"To be loved like that makes all the difference. It does not lessen the terror of the fall, but it gives a new perspective on what that terror means. I had jumped off the edge, and then, at the very last moment, something reached out and caught me in midair. That something is what I define as love. It is the one thing that can stop a man from falling, the one thing powerful enough to negate the laws of gravity." Paul Auster (Moon Palace)

Thursday, May 7, 2026

The Beatles - drive my car, 1965

"Drive My Car" is a song by the English rock band the Beatles, written primarily by Paul McCartney, with lyrical contributions from John Lennon. It was first released on the band's 1965 album Rubber Soul as the opening track. The song later appeared in North America on the Yesterday and Today collection, again to open the record, as the track had been dropped from the American version of Rubber Soul."

Sintra, Praia do Magoito, hoje, 7 de Maio de 2026, ao fim da tarde

The Broken Radios - living life like a fever dream, 2026

"a melodic Britpop/alternative rock cut with groove-driven energy, fitting the band's Oasis and Stone Roses-inspired sound-think jangly guitars, driving rhythms, and introspective yet anthemic vibes."

The Embassy - related artist, 2013

"In the small but massively influential so-called Swedish Balearic scene that emerged at the start of the last decade, Gothenburg duo the Embassy – Fredrik Lindson and Torbjörn Håkansson – were unwittingly cast as pioneers."

Wednesday, May 6, 2026

Genesis - stagnation, 1970

"Stagnation" and "Dusk" showed Phillips and Rutherford's combined twelve-string sound, along with Banks taking leads on piano, organ and Mellotron. The organ lead uses a surreal descending note which Banks produced by turning the organ off and then turning it back on. Rutherford later recalled there were around ten acoustic guitars on part of "Stagnation", but they cancelled each other out in the final mix. Gabriel described the track as a "journey song" with its lack of a more typical verse/chorus structure and the variety of mood changes it presents. Sections were removed or altered, but the introduction remained unchanged. The vocal effect on the section referencing "bitter minnows amongst the weeds and slimy water" was created by having Gabriel sing into a narrow tube with the intent of making it sound like he was underwater."

Tegan And Sara - where does the good go, 2004

"a Canadian indie pop duo formed in 1998 in Calgary, Alberta. The band is led by identical twin sisters, Tegan Rain Quin and Sara Keirsten Quin (born September 19, 1980). Both musicians are songwriters and multi-instrumentalists. After releasing a number of demos on cassette tape, the duo released their debut album in 1999, after which they were signed by Neil Young's Vapor Records. They have released ten studio albums, most recently Crybaby in 2022."

Friday, May 1, 2026

Fleet Foxes - sun giant, 2008

"The Sun Giant EP introduces the band to the world with a just plain pretty a cappella harmony passage that lays their pastoral tendencies bare, while later on the disc "Mykonos" and "English House" show us their muscle and easy way with loose song structures. The lyrics are non-narrative but vivid nonetheless. See the way the Fleet Foxes refrain "and Michael you would fall and turn the white snow red as strawberries in summertime" plunges you into the stunning guitar-and-voice counterpoint that blows "White Winter Hymnal" wide open. Lead singer Robin Pecknold has a strong, clear voice and knows when to let fly with a drawn-out, impassioned bellow and when to withdraw into the shelter of his bandmates' harmonies. The group shares his sense of dynamics, and Fleet Foxes flows like a river, wild and free but logical, filling what needs to be filled and moving on."

Kneecap - liars tale, 2026

"lurking beneath the headline-grabbing stuff – largely crowded together at the start – there’s another side to Fenian. As it progresses, a different mood takes hold: less swagger, more disquiet. Big Bad Mo’s braggadocio is set to fidgety, chattering acid house that noticeably changes in tone: as the track progresses, it becomes darker and less celebratory, more anxious and intense."

Saint Etienne - paper, 1992

"Sarah Cracknell, Bob Stanley and Pete Wiggs are obviously fanatical about music and that’s part of what makes their music so special. The heart of the band is how they convey that love and obsession with music for people just like them. When they invited us to, join their club in 1992 they meant it and it was an honour to go along with them for the ride. A ride which has lasted 35 glorious years."

Wednesday, April 29, 2026

Club 8 - don't cry baby it's only a film, 2026

"For Swedish indie duo Club 8 every day seems to be the first day of summer, with freshly-minted guitar pop playing sweetly in the background."

The Beatles - words of love cover, 1964

"The Beatles recorded a cover version of the song on October 18, 1964, for the UK album Beatles for Sale. It first appeared in the US on the album Beatles VI. It was also on a 7-inch extended play, Beatles for Sale No. 2, released by Parlophone/EMI in 1965. John Lennon and Paul McCartney, who were fans of Holly, sang in harmony with George Harrison, holding to the vocal and instrumental sound of Holly's original as well as they could. Before their big break, the group had performed the song live between 1958 and 1962, with Lennon and Harrison singing. For the official release, though, Lennon and McCartney shared vocal duties. The song only took two takes, along with a vocal overdub."

