Belle And Sebastian - take your carriage clock and shove it, 2005

"Isobel Campbell certainly seems to think that this song was written about her. Interesting that it is followed by 'I'm waking up to us' on the Barman compilation album, which is even harsher. Her 'Monologue for an old true love' on her solo record, Amorino, could be taken as a response."

The Radio Dept - the worst taste in music flow flux clan remix, 2006

"The title track may open with a computerised rattle, but that disappears in a gush of autumnal colour, muted enough to strip the lyrics of all bite. By the time you reach the helplessly gauche The Worst Taste in Music and the anaemic opening line of Tell ("Betrayal is always sad"), the desire to drench the Radio Dept in cold water becomes overwhelming. And yet, in the right mood, there is something shy and lovely about Pet Grief, ghosts of the C86 sound that make you want to grab a cardigan and sway."

The Beatles - help, 1965

"The whole Beatles thing was just beyond comprehension. I was subconsciously crying out for help".

Simon And Garfunkel - flowers never bend with the rainfall, 1966

"his mirror on the wall threw back an image dark and small, which to some degree depressed him."

Mark Knopfler - going home theme of the local hero, 1983

"Going Home: Theme of the Local Hero" is an instrumental rock track by Mark Knopfler, and the closing track from the 1983 film Local Hero soundtrack. It was the debut solo single by Knopfler, and charted at number 56 in the UK, at number 26 in the Netherlands and at number 18 in New Zealand. The soundtrack album also features a reprise called "Wild Theme", which consists of Knopfler's acoustic guitar interpretation of the song's melody."

Saturday Looks Good to Me - untitled all your summer songs, 2003

"Scuffed-up transistor radio with a blown speaker beaming time-travelled frequencies from 1957-1967. What The Beach Boys might have sounded like if they recorded in an underwater cove. A warped vinyl copy of your favorite pop record played on one of those tan Fisher Price record players we all owned as kids."

The Flaming Lips - yoshimi battles the pink robots part one, 2003

"The lyrics of Yoshimi Battles the Pink Robots concern a diverse array of subject matter, mostly melancholy ponderings about love, mortality, artificial emotion, pacifism, and deception, while telling the story of Yoshimi's battle. The title character is inspired by Boredoms/OOIOO member Yoshimi P-We, following a comment in the Flaming Lips studio that her machine-sound abstract singing sounds like she is battling monsters—Coyne added 'pink'. P-We also performs on the album. Some listeners consider Yoshimi Battles the Pink Robots to be a concept album; however, the story is debated, as it is only directly apparent in the first four tracks. Despite the story-type title and science fiction themes, Flaming Lips frontman Wayne Coyne has made it clear that Yoshimi is not intended to be a concept album."

Saint Etienne - four thirty-five in the morning kid loco remix, 2009

"Sub Pop released Saint Etienne's 1998 album Good Humor in a limited version that included a bonus disc of extras. Entitled Fairfax High, the 40-minute disc of B-sides and assorted extras enabled the trio to ransack their sock drawer yet again. Most of these stray tracks come from the Sylvie and Bad Photographer singles. Like their other collections of studio fallout, this disc offers a few hidden gems and a clutch of decent-but-not-so-hot moments. Opening with the instrumental Mike Post homage, "Hill Street Connection" (originally named "Andrew McCarthy" after the Less Than Zero star) and ending with the easy listening instrumental "Cat Nap," it feels like more of a decent album than a hodgepodge, if slightly uneven."

Pet Shop Boys - absolutely fabulous rollo our tribe tongue-in-cheek mix disco two, 1994

"It is ostensibly a comedy record but few comedy records claim to possess as much dancefloor credibility as this one."

Belle And Sebastian - my wandering days are over, 1996

"Written after Murdoch met Isobel Campbell, the cello player who would complete the band’s lineup, “My Wandering Days” folds the B&S origin story into a larger narrative about a guy hanging up his dancing shoes and settling down. Whether he’s the melancholy “circus boy” who pops up later in the song is never really made clear. The ambiguity manifests itself gorgeously in the final minute, as trumpeter Mick Cooke cuts through the hazy fadeout with a sharp run of notes."

The Beatles - i feel fine live, 1965

"I Feel Fine" starts with a single, percussive feedback note produced by McCartney plucking the A string on his bass, and Lennon's guitar, which was leaning against McCartney's bass amp, picking up feedback. This was the first use of feedback on a rock record."

The Pipettes - judy, 2005

"Judy" is a limited edition 7" single by The Pipettes of which 1000 copies were pressed by Boston's Total Gaylord Records in August 2005. It was exclusively available via mailorder from the United States and featured a sleeve which folded out into a polka dot dress in homage to the singers' dress code. The B-side "KFC" features DJ Scotch Egg and members of The Go! Team. The first two tracks are the same recordings as the previous UK 7" releases. Rose sings the lead vocals on the song."

The Beautiful South - worthless lie, 1994

"The album's tracks reflect a depressing period in Heaton's life, and this continues with the follow-up album Blue is the Colour (1996). The songs also led the group's first female singer, Briana Corrigan, to leave the band; after Heaton sent her copies of the songs, including "Mini-correct" and "Worthless Lie", she swiftly made the decision to leave."

