Mar de Sintra, ontem, 11 de novembro de 2025, esperando a chegada da tempestade Cláudia

Nada Surf - what is your secret, 2005

"Nada Surf have composed fine songs for free-thinking, analytical, and pensive individuals, without being overly complex. The result of all this experience and reflection is that Nada Surf and producer Chris Walla have made a great pop/rock record. It's more of an emotive affair, with soft-hued guitar layers, hushed harmonies, and frontman Matthew Caws' signature aching, bittersweet vocals."

The Moody Blues - legend of a mind live at the royal albert hall, 2000

"The Psychedelic Experience (1964) was the inspiration for John Lennon's song "Tomorrow Never Knows", on The Beatles' album Revolver (1966). The Moody Blues recorded two songs about Leary. "Legend of a Mind", written and sung by Ray Thomas on their album In Search of the Lost Chord (1968), begins: "Timothy Leary's dead. No, no, no, no, he's outside looking in". The second was "When You're a Free Man" on the Seventh Sojourn album."

Neil Young - la, 1973

"Young's is a pain-dominated, rather Old Testament sensibility, and nowhere is all this more obvious than in 'L.A.' Young's self-righteousness becomes absolute, and he depicts himself as some neo-Israelite prophet warning the unhearing masses of the inevitable apocalypse."

Nada Surf - always love, 2005

"The album was produced by Death Cab for Cutie guitarist Chris Walla and mixed by Geoff Sanoff, John Goodmanson, John Agnello and Ed Stasium. Tom Beaujour did some guitar overdubs. The album features vocals from the Long Winters frontman John Roderick."

Pet Shop Boys - left to my own devices live at the mermaid theatre, 2006

"Recorded at London's Mermaid Theatre for Radio 2 in May 2006, Concrete offers grandiose orchestral arrangements not just of songs from current studio album Fundamental but many of the duo's most memorable hits from their quarter-century spanning career too. The album's most striking characteristic is evident at the close of the first track. Tennant, already comfortable with the dual role of lyricist and vocalist, becomes narrator of his own career too with a range of plummy vignettes about each of the songs."

The Moody Blues - ride my see-saw live at red rocks, 1993

"Ride My See-Saw," originally written by bassist John Lodge and released as a single from the band's 1968 album In Search of the Lost Chord, closes the concert as the explosive encore. The song's themes of life's ups and downs (using the see-saw metaphor) blend psychedelic rock with driving rhythms and the Moody Blues' signature spoken-word intro."

Sister Irene O'Connor - fire luke twelve forty-nine, 1973

"Fire of God’s Love is also a quintessential winter record, perfect for the cooler months ahead."

The Moody Blues - question live at red rocks, 1993

"The Moody Blues made a some sort of a come-back in 1993 with this album, which also can be founded as DVD. I won't comment only the album but also the DVD which is a nice way to know this band a bit more. All the golden oldies are there: Tuesday Afternoon, Question, I'm just a singer in a Rock and Roll Band."

Club 8 - sneaky feelings, 2025

"a tale of love possibly gone wrong soundtracked by a warm but sparse arrangement. The vocals of Karolina Komstedt and Johan Angergård have a hint of melancholy about them, and the jangly guitar is full of summery hope that goes against the grain of the lyrics."

My Sad Captains - all hat and no plans, 2009

"Melancholic indie folk-rock with jangly guitars, subtle keyboards, and Ed Wallis's warm, narrative-driven vocals. It evokes a sense of wistful reflection, fitting the band's "sad captains" theme—perhaps nodding to Philip Larkin's poem "The Old Fools" or just poetic melancholy."

My Morning Jacket - in its infancy the waterfall, 2015

"And there's a scenic drive out there where you pass lots of waterfalls. Whenever I stand in front of a waterfall, I try to pause it in my mind, then rewind it and make it go backwards. Obviously you can't do that."

Pet Shop Boys - it's alright cover live at the mermaid theatre, 2006

"This performance of "It's Alright" (a 1989 cover originally by Sterling Void) is a standout from Pet Shop Boys' orchestral live show at London's Mermaid Theatre on May 8, 2006. The concert, titled Concrete: In Concert at the Mermaid Theatre for Radio 2 with the BBC Concert Orchestra, was an exclusive event for BBC Radio 2's Sold on Song program, broadcast on May 27, 2006. It served as a launch for their album Fundamental and featured the BBC Concert Orchestra conducted by Trevor Horn, plus guests like Rufus Wainwright, Frances Barber, and Robbie Williams. The intimate 600-seat venue created a unique blend of synth-pop classics and new tracks with full orchestral backing—PSB's first official live album release."

Paul McCartney - all my loving live back in the us, 2002

"In a candid and perhaps unguarded moment, Paul McCartney told Guitar Player in 1990, "What do they say? 'A good artist borrows, a great artist steals' – or something like that. That makes The Beatles great artists because we stole a lot of stuff." McCartney wasn't admitting to theft. He was saying that The Beatles didn't operate in a vacuum and they assimilated what was happening around them to create original music. Their "yeah, yeah, yeahs" had previously been used by Elvis Presley and The Isley Brothers and their introduction to "I Feel Fine" mimics Bobby Parker's "Watch Your Step". When McCartney woke up one morning with a beautiful melody in his head, he was sure he had nicked it. After friends told him it was original, he recorded it as "Yesterday". I would speculate that McCartney had heard Nat "King" Cole's "Answer Me, My Love". The mood and the tempo are similar and Nat even sings, "You were mine yesterday, I believed that love was here to stay." Written in 1963, "All My Loving" was McCartney's first attempt at writing an MOR standard, but play "Kathy's Waltz" from the Dave Brubeck Quartet. You might think that a modern jazz group was improvising around "All My Loving", but "Kathy's Waltz" was recorded in 1959."

