Pink Floyd - san tropez, 1971

"Unlike the other tracks on Meddle, "San Tropez" was not written collaboratively; instead, Roger Waters wrote the piece himself and brought it into the studio already finished. It is the only track on Meddle not co-written by David Gilmour. This song is about a place called Saint-Tropez, a commune of the Var département in southern France located on the French Riviera. The song reflects an idealised vision of what a day in Saint-Tropez might be like."

Tame Impala - endors toi, 2012

“Endors Toi” means “go to sleep” in French. The track delivers psychedelic satisfaction in the form of wandering synths, crashing drums and hypnotizing delay effects."

Cloud Studies - last night i fell again cover, 2025

"Taking the loose feel of the original track and confining it to a much more rigid, thumping, song-serving, rhythmic framework – the Cloud Studies version ends up falling somewhere between Alvvays, The Cranberries, Cocteau Twins, My Bloody Valentine & The Jesus & Mary Chain. Guest starring Kirstin Isolde Lavender on lead vocals, the resulting tune is a hazy, atmospheric dreamgaze masterpiece and should be considered a how-to guide for aspiring dreampop/shoegaze musicians everywhere."

The Beatles - ask me why, 1963

"Written in early 1962, "Ask Me Why" is principally a John Lennon composition, but was credited to Lennon and Paul McCartney, as were all other Lennon–McCartney originals on the first pressings of Please Please Me album. McCartney said, "It was John's original idea and we both sat down and wrote it together, just did a job on it. It was mostly John's." It was part of their live act prior to their recording contract, and was one of the songs performed at their first Parlophone recording session in EMI's Abbey Road studio two on 6 June 1962. The song emulates the style of Smokey Robinson and the Miracles, by whom Lennon was influenced, and draws its opening guitar phrase from the Miracles' "What's So Good About Goodbye" (1961)."

Renaissance - love goes on, 1971

"The band recorded "Love Goes On", "Golden Thread", "Love Is All", and "Face of Yesterday" in between continued extensive touring in both the UK and mainland Europe, a schedule that was so physically taxing that McCarty became ill while on the road, leading him to announce in July 1970 that he was leaving Renaissance in order to focus exclusively on songwriting. Keith Relf was not immune to the stresses and personal conflicts of the band's nonstop schedule, and with McCarty gone, he shortly after announced that he was quitting Renaissance as well, though he continued to be present for the recording sessions in his capacity as producer. John Hawken recruited singer Terry Crowe and guitarist Michael Dunford (both from Hawken's previous band The Nashville Teens), as well as session drummer Terry Slade to replace Relf and McCarty. Louis Cennamo nonetheless was skeptical of the band's future in the light of the departure of both their primary songwriters, so when the band Colosseum contacted him with an invitation to become their new bassist, he accepted. Bassist Neil Korner, another former member of The Nashville Teens, replaced him."

Rilo Kiley - go ahead, 2001

"This song is ultimately kinder than I was 20ish years ago, and because we see things not for what they are but as we are, my 18-year-old self heard a much more sarcastic, sardonic intent underneath this track that pairs a breezy permissiveness with an absolutely astonishing willingness to accept whatever is best for the object of this song, even if that means losing them to distance, separate paths or the freedom to find somebody else that’s better."

Kitchens Of Distinction - oak tree, 2013

"Fitzgerald's impassioned, wordy, often bluntly personal vocals careened over what sounded like a mass of swirling guitars, though the band only had one guitarist."

Neil Young - birds, 1970

"You know, I don't edit my songs. I knew something was happening at the time that I wrote it to make that right, but I can't remember what it is and it doesn't apply to what I'm doing now."

The Go-Betweens - a bad debt follows you, 1983

"The Go-Betweens were already a good band well before they made Before Hollywood, but this second album is what proved for many listeners that they were great."