Traveling Wilburys - not alone any more, 1988

"Not Alone Any More" is a song by the British–American supergroup the Traveling Wilburys from their 1988 album Traveling Wilburys Vol. 1. It was sung by Roy Orbison and serves as his main contribution to the album. The song was written mainly by Jeff Lynne, although all five members of the Wilburys are credited as songwriters. A longtime admirer of Orbison, Lynne wrote "Not Alone Any More" as a vehicle for the singer's operatic vocal style. The song's lyrical theme of loneliness similarly recalls Orbison's dark ballads of the early 1960s. On release, the song was much admired by music critics. With the commercial success of the Wilburys, and the recognition afforded Orbison following his death in December 1988, it marked his full return from the career downturn he had experienced since the mid-1960s."

The Legends - the kids just wanna have fun, 2003

"The Legends are one of several indie pop projects masterminded by Swedish producer/musician Johan Angergård, whose other bands include the Acid House Kings, Eternal Death, Djustin and Club 8. Initially conceived as a fuzzy, gutsy indie pop act (something like a rougher, fierier version of the Acid House Kings), the group made its live debut in 2003 as an opening act for the Radio Dept."

Sétima Legião - por tua imensa saudade, 1989

"Morreu um salva-vidas com duas paixões"

Pet Shop Boys - postscript i believe in ecstasy, 1993

"This brief “hidden” song appears at the end of Very after more than a minute of silence following “Go West.” Nowhere is it mentioned in the original album notes, and even the name “Postscript” was conjectural until it was confirmed by the 2001 reissue. (The first words, “I Believe in Ecstasy,” had also been suggested by fans as a possible title.) It’s a highly atypical number in which a chorus of Chris Lowe’s heavily multi-tracked vocals sing about the conflicting senses of joy and sadness at remembering a close friend or lover who is now lost."

The Beatles - eight days a week, 1964

"I usually drove myself there, but the chauffeur drove me out that day and I said, 'How've you been?' – 'Oh working hard,' he said, 'working eight days a week.'" In a 2016 interview alongside Starr and Ron Howard, in preparation for the release of the documentary The Beatles: Eight Days a Week – The Touring Years, McCartney reiterated that he had heard it from a chauffeur who was driving him to Lennon's house while he was banned from driving."

The Chameleons - view from a hill, 1983

"Script remains a high-water mark of what can generally be called post-punk music; an hour's worth of one amazing song after another", calling it "practically a greatest-hits record on its own".

Belle And Sebastian - the stars of track and field, 1996

"If You're Feeling Sinister is the second album by the Scottish indie pop band Belle and Sebastian. It was released in 1996 on Jeepster Records in the United Kingdom and in 1997 by Matador Records in the United States. It is often ranked among the best albums of the 1990s, including being ranked #14 in Pitchfork's list of Top 100 Albums of the 1990s. Band leader Stuart Murdoch said If You're Feeling Sinister is probably his best collection of songs."

A Weather - spiders snakes, 2008

"While I am religiously neutral, I definitely get the impression that the underlying theme of the song is God. I think it tells the story of - or rather it is a dialogue between - a man and his friend. It seems the singer is watching his friend lose (or perhaps has already lost) his faith in God and he's hoping that he can help him find his way back."

The Style Council - the whole point of no return, 1984

"the most beautiful protest song ever: “The Whole Point of No Return”.

Still Corners - the trip, 2013

"Strange Pleasures is the second studio album by London-based dream pop band Still Corners. It was released 7 May 2013 by US label Sub Pop. The album reached a peak of No. 28 in the Billboard Top Heatseekers chart. It also hit No. 1 in the FMQB national radio charts."

The Pipettes - pull shapes, 2006

"Pull Shapes" is a single from The Pipettes and was released on 3 July 2006. It was available on CD, double 7" vinyl, and digital download from Memphis Industries. The expression "pull shapes" is a British English colloquialism that refers to the act of dancing."

Brendan Benson - ain't no good, 2022

"Musicians have no idea how to talk about their own stuff. It doesn’t sound like hip hop or barbershop. It sounds like Brendan Benson music. Which is great."

The Beatles - i want to hold your hand live, 1964

"With advance orders exceeding one million copies in the UK, "I Want to Hold Your Hand" would have gone straight to the top of the British record charts on its day of release had it not been blocked by the group's first million-seller "She Loves You", their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, "I Want to Hold Your Hand" stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total."

The Style Council - my ever changing moods extended version, 1984

"The album version features vocals by Weller only accompanied by acoustic piano. This version is 3:37 long. There are two versions of the song with full band accompaniment. The 7" single version is 4:02 minutes long, while the 12" single version is 5:44 minutes long. Weller released a new version of "My Ever Changing Moods" on his album An Orchestrated Songbook in 2021."

Tobasco Boy - sunbleach, 2023

"This is such a good song! Love it and just love the sound!"

The Beatles - two of us, 1970

"The song was originally titled "On Our Way Home". Ian MacDonald suggested that the lyrics (e.g.: "you and I have memories/longer than the road that stretches out ahead" or "you and me chasing paper/getting nowhere") sounded like McCartney was probably addressing Lennon and contractual troubles."