Neil Young - king of kings journey through the past, 1972

"Journey Through the Past is a double LP soundtrack album from the film of the same name by Canadian / American musician Neil Young, released in November 1972 on Reprise Records, catalogue number 2XS 6480.[4] It peaked at #45 on the Billboard 200. Its initial release was on vinyl, cassette tape, reel-to-reel tape, and 8-track tape cartridge. Although its follow-up Time Fades Away was finally released on CD in August 2017, Journey Through the Past remains the only 1970s Neil Young album yet to see an official CD reissue."

Peter Bjorn And John - longer nights intro, 2018

"Peter tackling what's happening in the world right now, Bjorn delving into relationship issues and John, the most existential, exploring the shadows of our own psyche."

Nada Surf - blizzard of seventy-seven, 2002

"A funny thing happened to Nada Surf on the way to sure-fire late-'90s alt-rock stardom. Despite obtaining a decent amount of MTV exposure, their sardonic first single, "Popular," ultimately arrived just moments too late to capitalize on the era's short-lived mainstream fancy with geek rock."

My Sad Captains - here and elsewhere, 2009

"There’s no getting away from it, there’s something distinctly Blue Peter about this Camden quintet. We can’t help picturing them playing in matching knitted cardigans and black-rimmed specs chiming every fourth beat of the bar in an organic juice café in Brighton. With this in mind, there is a certain ‘here’s one we made earlier’ feel about their lethargic Wilco/Sparklehorse melodies and downbeat tempo. This Americana-indie debut does exactly what it says on the tin, but the fact is we’ve been here, there and elsewhere already with the jingly-jangly, vegan harmonies of The Magic Numbers, The Little Ones and… oh, you get the idea. All in all, it’s an agreeable debut, but a predictable one nonetheless."

Damien Jurado - tundra, 2025

"It's a sparse, atmospheric folk piece that evokes themes of isolation and reflection—fitting its title, which conjures vast, frozen landscapes."

Pet Shop Boys - dreaming of the queen live at the mermaid theatre, 2006

"Dreaming of the Queen" from their 2006 concert at London's Mermaid Theatre is a standout track from their first official live album, Concrete. This rendition features the duo (Neil Tennant and Chris Lowe) backed by the BBC Concert Orchestra, giving it a lush, orchestral swell that elevates the original's witty, satirical take on British monarchy and celebrity culture from their 1993 album Very. The song's spoken-word verses and soaring chorus shine in this intimate venue setting, with Tennant's deadpan delivery adding extra charm."

The Moody Blues - nights in white satin live at red rocks, 1993

"recapturing the song's poetic melancholy while adding symphonic depth—think lush strings and brass amplifying the themes of unrequited love and introspection."

My Morning Jacket - into the woods, 2005

"The album was the second highest rated album of 2005 according to Metacritic, behind Sufjan Stevens' Illinois; the album has a total score of 90 out of 100. Technically, both Z and Illinois were tied for the highest Metacritic rating in 2005, with a score of 90 each. However, the score for Illinois was based on a larger overall number of reviews: 40, compared to 31 for Z."

The Everly Brothers - cathy's clown, 1960

"Cathy's Clown" was inspired by Ferde Grofé's Grand Canyon Suite. It was a major influence on the Beatles, who — having "once toyed with calling themselves The Foreverly Brothers" — three years later copied the Everly's harmonies on their first U.K. No. 1 hit single, "Please Please Me".

REM - i'll take the rain, 2001

"In an April 2021 interview, Michael Stipe declared Reveal his favorite R.E.M. release. While lacking the consistency of Automatic for the People or the ferocity of Monster, Reveal remains among them, a worthy offering from a brilliant band entering middle age, and looking toward the future with history still in mind."

The Moody Blues - lovely to see you live at red rocks, 1993

"Every once in awhile someone has a good idea that actually turns out well. That is what happened when The Moody Blues decided to record a live album backed by The Colorado Symphony Orchestra. The result, A Night At Red Rocks With The Colorado Symphony Orchestra, was recorded to celebrate the 25th anniversary release of Days Of Future Passed."

James - trouble demo, 2018

"Trouble (Demo)" is a bonus track by the English alternative rock band James, released in 2018 as part of their 13th studio album, Living in Extraordinary Times. The demo version captures a raw, introspective vibe typical of the band's style, with frontman Tim Booth's emotive vocals layered over atmospheric guitars and subtle percussion. It explores themes of mental turmoil, addiction to overthinking, and finding reassurance amid chaos—the chorus repeats the mantra "Trouble, trouble, trouble / It's gonna be alright" like a self-soothing incantation."