A-ha - train of thought remix, 1991

“In the ‘80s it was like we were run over by this massive train. We were not there to be pin-up idols. We knew that was part of it, but it was not the reason for doing what we were doing. The media was crazy, and that was one of the main reasons why we quit for some years, because we just had enough of it. We just wanted to make music.”

Friday, April 24, 2026

Damien Jurado - leaving my keys in kennewick, 2026

"Leaving My Keys in Kennewick" is a recently released Damien Jurado track. It's part of a split single with Lilly Miller titled I Was Always Leaving, featuring "Leaving My Keys in Kennewick" and "It Will Come Back." The single came out on April 13, 2026. Interestingly, the song has been in Jurado's orbit for a while — it appeared in a 2020 private concert setlist as a "new song," during a period when he was writing prolifically during quarantine. A full collaborative LP with Lilly Miller, Did Something in me Break?, is also on the way, set for release on May 1, 2026 through Jurado's own Maraqopa Records."

Green Day - burnout, 1994

"After several years of grunge's dominance in popular music, Dookie brought a livelier, more melodic rock sound to the mainstream and propelled Green Day to worldwide fame. Considered one of the defining albums of the 1990s and of punk rock in general, it was also pivotal in solidifying the genre's mainstream popularity. Its influence continued into the new millennium and beyond, being cited as an inspiration by many punk rock and pop-punk bands, as well as artists from other genres."

Pink Floyd - the happiest days of our lives, 1979

"The song is approximately one minute, 46 seconds in length, beginning with 24 seconds of a helicopter sound effect, followed by the schoolmaster shouting, "You! Yes, you! Stand still, laddie!" performed by Roger Waters. Waters's lead vocal is treated with a reverse echo. The song features an electric guitar with an added delay effect and an electric bass guitar playing staccato punctuations of the chordal root notes."

The Love Variants - golden age, 2025

"Austin quartet The Love Variants emerge onto the underground indie pop scene as subtle as their music. Their eight-song debut cassette, Life of Riley (released by Keeper Records), is one of those records where one spin in, you already know they are not your average jangle dream pop band. Take Golden Age, where it becomes clear how much this band values letting melodies linger and shimmer rather than rush past you. The vocals match that mood, romantic and dreamy, but with enough melancholy underneath to keep things grounded."

Sunday, March 29, 2026

Pink Floyd - the thin ice, 1979

"The song, which is two minutes and 30 seconds in length, begins with the sound of an infant crying. The main body of the song is a '50s progression, with time signature in 6/8, commonly heard in doo-wop songs such as Ben E. King's "Stand by Me", progressing from C Major to A minor, then F Major to G Major, played softly on piano and synthesiser. The first half of the lyrics are sung by David Gilmour in a gentle tone, beginning with "Mama loves her baby", and a refrain of "Ooh babe, ooh, baby blue". A bass guitar creates a dissonant effect mid-song, when it plays an F♯ against an A minor, the major sixth of the chord, and the augmented fourth of the key. Then Roger Waters takes over the lead vocal. The piano becomes staccato, as the lyric takes on a warning tone, with Waters singing "If you should go skating/On the thin ice of modern life...."

A Weather - pinky toe, 2008

"turning something as mundane and painful as stubbing your pinky toe into a meditation on vulnerability, everyday hurts, and emotional resilience."

Marillion - just for the record, 1987

"This is quite different to the stuff before, it's a real contrast."

Saturday, March 14, 2026

Club 8 - travel back in time, 2026

"Indie with a presence of 60s French and British girl pop, it combines that with witty lyrics containing more than a hint of a darker theme. Karolina Komstedt and Johan Angergård’s Belle and Sebastian meets Saint Etienne sad bop sound comes through best in these slower numbers, and we love them for that."

Low - just stand back, 2005

"Twenty years on, Low’s The Great Destroyer stands as a high-watermark in an truly impressive discography, but when it arrived in the early days of 2005, the reactions were mixed. People weren’t sure of this new loud Low, and there were those who felt it was the band abandoning their winning formula. Pitchfork even brutally gave it 5.5. Back in 2005, Low was a trio consisting of the married partners of Alan Sparhawk and Mimi Parker, along with bassist Zak Sally. Previously known for minimalism and restraint, The Great Destroyer showed how Low could go big without undoing the band’s slowcore concept. The album was both the culmination of their trajectory as a trio as well as an obliteration of all previously set constraints. Time, however, is a funny thing. With the benefit of hindsight, we can see that Low’s formula was always one of evolution, and The Great Destroyer is ripe for rediscovery as an essential stop on that transformative journey."