Pink Floyd - another brick in the wall part three, 1979

"During "Part 1", the protagonist, Pink, begins building a metaphorical wall around himself following the death of his father. In "Part 2", traumas involving his overprotective mother and abusive schoolteachers become bricks in the wall. Following a violent breakdown in "Part 3", Pink dismisses everyone he knows as "just bricks in the wall."

Fleet Foxes - can i believe you live in church with the resistance revival chorus, 2020

"Fleet Foxes’ Robin Pecknold brought the Shore song “Can I Believe You” to The Late Show with Stephen Colbert Thursday night (December 10). He was joined at the St. Ann & the Holy Trinity Church in Brooklyn by the Resistance Revival Chorus. Check it out below. After releasing Crack-Up in 2017, Robin Pecknold returned with the fourth Fleet Foxes record Shore on September 22 — the autumnal equinox. The band has since shared videos for album tracks “Sunblind” and “Can I Believe You.” On December 21 (the winter solstice), Pecknold will perform a solo acoustic set from Brooklyn’s St. Ann & the Holy Trinity Church for A Very Lonely Solstice Livestream."

The Pains Of Being Pure At Heart - anne with an e, 2011

"We came out with an EP in 2009 after the record and we also did a stand alone single last summer. I mean, there were times when we thought, ‘Oh, this is great’, and it wasn’t, but the basic songs that we really, really like ended up being on the record; like ‘Belong’ and ‘Strange’, ‘Even in Dreams’, ‘The Body’. But some stuff turned out better than we thought and other stuff wasn’t as good. Songs like ‘Anne with an E’ and ‘Girl with a Thousand Dreams’, I initially thought those weren’t right for the record, but then we recorded them and they just made sense with the other songs; offered a balance and dynamic."

Mike Oldfield - part four north star platinum finale, 1979

"North Star/Platinum Finale" includes an excerpt from the 1977 Philip Glass composition "North Star". The lead melody is not borrowed from Glass but the choir's part is. The constant bass drum beat and octave-jumping bass line start the section and guitar enters with the melody later. A funky guitar riff and chorus appear, and the lead guitar continues to play the melody over them. Engineer Kurt Munkacsi was a frequent collaborator with Glass."

The Style Council - long hot summer extended version, 1983

"Long Hot Summer" is a song by the English band The Style Council which was their third single to be released. It was composed by lead singer Paul Weller, recorded between 12 and 17 June 1983 in the Grande Armée Studios in Paris, and released on 8 August 1983. In the UK "Long Hot Summer" was the lead track of an EP titled À Paris, which also contained the song "The Paris Match" (a different version of which, featuring Tracey Thorn from Everything But The Girl on lead vocal, was included on the band's first album Café Bleu) plus two keyboard instrumentals, "Party Chambers" and "Le Depart". In other countries it was a conventional single with "Long Hot Summer" as the A-side. It was also included on the 1983 mini-album Introducing The Style Council. The promotional video for "Long Hot Summer" was filmed on the River Cam in Cambridge. The song reached the position of number three in the UK singles chart making it the Style Council's biggest hit, and it remains a staple of Paul Weller's live concerts. By coincidence the British summer heat wave of 1983, most notably July, turned out to be one of the hottest on record – something that would not have been known at the time the song was written and recorded."

Status Quo - living on an island, 1979

"Living on an Island" is a single released by the British rock band Status Quo in 1979. It was included on the album Whatever You Want and featured Rick Parfitt on lead vocals. Lyrically, the song is about band member Rick Parfitt having to take a "tax year" outside of the United Kingdom and the boredom and isolation he felt living on the Isle of Jersey; however he is also excited about a pending visit from a friend ("Cruxie") who is arriving shortly."

Still Corners - we killed the moonlight, 2013

"On “We Killed The Moonlight” Tessa Murray sums up the entire sentiment of the album- ‘city sleeps, we lie awake’."

Jenny Hval - accident, 2019

"Hval, a polymathic artist as curious about her surroundings as she is headstrong, has a way of breaking down basic interactions and feelings most of us deem habitual. “In some ways, I’m responding to my wish, my hopes and dreams of being able to release my work in a less constricting way”

Public Service Broadcasting - everest, 2012

"The band mostly plays instrumental music; Willgoose has said that "singing is never going to work. I'm not going to be happy with it, I'm not going to be comfortable playing it to other people." Despite Willgoose's prior reservations about singing, he did later contribute vocals to the duet piece "You + Me" from Every Valley, because the intended vocalist was not available. They take samples from old public information films, archive footage and propaganda material. While writing The War Room the band formed a close relationship with the British Film Institute, using their films in live performances. The BFI find the band helpful in bringing a greater audience to their archives."

Grizzly Bear - half gate, 2012

“Half Gate,” one of several songs to feature lead vocals from both Droste and Rossen, begins on an elegant orchestral note and proceeds to swallow up the band with pounding tumult."