Fleet Foxes - going-to-the-sun road, 2020

"Going-to-the-Sun Road is a scenic mountain road in the Rocky Mountains of the western United States, in Glacier National Park in Montana. The Sun Road, as it is sometimes abbreviated in National Park Service documents, is the only road that traverses the park, crossing the Continental Divide through Logan Pass at an elevation of 6,646 feet (2,026 m), which is the highest point on the road. Construction began in 1921 and was completed in 1932 with formal dedication in the following summer on July 15, 1933. Prior to the construction of the road, visitors would need to spend several days traveling through the central part of the park, an area which can now be traversed within a few hours, excluding any stops for sightseeing or construction."

Young Cardamom And HAB - psv, 2016

"Mamdani is a fan of hip-hop and has composed and produced rap music. In 2016, under the moniker Young Cardamom, he collaborated with Ugandan rapper HAB on an EP titled Sidda Mukyaalo, which is Luganda for "No going back to the village".

Pet Shop Boys - the sodom and gomorrah show live at the mermaid theatre, 2006

"a clever, ironic take on urban excess, with nods to Marcel Proust's Sodom and Gomorrah and the biblical "pillar of salt" tale."

Neil Young - sugar mountain live in concert at the canterbury house ann arbor michigan nineteen sixty-eight, 1969

"In 1965 I was up in Canada, and there was a friend of mine up there who had just left a Rock'n'Roll band in Winnipeg/Manitoba near where I come from on the prairies to become a folk singer a la Bob Dylan, who was his hero at that time, and at the same time there were breaks in his life and he was going into new and exciting directions. He had just newly turned 21, and that meant in Winnipeg he was no longer allowed into his favorite hangout which is kind of a teeny-bopper club and once you're over 21 you couldn't get in there anymore, so he was really feeling terrible because his girlfriends and everybody that he wanted to hang out with, his band could still go there, you know, but it's one of the things that drove him to become a folk singer was that he couldn't play in this club anymore. But he was over the hill. So he wrote this song that was called "Oh to live on sugar mountain" which was a lament for his lost youth. And it went like this... [sings a few verses]. And I thought, God, you know, if we get to 21 and there's nothing after that, that's a pretty bleak future, so I wrote a song for him, and for myself just to give me some hope. It's called The Circle Game."

The National - you had your soul with you, 2019

"You Had Your Soul with You" is a song by American indie rock band The National. It appears as the first track on the band's eighth studio album I Am Easy to Find. "You Had Your Soul with You" was released in the United States as the album's first single on March 5, 2019."

Orchestral Manoeuvres In The Dark - joan of arc maid of orleans, 1981

"Joan of Arc (Maid of Orleans)" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1982 as the third single from their third studio album, Architecture & Morality. To prevent confusion with the group's previous single "Joan of Arc", the song was retitled "Maid of Orleans (The Waltz Joan of Arc)" for its single release. Both songs are about the French heroine Joan of Arc and both reached the Top 5 of the UK Singles Chart — although this release was more successful internationally, topping the charts in several countries including Germany, where it was the biggest - selling single of 1982. "Maid of Orleans" has sold four million copies worldwide."

James - moving car demo, 2018

"This is a bonus track from their album Living in Extraordinary Times, capturing a reflective, nostalgic vibe with themes of youth, fleeting memories, and the rush of life. It's a stripped-down demo version, clocking in at about 5:37, with a tempo of 129 BPM in the key of E major—perfect for an energetic yet introspective drive."

Peter Bjorn And John - wrapped around the axle, 2018

“Wrapped Around the Axle” is the brainchild of the classic combo’s B: Björn Yttling. “Axle” is an upbeat-yet-lyrically-somber affair, detailing the complications of a platonic break-up."

Fleet Foxes - i'm not my season, 2020

"While the melody of I'm Not My Season is powerful, the vocals are stripped-back, forgoing signature Fleet Foxes harmonies in favour of a a subdued, unguarded delivery that captures the melancholy resolve of the lyrics. These vocals are complimented by the subtle drone of a Moog synth, and the steady gentle strum of guitars that wash over the song like waves lapping against the rocky shore of a windswept island. I'm Not My Season poignantly depicts the experience of being caught in one of the storms and inner-conflicts that inevitably pass through all of our lives, while at the same time acknowledging the transience of these periods. It's a song of hope and perseverance in the face of conflict and turmoil, encouraging us to weather the storm and hold on for a brighter tomorrow."

Pet Shop Boys - i'm not scared, 1988

"It is entirely meaningless and is exactly what you expect it to be. This doesn't stop it roving through an empty space with a fair amount of scarlet charm."

The National - mr november, 2005

"The band supported Barack Obama's presidential candidacy in 2008. In July of that year, the band designed and sold a T-shirt featuring Obama's image above the words "Mr. November", a reference to both the closing track on the album and the month of the U.S. presidential election. All proceeds were donated to Obama's campaign. The song had been written, in part, about John Kerry's candidacy four years earlier."

The Pigeon Detectives - i can't control myself, 2007

“I Found Out” is the superior of the two songs, and in fact is one of the highlights of the album, the incessant backing vocals may at first seem annoying, but upon more listens you’ll find yourself idly humming away with them, amazed that you ever hated them in the first place. Like the vast majority of British indie, this album does, at times, sound the same, and with many of the tracks seemingly borrowing off one another, this is not a diverse record."

My Morning Jacket - like a river, 2015

“Like a River”, which is probably the album’s most breathtaking treasure. My Morning Jacket harken back to their alt country roots on The Waterfall and create a remarkable vision of the American countryside in the process, one as filled with solitude as it is with wonder."

