the Radio Dept in cold water becomes overwhelming. And yet, in the right mood, there is something shy and lovely about Pet Grief, ghosts of the C86 sound that make you want to grab a cardigan and sway."

Wednesday, July 31, 2024

The Beatles - help, 1965

"The whole Beatles thing was just beyond comprehension. I was subconsciously crying out for help".

Simon And Garfunkel - flowers never bend with the rainfall, 1966

"his mirror on the wall threw back an image dark and small, which to some degree depressed him."

Mark Knopfler - going home theme of the local hero, 1983

"Going Home: Theme of the Local Hero" is an instrumental rock track by Mark Knopfler, and the closing track from the 1983 film Local Hero soundtrack. It was the debut solo single by Knopfler, and charted at number 56 in the UK, at number 26 in the Netherlands and at number 18 in New Zealand. The soundtrack album also features a reprise called "Wild Theme", which consists of Knopfler's acoustic guitar interpretation of the song's melody."

Saturday Looks Good to Me - untitled all your summer songs, 2003

"Scuffed-up transistor radio with a blown speaker beaming time-travelled frequencies from 1957-1967. What The Beach Boys might have sounded like if they recorded in an underwater cove. A warped vinyl copy of your favorite pop record played on one of those tan Fisher Price record players we all owned as kids."

The Flaming Lips - yoshimi battles the pink robots part one, 2003

"The lyrics of Yoshimi Battles the Pink Robots concern a diverse array of subject matter, mostly melancholy ponderings about love, mortality, artificial emotion, pacifism, and deception, while telling the story of Yoshimi's battle. The title character is inspired by Boredoms/OOIOO member Yoshimi P-We, following a comment in the Flaming Lips studio that her machine-sound abstract singing sounds like she is battling monsters—Coyne added 'pink'. P-We also performs on the album. Some listeners consider Yoshimi Battles the Pink Robots to be a concept album; however, the story is debated, as it is only directly apparent in the first four tracks. Despite the story-type title and science fiction themes, Flaming Lips frontman Wayne Coyne has made it clear that Yoshimi is not intended to be a concept album."

Saint Etienne - four thirty-five in the morning kid loco remix, 2009

"Sub Pop released Saint Etienne's 1998 album Good Humor in a limited version that included a bonus disc of extras. Entitled Fairfax High, the 40-minute disc of B-sides and assorted extras enabled the trio to ransack their sock drawer yet again. Most of these stray tracks come from the Sylvie and Bad Photographer singles. Like their other collections of studio fallout, this disc offers a few hidden gems and a clutch of decent-but-not-so-hot moments. Opening with the instrumental Mike Post homage, "Hill Street Connection" (originally named "Andrew McCarthy" after the Less Than Zero star) and ending with the easy listening instrumental "Cat Nap," it feels like more of a decent album than a hodgepodge, if slightly uneven."

Pet Shop Boys - absolutely fabulous rollo our tribe tongue-in-cheek mix disco two, 1994

"It is ostensibly a comedy record but few comedy records claim to possess as much dancefloor credibility as this one."

Belle And Sebastian - my wandering days are over, 1996

"Written after Murdoch met Isobel Campbell, the cello player who would complete the band’s lineup, “My Wandering Days” folds the B&S origin story into a larger narrative about a guy hanging up his dancing shoes and settling down. Whether he’s the melancholy “circus boy” who pops up later in the song is never really made clear. The ambiguity manifests itself gorgeously in the final minute, as trumpeter Mick Cooke cuts through the hazy fadeout with a sharp run of notes."

Tuesday, July 30, 2024

The Beatles - i feel fine live, 1965

"I Feel Fine" starts with a single, percussive feedback note produced by McCartney plucking the A string on his bass, and Lennon's guitar, which was leaning against McCartney's bass amp, picking up feedback. This was the first use of feedback on a rock record."

The Pipettes - judy, 2005

"Judy" is a limited edition 7" single by The Pipettes of which 1000 copies were pressed by Boston's Total Gaylord Records in August 2005. It was exclusively available via mailorder from the United States and featured a sleeve which folded out into a polka dot dress in homage to the singers' dress code. The B-side "KFC" features DJ Scotch Egg and members of The Go! Team. The first two tracks are the same recordings as the previous UK 7" releases. Rose sings the lead vocals on the song."

The Beautiful South - worthless lie, 1994

"The album's tracks reflect a depressing period in Heaton's life, and this continues with the follow-up album Blue is the Colour (1996). The songs also led the group's first female singer, Briana Corrigan, to leave the band; after Heaton sent her copies of the songs, including "Mini-correct" and "Worthless Lie", she swiftly made the decision to leave."

Traveling Wilburys - not alone any more, 1988

"Not Alone Any More" is a song by the British–American supergroup the Traveling Wilburys from their 1988 album Traveling Wilburys Vol. 1. It was sung by Roy Orbison and serves as his main contribution to the album. The song was written mainly by Jeff Lynne, although all five members of the Wilburys are credited as songwriters. A longtime admirer of Orbison, Lynne wrote "Not Alone Any More" as a vehicle for the singer's operatic vocal style. The song's lyrical theme of loneliness similarly recalls Orbison's dark ballads of the early 1960s. On release, the song was much admired by music critics. With the commercial success of the Wilburys, and the recognition afforded Orbison following his death in December 1988, it marked his full return from the career downturn he had experienced since the mid-1960s."