Belle And Sebastian - i don't know what you see in me, 2023

"With a strong electronic pop and “90s power ballad” influence, the song breaks new ground for the band. “[Ferguson] is so much younger than me, so there’s a whole swathe of music that’s passed me by, things I would never think of, which is what you want from a collaborator”

The Style Council - life at a top peoples health farm extended remix um and argh mix, 1988

"Although these features are now things that modern hard-disk recording includes as standard, being able to do these things for the first time in history was a thrilling experience. For example, in the song 'Confessions 1,2 & 3' there's a horn solo that originally just felt late rather than just lazy. Using digital editing techniques I was able to time-slide individual notes around until I got just the feel I was after. I was able to go through all of the tracks on all of the songs and erase small annoyances that previously I didn't have the precision to do - such as electrical pops in the middle of notes, or the squeaking of the piano stool. I rarely erase gasps of breath during vocals though - as I prefer just to automate a brief, minor volume reduction for a more natural result."

David Crosby - hero, 1993

"Hero" is a single performed by American singer-songwriter David Crosby from his third studio album, Thousand Roads (1993). The recording, released in April 1993 by Atlantic, features English drummer Phil Collins, who co-wrote the song with Crosby, produced it, sang backing vocals, and played drums, keyboards, and drum machine. Collins released a demo version, featuring his vocals only, as a B-side to the "We Wait and We Wonder" single release."

The Radio Dept - lost and found mont ventoux remix, 2009

· Lost And Found (Mont Ventoux Remix)

"I'm looking for this album"

Damien Jurado - what happened to the class of sixty-five, 2022

"he’s brilliant at encapsulating the cautious hope that comes with missing someone"

Lifelong Corporation - i ran a flock of seagulls runner mix cover, 2022

"Lifelong Corporation is a retro sound band from Valencia, Spain."

Warahenege - blue atoms, 2023

"Taking our cue from the song’s title, the connection between music and science is a fairly simple one to make, after all when you break music down to its composite parts, it’s just as much a formula as it is an art. Perhaps the same can be said of love, with its emotion-inducing cocktail of chemicals that takes over our brain, changing our perspective on the world. The reason we’re making these links between music, science and love is that the musician’s wistful new track ‘Blue Atoms’ was inspired by a seemingly magical transition from solitude to a deep bond, one that helps to overcome feelings of melancholia."

In Tall Buildings - bawl cry wail, 2015

"In stark contrast to the dense polyrhythms echoed by NOMO's albums, Driver uses a relatively simple palette to create spacious pop songs, leaving plenty of room for Hall's often Peter Gabriel-esque vocals to shine. The music, though culled from every guitar, keyboard, and drum he managed to fit into his home studio, is powerful in it's restrained simplicity, and it's a compelling foil to the haunting gravity of his vocal performance. Never rushed, his melodies deliver elliptical lyrics that manage to feel intimate, while retaining a sense of mystery. Ultimately, the album's melancholic vibe is relatable, rather than moping or histrionic, and in the end these songs are incredibly comforting and inviting."

Veronicavon - good girl, 2023

"One of the highlights of veronicavon’s dreamy, casually devastating Next Life EP — released last November — is the opener “Good Girl,” a heartbreak number that oozes nostalgia."

David Crosby - music is love, 1971

"In 1971, Crosby released his first solo album, If I Could Only Remember My Name, rubbished at the time by many critics but subsequently reappraised – it was gnomically named in 2010 by the Vatican City State newspaper, L’Osservatore Romano, as the second best album ever (after the Beatles’ Revolver)."

The Style Council - the paris match early version, 1983

"Introducing The Style Council is a mini-LP by English band the Style Council, released in 1983. It was released only in Australia, New Zealand, Canada, the United States, Japan, and the Netherlands. Though not officially released in the United Kingdom, the Dutch release was heavily imported. Introducing The Style Council includes tracks from the band's first three UK single releases, as well as the club mix version of "Long Hot Summer". The band's official, full-length studio album, Café Bleu, was released the following year."

Public Image Ltd - hawaii, 2023

“Hawaii” is an ode to Lydon’s wife of 43 years, Nora Forster, and her battle with Alzheimer’s. The song references one of the couple’s favorite places to visit and has been described as “as close as John will ever come to bearing his soul." Lydon’s decision to participate in 67th annual Eurovision surprised many who know the former Sex Pistols frontman as a punk provocateur. “I have a reputation as a musician and insane punk, I’m gonna have to blend those two things around a love song,” Lydon said in a preview reel ahead of the band’s televised performance."

The Stranglers - walk on by cover, 1978

"Walk On By" is a song written by Burt Bacharach and Hal David for singer Dionne Warwick in 1963. Warwick's recording of the song peaked at number 6 on the US Billboard Hot 100 and number 1 on the Cash Box Rhythm and Blues Chart In June 1964 and was nominated for a 1965 Grammy Award for the Best Rhythm and Blues Recording."

God Help The Girl - i just want your jeans, 2009

"It is the influence of 60s girl groups and orchestration that is most pervasive throughout this record. Think of the heavily orchestrated tracks from Dear Catastrophe Waitress (for instance, the flourishes of the title track) to get an idea. This is most apparent on tracks like “Musician, Please Take Heed”, “I’ll Have To Dance With Cassie”, and “I Just Want Your Jeans”. Then there are the vocal performances from Stuart’s so-called “girl group”, in several places an homage to the great girl groups of the 60s such as on the title track. (Also of note is the contrast of the 60s style female vocals against the 80s new wave style of Neil Hannon on “Perfection as a Hipster”, which somehow works.)"