REM - the lifting demo, 2003

"Originally released as the opening song on their 2001 album Reveal, the demo appeared in 2003 on the compilation In Time: The Best of R.E.M. 1988-2003 (Rarities and B-Sides). It's a more stripped-down, haunting take compared to the polished album version, featuring a slower tempo, acoustic elements, and slight lyrical tweaks (e.g., the album version omits the line "You think you've felt the lifting" from the demo)."

James - backwards glances, 2018

"Backwards Glances" is a bonus track by the British alternative rock band James, released in 2018 as part of the deluxe edition of their 15th studio album, Living in Extraordinary Times. The album itself dropped on August 3, 2018, via BMG Rights Management, marking a politically charged and introspective chapter in the band's long career. This track didn't make the standard edition but was included on the expanded version alongside other demos like "Moving Car" and "Overdose".

Paul McCartney - silly love songs live wings over america, 1976

"He did the best thing possible, which was to write songs about things that appealed to him, whether it was silly love songs or rock’n’roll. He wanted to experiment and be free to do what took his fancy. Things in everyday life. Cooking. Making breakfast."

Pet Shop Boys - in the night nineteen ninety-five, 1996

"les Zazous, long-haired proto-beatnik dissidents who conscientiously chose not to take sides with either the Nazis or the Resistance, but instead "opted out." As a result, they were distrusted and hated by both sides. The Nazis disdained them as depraved and decadent, while the French Resistance regarded them as collaborators. Obviously Neil was intrigued by the dramatic possibilities of being in such an ambiguous and precarious position. Stylistically the song betrays the influence of American producer "Bobby O" Orlando, with whom Neil and Chris were working at the time. (In particular, note the strong musical similarity to the cult classic "Passion" by the Flirts, written and produced by Bobby O.) A British TV program devoted to fashion, The Clothes Show, used part of "In the Night" as its theme song, which prompted the Boys to record a new version in 1995. The newer rendition, an instrumental, replaced the old one as the TV theme music and was released as a bonus track on the "Before" single. Oh, and in case you're wondering how things turn out for the Zazou addressed in this song, I would be remiss not to point out that its music ends with a percussive effect highly reminiscent of the firing of a machine gun. Make of that what you will."

Nada Surf - eighty windows, 1998

"the first three tracks of the album "Hyperspace", "Amateur", and "80 Windows" show off that signature sound that Nada Surf would become known for."

Marillion - white feather demo, 1998

"He name dropped Toronto in the demo version of WHite Feather! You know at the end when he’s singing, “Glasgow children, Moscow children…” I could swear one of them he names is Toronto."

Moby - the tired and the hurt, 2018

"The lyrics of "The Tired and the Hurt" by Moby convey a powerful sense of longing and nostalgia for a past that was filled with light, hope, love, and endless possibilities. The imagery of light and clear skies, endless dreams, and expansive forests creates a vivid picture of a world that once existed in a state of beauty and purity, where everything seemed possible and nothing was out of reach. However, this idyllic past is contrasted sharply with the present reality described in the chorus, where the singer finds themselves feeling tired, hurt, and broken, surrounded by cold and desolate seas."

James - quicken the dead, 2014

"A line in the bible – “the quick and the dead” – refers to the living (quick probably being similar to animated) and the dead. The title of the song “Quicken the Dead” refers to this. It is an appeal for (the dead) people who don’t know what they are doing with life to understand that they are living, and do so fully (quicken/reanimate)."

The Pigeon Detectives - i found out, 2007

"I Found Out" is the first single from English indie rock band the Pigeon Detectives' debut album, Wait for Me (2007). The track was re-recorded for the 2007 single release with the Smiths and Blur producer Stephen Street."

The Moody Blues - ride my see saw live at the royal albert hall in nineteen sixty-nine, 1977

"This has long been a huge live favourite; in fact, the song’s usually reserved for the final encore. It’s an uptempo, vibrant rock’n’roll song. But lyrically it delivers a scathing attack on people’s desperation to be part of the rat race, all done with a sly whack of humour."

Jome - branches, 2017

"Branches" is the closing track on Jome's debut album Tunnels, released on November 3, 2017. Jome is an indie pop duo from Los Angeles, consisting of Jesse Marc and Christoph Andersson, known for their ethereal, introspective sound blending electronic elements with organic instrumentation."

REM - beat a drum dalkey demo, 2001

"The "Dalkey Demo" is an early, acoustic-leaning version of the song "Beat a Drum" by the alternative rock band R.E.M. It was recorded during sessions in Dalkey, Ireland (a coastal town near Dublin), in early 2001, as part of the development for their album Reveal (released May 2001). This demo version has a more stripped-down, introspective feel compared to the polished studio take on Reveal, emphasizing Michael Stipe's vocals and subtle instrumentation. It was originally released as a B-side on the UK CD single for "Imitation of Life" (April 2001)"

Fleet Foxes - young man's game, 2020

"I thought it would be funny if Hamilton's kids were on it. My original idea was to have it sung by a 10-year-old boy, and then that was just too gimmicky or something. But I wanted there to be kids on it because it's referencing immaturity or naiveté - things about being young."

The Moody Blues - the story in your eyes live at royal albert hall hall of fame, 2000

"The band appears to be putting more into their playing here, with a pounding introduction to "The Story in Your Eyes," which gets a jagged, very edgy performance emphasizing the beat and some heavy guitar sounds over the original's lyricism."

Moby - this wild darkness, 2018

"The sweeping "This Wild Darkness" finds Moby searching for a reason to continue, following "The Middle Is Gone." As he intones over a lush backdrop, supporting vocalists sing "In this darkness/Please light my way." It's a beautiful way to usher out Everything Was Beautiful, And Nothing Hurt, as if Moby is offering a comforting sonic hug. After an album of such confessional, bittersweet sadness, he needs one too."

The Goon Sax - til the end, 2018

"This song, closing the album, captures the quiet ache of disconnection and unfulfilled potential, with its lo-fi guitars and shared vocals evoking a sense of inevitable fade-out."

Nada Surf - zen brain, 1996

"I’d place “Zen Brain” on my shelf of perfect wistful ‘90s indie rock LP-closing songs with Matthew Sweet’s “Smog Moon,” Superchunk “Martinis on the Roof,” and Radiohead’s “Street Spirit.” Ok, it’s a very specific list, but still. There’s just something about its zoned out sad bliss that has an hypnotic effect; all is OK with the world and with Nada Surf’s High/Low."

New Order - crystal album version, 2001

"Unsurprisingly bored by the stale British club scene circa 2001, the band opened Get Ready with a statement of purpose, a trailer single ("Crystal") featuring a host of longtime New Order staples: a sublime melody, an inscrutable set of lyrics, a deft, ragged guitar line kicking in for the chorus, and Peter Hook's yearning bass guitar taking a near-solo role."

Pet Shop Boys And Elton John - in private seven inch mix, 2012

"No "PSB version" of "In Private" came to light, not even a demo, until more than 15 years later, when the Boys recorded it as a duet with Elton John and released it on the Fundamentalism bonus disc and, in an alternate mix, as a bonus track on the "Minimal" single."

My Sad Captains - goodbye, 2014

"The track is the opener, and it's got that quiet storm energy—languid guitars, even-keeled instrumentation, and lyrics that feel like a gentle wave of regret and resolution."

James - move down south, 2016

"Tim has explained that the song was written sub-consciously about his family moving back to Topanga Canyon after a short time in Berkeley and that his son Luka pointed him to the lyrics of the song as a guide to tell him what to do."

REM - i wanted to be wrong, 2004

“I Wanted To Be Wrong” is one of the album’s unqualified successes. It’s a slow, pretty folk-pop ballad that attempts to reconcile a strong feeling of alienation from George W. Bush’s America and a sense of obligation to feel empathy for people the singer views as a destructive influence on his country and the world at large. It’s a very conflicted song, but it’s surprisingly low on angst — if anything, it comes across like a defeated shrug. There is certainly some anger in the lyrics, but it’s stifled and buried as the singer looks around, struggling to understand a culture that he barely recognizes, and openly rejects his identity and ideals. He’s trying to be fair, he’s trying not to be judgmental, but he can’t help it."

Percy Faith - theme from a summer place, 1959

"In 2025, it's popping up in AI-generated "nostalgia cores" on TikTok, but also in horror parodies—like a viral edit overlaying it on Jaws clips for ironic "summer dread." One X post called it "the soundtrack to your parents' midlife crisis."

Public Service Broadcasting - valentina, 2015

"Valentina Vladimirovna Tereshkova[a][b] (born 6 March 1937) is a Russian engineer, member of the State Duma, and former Soviet cosmonaut. She was the first woman in space, having flown a solo mission on Vostok 6 on 16 June 1963. She orbited the Earth 48 times, spent almost three days in space, is the only woman to have been on a solo space mission and is the last surviving Vostok programme cosmonaut. Twenty-six years old at the time of her spaceflight, she remains the youngest woman to have flown in space under the international definition of 100 km altitude, and the youngest woman to fly in Earth orbit."

Mythologen - radicalised feat johan duncanson the radio dept, 2025

"Mythologen is the alias of artist, designer and musician Alexander Palmestål from Gothenburg, Sweden. His early demos began circulating in 2002 as Pistol Disco, combining his love for Acid House, Bleep, and Kraut-influenced Techno to critical acclaim. This momentum led to international tours and releases on influential indie labels."

The Radio Dept - swedish guns, 2016

"If you’re familiar with their work, you’ll hear all of the breezy synths, the sweeping guitars and Johan Duncanson’s recognizable vocals. And just like their previous body of work, their new single “Swedish Guns” has this melancholy, sorrowful fervor. The melody at first is calming and relaxing. But the longer you let yourself drown into the song, the more you realize that Duncanson’s lyrics are eerily morose. He repeats the line “Swedish guns” throughout the song making the soothing melodies a dark experience."

Fleet Foxes - maestranza, 2020

"Shore is significantly less immediate than either their eponymous debut album or its follow-up, Helplessness Blues, but that’s not necessarily a bad thing. As I listened to the album, I found that my impulse to make comparisons with Fleet Foxes’ previous work fell away as I was increasingly absorbed by the new music. There are no obvious “standout” tracks like Oliver James here – Shore is a cohesive piece of work with much segueing between tracks and is clearly intended to be heard in that way."