The Strokes - razorblade, 2005

"The song’s this somewhat upbeat sounding song about emotional manipulation. I say upbeat because I hear that opening guitar riff by Nick Valensi in the left channel, those fiddly guitar lines he does during the verses, or Albert Hammond Jr’s solid rhythm guitar work all throughout, and I can’t help but think there’s something summery about the sound of it all. Like all this relationship turbulence is happening at the beach. Julian Casablancas is not singing about an actual razorblade here. The razorblade is a metaphor for love, as he states in the first line of the track, and he places this razorblade as the central component within this relationship of a couple who sound like they can’t stand each other, but, deep down, care for each deeply. Casablanca’s melody choices and delivery, that chorus reminds me of one of those old schoolchildren taunts from back in the day, make it sound like the whole affair’s pretty trivial and a bit silly. But love can be that way, I guess."

Madrugada - the kids are on high street, 2005

"The Deep End is majestic beast of a record, even by Madrugada's not-too-humble standards. This album, their fourth since their 1999 debut, managed to establish them as an award-winning, platinum-selling thinking man's arena rock band in their native Norway. Think a rockier, darker version of R.E.M. circa 1992. The first track is the instant classic "The Kids Are on High Street," a slow but grand epic where Sivert Høyem sings in a slightly higher pitch than his usually bassy croon, giving the vocals newfound intensity and urgency. Its huge guitar leads are of the epic Western movie variety, producing an almost cinematic feel. There are also several great soulful ballads here, using Høyem's compelling voice to great effect. The el-piano and slide guitar-driven "Sail Away" is a good example of this; even better is the aptly titled "The Lost Gospel," a slow-burner whose sound is dominated by a beautifully played Hammond organ and tremolo guitar, making it possibly one of Madrugada's finest recorded moments to date."

Harpers Bizarre - the drifter, 1968

"Harpers Bizarre's third album continued their mildly eccentric soft rock direction, remaining as mildly eccentric ever, but growing ever softer. In truth, this skirts adult contemporary Muzak almost as it does anything that could be considered rock music, and is rather a dark day in the annals of sunshine pop."

Ian Van Dahl - castles in the sky, 2000

"Castles in the Sky" is a song by Belgian music project Ian Van Dahl from their debut album, Ace (2002). The vocalist is Belgian singer Marsha, who also co-wrote the song. The single was released in Europe in 2000 and the United Kingdom in 2001. The song was a modest success in mainland Europe and was a hit in the United Kingdom, peaking at number three on the UK Singles Chart and number one on the Scottish Singles Chart for two weeks."

The KLF - no more tears, 1991

"of course comes the first proper commercial album from KLF, The White Room. A combination of hearty dance hits like 'Last Train To Transcentral', '3 AM' and 'What Time Is Love' with more ethereal material like 'No More Tears', an Ambient reggae House cut, balancing the mix. By throwing in bits of the Big Country theme and space invaders sounds, and with the gorgeous voice of Maxine Harvey topping the mix, KLF have finally come out of their corner fighting, with a commercial album whose production values are up there with those of Prince and Madonna."

Thom Yorke - suspirium, 2018

"There's a way of repeating in music that can hypnotise. I kept thinking to myself that it's a form of making spells. So when I was working in my studio I was making spells. I know it sounds really stupid, but that's how I was thinking about it."

Devine And Statton - don't it make my brown eyes blue cover, 1989

"In 2024, Rolling Stone ranked the song at #109 on its 200 Greatest Country Songs of All Time ranking."

The Pains Of Being Pure At Heart - heart in your heartbreak, 2011

"The music consists of a fuzzy blur with the consistency and effect of caffeine coated adderal, but somehow it transmits itself into becoming much more than that. It almost seems to be conflicted with an awful case of 59 sound-it-is, because no matter how many hooks they try, no hook falls flat, no matter how many cliché’s they pump into their music, it all sounds fresh, and goddamn it, by the end of the month, this entire album is just going to sound anthemic."

Phil Collins - it's in your eyes, 1996

"It's in Your Eyes" is a single performed by Phil Collins and released in 1996 as the second single from his album Dance into the Light. A Beatles-esque melody, both melodically and lyrically - closing mirroring the Beatles song, "Any Time at All", the song only reached #30 UK Singles Chart and fared worse on the U.S. Billboard Hot 100, reaching #77. However, the song did reach the top 10 on the Billboard Hot Adult Contemporary Tracks chart."

The Style Council - have you ever had it blue extended version, 1986

"I got back to my record player, took the disk out of its sleeve, put the record on the turntable and prepared to be rocked with Mod power! After the song was over, I sat there bewildered. Something wasn't right. I re-played 'Have You Ever Had It Blue?' just to make sure. Yup, either my record needle was busted or the LP sleeve was mislabeled because this didn't sound like anything Paul Weller would have been involved with."

The Legends - there and back again, 2023

“There and Back Again” is the type of break-up song that will have you dancing with a smile on your face. The Legends have become the masters of low-fi garage/twee. Hand claps and a persistent string of tambourines are thrown in amidst distorted vocals and guitars. Each song is crafted so that with each listen a new aspect is brought forth–be it the barely audible backup vocals on the chorus or the punchy organ during the verses. The distortion in the earlier Legends work of frontman Johan Angergård (Club 8, Poprace, Acid House Kings) brings out the lo-fi and the garage sounds and takes a little getting-used-to, but after a few listens the underlying strength behind each song will become vividly apparent."

Damon Albarn - polaris, 2021

“I took some of these realtime, extreme elemental experiences and then tried to develop more formal pop songs with that as my source. I wanted to see where that would take me. Sometimes it took me down to Uruguay and Montevideo. Other times I went to Iran, Iceland or Devon. With travel being curtailed, it was kind of nice to be able to make a record that put me strangely in those places for a moment or two.”

Fleur Electra - your darling, 2023

"With layered and atmospheric synths topped with shimmering vocals and punchy alt-pop soundscapes, Fleur Electra is a Toronto-based singer-songwriter, producer, and performer. Evoking dreamy emotions in her music, Fleur Electra crafts an introspective and imaginative experience for listeners, gently reshaping the sonic experience within her own sound."

The Beatles - i need you, 1965

"The song has characteristics typical of Harrison's writing style in its syncopated melody line and melodic idiosyncrasy. According to author Ian Inglis, "its rhythmic and tonal structures clearly identify this as a Harrison song, but it is also, indisputably, a Beatles song."

The Mary Onettes - easy hands, 2023

“After quite a long time being artistically a bit unsatisfied ‘Easy Hands’ came to life when I realized that making art is really who I am. I can’t escape from it. But In order to keep making art I need to be nice to myself. That’s the core of the lyrics behind ‘Easy Hands'”

The Housemartins - caravan of love cover, 1986

"British indie band the Housemartins released "Caravan of Love" in November 1986. The a cappella song was a success, reaching number one on the UK Singles Chart on 16 December 1986 (only the second a cappella recording to do so, after "Only You" by the Flying Pickets in 1983), before being denied the Christmas number one single by a posthumous re-release of Jackie Wilson's "Reet Petite". The song was an international hit reaching the top 3 in several countries, including no.1 in Ireland and Sweden. It is included on the Housemartins' greatest hits compilation Now That's What I Call Quite Good."

The Style Council - down in the seine, 1985

"One reason Paul Weller's rock and roll never convinced non-Brits was his reedy voice, which he has no trouble bending to the needs of the fussy phonographic cabaret he undertook so quixotically and affectedly after retiring the Jam. I'm sure the move has cost him audience, but the new format suits the specifics of his socialism."

The Radio Dept - sloboda narodu live, 2017

"Sloboda Narodu, a sunrise meditation track, starts out the album heralding in bongos and warm guitars. We hear front-man Johan Duncanson’s nasally voice for the first time, layered over crashing acoustic guitar patterns. There’s a wonderful repetition of guitar bursts, and some interesting keyboard work that make this opener particularly memorable."

The Beatles - i saw her standing there, 1963

"McCartney first worked out the chords and arrangement on an acoustic guitar at the family home of his Liverpool friend and fellow musician Rory Storm on the evening of 22 October 1962. Two days later, McCartney was writing lines for the song during a visit to London with his then-girlfriend Celia Mortimer, who was seventeen at the time herself. The song was completed about a month later at McCartney's Forthlin Road home in collaboration with Lennon and performed as part of their set in December 1962 in the Star-Club in Hamburg. It is also possible John Lennon had more to contribute than has been reported since there is more than one photo of both John & Paul working on the song with guitars in hand taken by Michael McCartney. John very likely contributed some chord ideas as well since he was already actively writing songs on his own by late 1962."

My Morning Jacket - rocket man cover, 2004

"Editor’s comment: The original Rocket Man, written and performed by Elton John, does not appeal to me nearly as much as this softer, more melodic version. Favorite lyric: “Rocket Man is burning up his fuse up hear alone.”

Renaissance - kalynda a magical isle, 1979

"Just as the narrator finds solace in Kalynda, I discovered my own magical haven where the outside world faded away, leaving only the pure essence of my existence. It was a place where I could be authentically and unapologetically myself. As I grew older, life carried me away from those shores, but the memories of that sanctuary remained etched in my heart. They became a guiding light, reminding me of the importance of seeking out my own personal Kalynda amidst the chaos of life. It’s a constant reminder to find that place where I can be still, look beyond what is transient, and reconnect with my most authentic self. Through “Kalynda (A Magical Isle),” Renaissance takes us on a metaphorical journey of self-discovery, urging us to find solace in the uncertain. Life’s incessant changes and unexpected twists can leave us feeling unmoored and adrift. Yet, within the depths of our souls, lies the power to create our own islands of refuge – our very own Kalynda."

Afraid Of Stairs - they aimed bad, 2006

"Swedish indie band that's sporadically been making music since 2002."

Au Revoir Simone - all or nothing, 2009

"Still Night, Still Light chronicles lost loves, dark secrets and being trapped in suburbia, along with the associated loss of a sense of self, a longing for escape and disappointment at letting life slip by. The calm vocals, verging on the brink between singing and speaking, are well executed throughout the album, purposefully evoking the sense of disembodiment the lyrics express. They are at their most mesmerising when each band member contributes, particularly in the overlapping harmonies of ‘Knight of Wands’ and ‘All or Nothing’."