The Moody Blues - for my lady live at red rocks, 1993

"I remember buying the Moody Blues single “I’m Just A Singer in a Rock and Roll Band” in the early seventies. It was a great rock and roll song. However, the flip side of the single called “For My Lady” caught my interest. The song’s bouncy flute opening had a very Irish ethnic storybook sound that took me someplace out to sea. Moody Blues music always depicts great visuals for those with vivid imaginations. Ultimately, there’s nothing more extraordinary than buying a 45 rpm single and then discovering that the B side is more interesting. Too bad those days are gone."

The Embassy - bad vibe, 2018

"It's hard to recall but the reason we started Embassy was partly that we had the same taste in music and also because of the way we sat, with the legs twisted together like a rope. A physical bond. Our first slogan was a quote by Subway Sect - "We oppose all rock 'n' roll". So being opposed to 'rock' was clearly an issue and we defined 'rock' as stupid and conservative in contrary to 'pop' that supposed to be free and fun, a valid simplification at the time. The ambition was to connect to our readings on the musical history founded in dub, disco, post-punk and acid house and to form discussion groups on the dance floor. It all came together with the Service label, striving for a new stylish hedonism with a touch of intellectualism."

James - all in my mind, 2014

"The mixture of dark, tortured and hedonistic lyrics, the throbbing synths raining down on the beats and Tim’s superb vocal delivery; utterly irresistible."

Nada Surf - icebox, 1996

"The Weezer wannabe tags were certainly understandable when it came to Nada Surf's debut; besides a similarity of intent (a quick, punchy post-grunge pop/rock album with quick, punchy post-grunge pop/rock songs), the production from Ric Ocasek sealed the deal for many. The fact that the band had been going for a while before Weezer's own 1995 splash seems to have been ignored, admittedly. But if Nada Surf never came up with anything that had the influence and lingering impact of Pinkerton, say, High/Low is a nicely frazzled and fun release that actually bears a little similarity at points to prime Cheap Trick. To be sure, it's not an exact comparison (Caws is nowhere near the singer Robin Zander is, for a start), but in terms of spiky intensity shot through with just enough emotional yearning, Caws has the job down well. His guitar playing does the business well enough, while the Lorca/Elliot rhythm section similarly shows its skill track for track."

The Embassy - sure, 2018

"In 2001, a Gothenburg, Sweden-based duo called the Embassy released a 7" titled Sneaky Feelings. Sharing a name with both an Elvis Costello song and a jangly 1980s New Zealand indie-pop group, the four-song EP was little-noticed by Americans at the time, but it marked a turning point for their city's music scene. Blending Fredrik Lindson's yearning vocals and chiming guitar chords with Torbjörn Håkansson' pattering percussion, euphoric electronics, and occasional exotic sample or two, the record had more in common with the twee-meets-house hybrids of early-1990s Saint Etienne than with any record of its period-- even the Avalanches' similarly balmy, ambitious Since I Left You. By the end of the 2000s, echoes of the Embassy's aesthetic could be found in critically acclaimed albums by Jens Lekman, the Tough Alliance (who named their imprint, Sincerely Yours, after an Embassy song), Studio (ditto for their Information imprint), Air France, jj, and the Honeydrips, among others. Gothenburg's indie pop scene was now run by mysterious pranksters all too happy to tie the already thin line between sincerity and artifice up in sailing knots."

The Moody Blues ‎- nights in white satin live at the royal albert hall in nineteen sixty-nine, 1977

"The full concert was recorded on December 12, 1969, at the Royal Albert Hall in London. This was a pivotal show for the band, blending their progressive rock sound with live symphonic elements (featuring the London Festival Orchestra). The performance was a critical and commercial hit at the time, praised for its ambition and emotional depth. The Song in the Setlist: "Nights in White Satin" served as the dramatic closer. Written by lead guitarist/vocalist Justin Hayward, it's a poetic ballad about unrequited love and longing, originally clocking in at over 7 minutes in the studio with the band's signature Mellotron swells and orchestral backing. The live rendition runs about 6:10, stripping back some orchestration but amplifying the heartfelt vocals and crowd energy."

Electronic - if you've got love, 1996

"Seven of the thirteen tracks were composed by full-time members Johnny Marr and Bernard Sumner, and the other six co-written with former Kraftwerk member Karl Bartos. He was recommended to Electronic via a friend of Sumner's, and commuted to Manchester throughout 1995 during the recording sessions, which stretched from late 1994 to late 1995. The protracted sessions resulted in a dense, thick production that was later acknowledged by both Sumner and Marr and criticised in professional reviews; they consequently spent much less time on their next album Twisted Tenderness. Raise the Pressure was also remarked upon for Bernard Sumner's impressionistic lyrics, which some saw as the result of his use of Prozac during this period, following an appearance on the BBC 2 programme The Late Show, which explored the effects of the antidepressant on creativity. According to Sumner, however, he only wrote one lyric whilst under the influence of Prozac. Musically the album comprises guitar pop/rock songs ("One Day", "Out of My League") and more dance oriented tracks ("Until the End of Time", "If You've Got Love")."

Mojave 3 - keep it all hid, 1998

"The songs tickle by, softly floating timelessly, tirelessly, and the vocals are like a pillow for your head as you listen, enraptured, on the single "Some Kinda Angel," another first-rate piece of unhurried pop, and the more gripping "Keep It All Hid" and the gurgling "Baby's Coming Home."

Fleet Foxes - for a week or two, 2020

"The hymnal vocals are certainly beautiful. After a lot of densely packed tunes, it is a really nice contrast to have a piece that is so minimal instrumentally, with the piano and what sounds like the sustain pedal release beating here and there. Lovely, and well suited for its purpose on the album"

The Radio Dept - occupied, 2015

"The world can probably never get enough synthy dream-pop, and The Radio Dept. have been fulfilling that need for quite some time. The Swedish duo of Johan Duncanson and Martin Carlberg have been doing their thing since the late-90’s and with their first release, in 2001, of Lesser Matters. In 2016, Sofia Coppola included several of their on her new wave soundtrack for Marie Antoinette, elevating them further by placing them beside their own heroes, 80’s legends like Siouxsie and the Banshees, New Order, Gang of Four and The Cure."

Elbow - magnificent she says, 2017

"If it weren’t for Peter Gabriel and the prog era Genesis, I wouldn’t be able to enjoy artists like Elbow today along my personal journey. Gabriel and Genesis have touched so many creative lives over the years and cultivated a nourishing landscape for new prog artists to grow."

Club 8 - ooo, 2025

"Club 8 are an indie pop duo formed in 1995 in Stockholm, consisting of Karolina Komstedt (from the band Poprace) and Johan Angergård (Acid House Kings, The Legends, Poprace). The pair are back with a new single following up on their recent 11th album, A Year With Club 8. Released on January 10, “ooo” sees Komstedt and Angergård diving into a slightly poppier and more upbeat sound. The new track is a captivating blend of dream pop and indie pop, featuring a breezy, escapist melody and a dancing guitar line."

Editors - a ton of love acoustic, 2013

"adoration is exactly the emotion evoked by such deliciously addictive pop moments as the lead single, "A Ton of Love," which brings to mind the passionate, soulful rock of U2 and Echo & the Bunnymen."

The Moody Blues - have you heard part two live at the royal albert hall in nineteen sixty-nine, 1977

"The Moody Blues recorded a couple of live albums there. Most recently 2000’s Hall of Fame was taped there, which is an album I really love. But more famously, they recorded a concert there on December 12, 1969 which has been released under a number of different titles, first as Caught Live + 5, then as Disc 6 in the 17 disc Timeless Flight box set"

James - surfer's song, 2016

"Highlights like "Attention" and the churning electro-epic "Surfer's Song" rely on massive, intense crescendos that are another James specialty and a sure sign that their collective gears are well-oiled even after several decades playing together."

The Embassy - i-d, 2013

"In the small but massively influential so-called Swedish Balearic scene that emerged at the start of the last decade, Gothenburg duo the Embassy – Fredrik Lindson and Torbjörn Håkansson – were unwittingly cast as pioneers. Similarly minded bands such as Studio, the Tough Alliance and Air France all emerged in the wake of the Embassy's excellent 2002 debut Futile Crimes, with both the Tough Alliance and Studio naming their respective record labels after the Embassy's songs. As befits their sound – lush, laid-back and gorgeously hazy – the duo don't seem to be in any urgent rush to cement their status at the forefront of any sort of scene, having not released an album since 2005's critically acclaimed Tacking."

My Morning Jacket - thin line, 2015

"Literally being surrounded by trees and creatures every time we walked out of the studio doors. Every evening around sunset we would stop what we were doing and walk outside to watch the sun descend, like an enormous egg yolk slowly smashing down in a psychedelic wash of color, much like the colors of the waterfall on the album cover. Those images, the smell of ocean air and the openness of it all, seeped into every aspect of this record."

Editors - nothing live acoustic, 2013

"The album was mostly recorded live. Regarding the sound of the album, lead singer Tom Smith stated that it "[has] a foot in that alt rock/Americana world" and that it feels "untouchable at times". Lyrically, the album focuses on "love songs... that don't adhere to the traditional love song type".[4] Smith explained, "If I ever find myself writing something too straightforward, I try to twist it, so it ends up odd and baffling."

James - how hard the day, 2018

"Living in Extraordinary Times marks a band still working at their full capacity, bringing new ideas and sounds while retaining what inherently makes James James – big choruses, danceable tracks, and timely lyrics. While some tracks are on the long side, how can you blame them getting carried away?"

Purple Mountains - margaritas at the mall, 2019

"The world of commerce is a kind of a purgatory itself. The church created the doctrine of purgatory so people could do business. Purgatory really came up with capitalism and allowed people some religious freedom in a certain kind of way because they weren’t completely held back from money-lending or bankers.”

My Sad Captains - good to go, 2009

"Here And Elsewhere is a delight from start to finish. It’s sublime, placid, delicate. They remind me of a somewhat subdued Fanfarlo, they’re more low-key and a little lighter on the dramatic flourishes, though MSC is definitely in the same league when it comes to gorgeous music. It’s an album of sweeping tranquility, and mercy me it’s sensational. If I had to guess, I’d say MSC was listening to a whole lotta Beach Boys, Teenage Fanclub, and early Belle & Sebastian just before they holed up in the studio."

Jome - cinnamon, 2017

“Set to the backdrop of melodic guitar and piano that effortlessly lap across you, soft claps, and ethereal synths, “Cinnamon” slowly builds into a well-crafted, lush, and cinematic soundscape. Accompanying that backdrop is the hero of the track, which is, of course, JOME’s positively spellbinding voice.”