Asobi Seksu - perfectly crystal, 2011

"when they begin to marry the sweet melodies and swooning guitars, like on ‘Perfectly Crystal,’ or ‘Counterglow,’ no one can touch them"

The Radio Dept - slottet two, 2003

"the whole point of that thread was to discuss bands that had been (undeservedly?) missed by el radar. I'm just wondering out loud why that happened to this particular band. I guess it has to do with distribution, PR, and the whole promotions apparatus."

Bee Gees - i've gotta get a message to you, 1968

"This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark."

The Moody Blues - tuesday afternoon compilation edit two, 1967

"a youthful contemplative sort coming to a philosophical realization that helps him get that much closer to the meaning of life"

The Lightning Seeds - losing you, 2022

"The album starts off perfectly with Losing You, a song about falling in and out of love and trying to be as positive as possible – say yes rather than no. It was recorded in an afternoon with foot tapping and lap slapping for percussion in a similar vein to Buddy Holly or Paul McCartney. I love the vocals and the harmonies are fabulous and in a shade over 2 and a half minutes it’s done, but it builds up to track two beautifully."

Au Revoir Simone - knight of wands, 2009

"If anything, their philosophy is based more around the simple thesis that "primitive = good" and with an unparalleled love of analogue synthesisers, vintage drum machines and succinctly tailored harmonies, the three-piece have become something of a cult phenomenon on both sides of the Atlantic, pertinently illustrated by the fanfare of cheers that greeted the announcement they were to co-headline this year's Indietracks, Europe's biggest celebration of all things minimal, lo-fi and incessantly twee."

The Radio Dept - could you be the one, 2020

"The band have decided that, instead of writing and producing a new full-length record, they will be scattering a range of sporadically released singles throughout the course of the year, with the intention to compile the singles onto an album-length compilation later in the year. If you’ve only jumped into the blog today, The Radio Dept. are the Swedish duo of Johan Duncanson and Martin Larrson (along with touring member Daniel Tjader), who got the name from a local gas-station-turned-radio-station-turned-repair-shop called “Radioavdelningen”, which translates to “The Radio Department”. The Dept. have never been a fixture in mainstream culture, but 2006’s “Pet Grief” and 2010’s “Clinging To A Scheme” were relative cult classics within the internet music community. I have a joke with my friend Harrison, where we call them “Lund’s Finest”.

Paul Simon - i am a rock, 1965

"I Am a Rock" is a song written by Paul Simon. It was first performed by Simon as the opening track on his album The Paul Simon Songbook which he originally recorded and released in August 1965, only in the United Kingdom. Paul Simon and Art Garfunkel, as the American folk rock duo Simon & Garfunkel, re-recorded it on December 14, 1965, and included as the final track on their album Sounds of Silence, which they released on January 17, 1966."

Real Estate - wonder years, 2011

"I had a job for a while working at a greeting card company, selling greeting cards on the phone. The lyrics to “Fake Blues” are about that. It took us a while to take off but as soon as we started we were playing a lot—sometimes two shows a week—that was the main thing that kept us motivated."

The Mary Onettes - henry live, 2009

"The Mary Onettes took to the Hus 7 stage just after 9pm – with a gentle ‘hello’ from lead-singer Philip – to the drum pattern for ‘Puzzles’, the opening track from their 2009 LP ‘Islands’. It was a blistering start and it felt like a dream coming true. I sensed the goosebumps emerging and a lump in my dry throat… emotions were taking over. If you know their music at all, then I’m sure you can relate to this… they can cut you to the bone."

The Beatles - let it be, 1970

"McCartney said he had the idea of "Let It Be" after he had a dream about his mother during the tense period surrounding the sessions for The Beatles ("the White Album") in 1968. Mary Patricia McCartney died of cancer in 1956, when he was fourteen. In rehearsing the song with the Beatles in January 1969, in place of the "Mother Mary" lyric, McCartney occasionally sang "Brother Malcolm", a reference to the Beatles' assistant Mal Evans. McCartney later said: "It was great to visit with her again. I felt very blessed to have that dream. So that got me writing 'Let It Be'." In a later interview he said about the dream that his mother had told him, "It will be all right, just let it be." When asked if the phrase "Mother Mary" in the song referred to the Virgin Mary, McCartney has typically replied that listeners can interpret the song however they like."

Fazerdaze - lucky girl live, 2023

"Indie music has become a part of my daily dose of music. I have been into Indie since I was..I don’t remember the exact time but yea in High School for sure. There’s not much people that like this kind of music, so it’s arguably ‘anti-mainstream’. But for those indie fans I would recommend you guys to listen to this kind-of-new indie darling, Fazerdaze!. The genre of this band is indietronica (indie with a touch of electro). The synth is the perfect blend and creating the ambient-dreamy-like indietronica music, and so that’s why I love this band so much."