The Radio Dept - this thing was bound to happen, 2016

"The song reflects the Swedish duo's signature dreamy, synth-driven indie pop sound, with introspective lyrics and a melancholic yet danceable vibe. The album, released on October 21, 2016, marked a shift toward more politically charged themes, though this track leans into their classic emotional introspection."

Paul McCartney - freedom live, 2002

"McCartney performed the song on his 2002 Driving USA Tour and it appeared on the live album Back in the U.S. However, he chose not to perform it on subsequent tours, such as his 2005 The ‘US’ Tour, as he felt the song had acquired a militaristic meaning with the Bush administration’s Operation Iraqi Freedom. In an interview, McCartney stated: “And I thought it was a great sentiment, and immediately post-9/11, I thought it was the right sentiment. But it got hijacked. And it got a bit of a militaristic meaning attached itself to it, and you found Mr. Bush using that kind of idea rather a lot in [a way] I felt altered the meaning of the song.”

Pet Shop Boys - integral live at the mermaid theatre, 2006

"With a generally deadpan singer and another guy behind a bank of synthesizers, the Pet Shop Boys just aren't built for live albums, even if the songs are exquisite, there's an orchestra behind them, and some very special guests appear. While the duo can deliver in a live setting, the experience relies heavily on the visual, check the Performance or Somewhere concert videos for proof."

Editors - come share the view, 2005

"The Back Room lunges at you with a dynamic that's fierce, wiry, and slightly fashionable. Alternative rock hasn't seen anything like this since the release of Turn on the Bright Lights."

Secret Machines - everything starts, 2020

"It acts as a tribute to frontman Brandon Curtis’s brother Benjamin because they built the song around the deceased musician’s guitar work. Drummer Josh Garza has said this about it: “When I close my eyes and listen to ‘Everything Starts’ I see three guys in a room playing music. I see Ben, Brandon and me… we’re all playing our instruments, we’re all smiling and it’s probably a bit too loud.” And as sad and troubling as the lyrical subject matter is, Josh’s image is beautiful and satisfying."

The Moody Blues - a simple game single b-side, 1968

"Given the Four Tops’ history at Motown, I must admit I’d always imagined “A Simple Game” was another monster hit fashioned by Motown’s ace writing and production team, Holland-Dozier-Holland, who wrote and produced many of what we would now regard as the classic Motown tracks. How wrong could I be... ?"

REM - country feedback live from wiesbaden germany, 2003

"R.E.M. began their Warner contract in 1988 as the biggest band to emerge from the college-radio-fueled American underground. Fifteen years later, they released In Time: The Best of R.E.M. 1988-2003, the first overview of their long stint at Warner Records. During that decade and a half, R.E.M. had a turbulent journey. At the outset, their legend and influence as one of the key - if not the key - bands of the American underground was firmly in place, but their success kept growing, culminating in a breakthrough to international stardom in 1991 thanks to "Losing My Religion" and Out of Time."

Moby - are you lost in the world like me, 2016

"Co-credited to the Void Pacific Choir - a name derived from a D.H. Lawrence quote - These Systems Are Failing is only slightly more collaborative than Moby's solitary ambient work, and its effect is the opposite of that. Fully energized and tightly concentrated, the producer's first studio album in three years is a concise and infrequently relenting set of nine songs that rail against those who have caused emotional and planetary harm. Moby revisits his punk and post-punk roots with a needling attack."

Jome - concrete, 2017

"Concrete" is a track by the Los Angeles-based indie pop duo JOME (consisting of Jesse Marc and Christoph Andersson). It appears as the eighth song on their debut album Tunnels, released on November 3, 2017. The album blends woodland pop, dream pop, and experimental elements, with themes of introspection, emotional distance, and subtle melancholy."

Pet Shop Boys - indefinite leave to remain live at the mermaid theatre, 2006

"The Pet Shop Boys recorded their first live album at a special one-off concert at the Mermaid Theatre in London on May 8, 2006 to commemorate the twentieth anniversary of their first big hit, "West End Girls." They were supported by the BBC Concert Orchestra and a slew of renowned guest stars—including Trevor Horn, Anne Dudley, Lol Creme, Steve Lipson, Rufus Wainwright, Frances Barber, and Robbie Williams—on both instruments and vocals. (If you don't count their Battleship Potemkin dates, this was their first full-length live show with orchestral accompaniment.) Trevor Horn also served as musical director for the evening. The recording was broadcast on BBC Radio 2 later that same month."

The Radio Dept - teach me to forget, 2016

"The sublime melody and chord progression evokes potent feelings: defiance, resignation, a sense of the inevitable. Even during its extended instrumental coda, heavy with irresistible house-music piano and a synth filigree that could’ve been lifted off a Toto (!) record, the song’s momentum is sustained and deepened—you almost don’t want it to end, but it abruptly does, and the spooky title track carries these feelings further, all the way through the closing, quietly seething “Teach Me To Forget”.

James - better than that, 2018

"EP opener and first single Better Than That is upbeat and fast-paced, an ode to improvement, urging the universe to do its worst with Tim signing “you can do better than that”, kick starting the four tracks into gear. Busted is more mellow and dreamlike, with gentle guitars building in intensity as drums and brass join the fray. Hank with its buzzing guitars and distorted vocals is the most outspoken lyrically, warning of “white fascists in the white house” encouraging listeners to “bend the knee and stand your ground”.