Barclay James Harvest - titles, 1975

"For review purposes the history of the band is quite a complex one with a number of different re-incarnations. The original line-up featured John Lees on lead guitar, Les Holroyd on bass guitar, Stuart "Woolly" Wolstenholme on keyboards and Mel Pritchard on drums. Wolstenholme dipped in and out of the band at various times and after the River of Dreams album of 1997 the band officially split, going in two different directions. At that point two separate bands emerged - Barclay James Harvest through the Eyes of John Lees (which featured John Lees and Woolly Wolstenholme at various times) and eventually was re-named John Lees' Barclay James Harvest and Barclay James Harvest featuring Les Holroyd which featured Les Holroyd and Mel Pritchard until his death. Both these new bands are still in existence and touring. Meanwhile Wolstenholme also had his own band Maestoso which was in existence until his death in 2010."

Midi Memory - a stitch in time, 2024

"Everything we need is here See through a new angle"

God Help The Girl - come monday night live, 2009

"In 2009, Stuart Murdoch of the Scottish indie rock band Belle & Sebastian produced a stand alone album titled God Help the Girl. This was sort of a B&S concept album, as the songs were written by Murdoch and the instrumentation was done by the band, but he found several female singers to voice the women in the songs. The album’s songs have loose connections – not enough so that, if there is a narrative, you can’t quite tell what it is, but enough so that you could string them together to make your own story. After releasing the album Murdoch started imagining his own narrative for the story as well, hoping to turn the songs into a movie."

The Lightning Seeds - god help them, 1990

"It kind of was Lightning Seeds by numbers. A radio-friendly pop song which had a touch of the indie about it, but very much had an appeal to a wider audience. The fact that Ian Broudie was an old punk at heart could be seen from the fact that he chose to record cover versions on the 2xCDs which made up the release of Ready or Not. I’m sure he would never claim that he had bettered the originals, but at least he was bringing them to the attention of a wider audience, as well as delivering some royalties to the songwriters. mp3 : Lightning Seeds – Another Girl, Another Planet (The Only Ones) mp3 : Lightning Seeds – Whole Wide World (Wreckless Eric) mp3 : Lightning Seeds – Outdoor Miner (Wire)"

Sun Haze - vhs memories, 2024

"Music to stare at the blue sky"

Au Revoir Simone - only you can make you happy deradoorian remix, 2010

"Brooklyn-based three piece electronic group Au Revoir Simone released their third album – ‘Still Night, Still Light’ – in 2009 to strong reviews. Before getting started on their next studio release, they’ve worked on a remix album of long player three, commissioning several important names in the alternative community to rework the original tracks from the album and put their own individual stamp on them."

Summer Moon - star child, 2023

"So, gear up, plug in, and immerse yourself in the sonic journey of “Casino Days” by Summer Moon. It’s a musical escapade that’ll get your heart pounding and your senses tingling."

The Beatles - all you need is love, 1967

"The song was Britain's contribution to Our World, the first live global television link, for which the band were filmed performing it at EMI Studios in London on 25 June. The programme was broadcast via satellite and seen by an audience of over 400 million in 25 countries. Lennon's lyrics were deliberately simplistic, to allow for the show's international audience, and captured the utopian ideals associated with the Summer of Love. The single topped sales charts in Britain, the United States and many other countries, and became an anthem for the counterculture's embrace of flower power philosophy. Our World coincided with the height of the Beatles' popularity and influence, following the release of their album Sgt. Pepper's Lonely Hearts Club Band. Rather than perform the song entirely live, the group played to a pre-recorded backing track. With an orchestral arrangement by George Martin, the song begins with a portion of the French national anthem and ends with musical quotations from works such as Glenn Miller's "In the Mood", "Greensleeves", Bach's Invention No. 8 in F major, and the Beatles' 1963 hit "She Loves You".

Vitesse X - fortress cover, 2024

“In 2023, I found myself gravitating more to guitar-based indie music again. I think I might have been craving a sense of solace from the heaviness of current events and maximalist nature of modern production. Tapping back into my sonic roots felt like an escape to a simpler, calmer moment in time. I was listening to Fortress by Pinback on my walk to work one day, and thought it would be fun to try out a cover for the first time. I was having a hard time getting into a creative flow, so I treated it as an exercise to not overthink and just enjoy the process, and this is what came out.”

Sufjan Stevens - jupiter, 2017

"About four-and-a-half minutes into “Jupiter,” for example, a cinematic interlude of piano, strings, and trombone fades, and Stevens’ voice interjects, processed such that it feels very intentionally like a radio communiqué from a vintage spacecraft: “Father of light, father of death/Give us your wisdom, give us your breath/Summoner says that Jupiter is the loneliest planet.” Stevens is no stranger to this practice of gravely summoning opaque imagery, but the outer-space literalism of his delivery makes this evocation of the isolation inherent in mortality feel light years more distant than usual, which, as far as I can tell, was not the desired effect."

The Radio Dept - nineteen ninety-five, 2003

"I belatedly discovered their music in 2019, by which time all of their physical singles and albums were readily available to seek out wherever I could, and so that was what I did as much as possible. I glutted on everything they brought out, belatedly picking up all their albums on CD, given that I had already fallen hopelessly in love with their music."

Fazerdaze - take it slow, 2017

"there's nothing quite like the interplay of a minimal bass line and a reverb-heavy guitar over some wistful vocals to get you in the mood for summer"