The Beatles - boys cover, 1963

"Ringo always used to do a song in the show. Back then he had 'Boys'. It was a little embarrassing because it went, 'I'm talking about boys - yeah, yeah - boys'. It was a Shirelles hit and they were girls singing it, but we never thought we should call it Girls, just because Ringo was a boy. We just sang it the way they'd sung it and never considered any implications."

The The - perfect, 1983

"Youthful angst and anomie are fine in their place, but not all over the place."

Pink Floyd - cirrus minor, 1969

"It was written by Roger Waters and performed by David Gilmour on vocals and guitar and Rick Wright on organ. The song has a hallucinogenic, pastoral quality, with prominent organ and bird sound effects, like those later that year featured on the Ummagumma track "Grantchester Meadows". It was also included on Pink Floyd's compilation album Relics. The song features no drums. The Hammond and Farfisa organ coda is similar to that found on the "Celestial Voices" section of "A Saucerful of Secrets".

Genesis - in the beginning, 1969

"This debut Genesis album, which has appeared under license to various labels in addition to Decca and London in different configurations, is largely of historical interest. The group was still in its formative stages, the members barely past their 18th birthdays and still working out what they wanted to sound like."

The Blue Nile - stay, 1984

"I suppose to some extent that started to bleed into our own songs – there was more and more space in what we were doing"

The Go-Betweens - you've never lived, 1984

"The song captures the Go-Betweens' signature style: literate, barbed lyrics delivered with a mix of jangly guitars, a restless rhythm, and Forster's distinctive nasal, talk-singing delivery."

Neil Young - here we are in the years, 1969

"The songs were gathered from the past and the future, mostly dreams, nothing concrete; they were mostly created as vehicles for record-making, like 'Here We Are in the Years,' or personal expression and longing, such as 'I’ve Been Waiting for You.' Some of them were stream-of-consciousness, like 'The Last Trip to Tulsa,' with no preconceived thought behind them. They were just songs. There was no big pressure on me at that time to top anything I had already done. That came later. The sky was the limit. I had no idea what was coming my way."

The Beatles - anna go to him cover, 1963

"Despite the song's title, throughout the song the lyric is "go with him" rather than "go to him".[3] Regarding the additional syllable added to Ann's name in the song, Alexander said, "it just fit better than Ann."

Beirut - baion, 2023

"His sixth album as Beirut was conceived while he was living in an old wooden church on the Norwegian island of Hadseløya, seeking refuge from self-doubt, mental collapse, a cancelled tour and briefly career-threatening throat problems."

Death Cab For Cutie - bend to squares, 1998

"I’d like to think I’m a far better writer now than I was 10 years ago. When I first started the band, and I began writing in the way that has marked the trajectory of how I go about making music now, I was convinced that my writing was wildly descriptive and very dense and interesting, and people were really going to have to chew on this stuff."

Hank Bee - ten twenty-three, 2026

"I love writing at a window. Watching the world pass makes me feel like I’m watching a film (I also sometimes write while watching the tv) - I recently learned that John Prine (probably my songwriting hero) used to rent hotel rooms and would take his guitar and watch the shit hotel TV whilst he wrote."

Dubblestandart - chrome optimism oxygene dub part four, 2009

"Dubblestandart is a dub reggae band from Vienna, Austria. They were founded in 1987 and achieved breakthrough success in 1992. The band has collaborated with Lee "Scratch" Perry, Ari Up from the Slits, and film director David Lynch, on their studio album Return From Planet Dub in 2009. They describe their style as "hi-energy dub" or "21st century dub".

Yot Club - human nature, 2024

"dreamy, bedroom-pop energy that masks some pretty melancholic lyrics about love, loss, and the inevitability of people drifting apart."

Pink Floyd - the narrow way part three, 1969

"Part three of the song features Gilmour's only vocal contribution to the studio part of the album. This final part was incorporated into The Man and the Journey by the full band on their 1969 tour."

The Flaming Lips - chewin the apple of yer eye, 1993

"The addition of guitarist Ronald Jones and drummer Steven Drozd recharges the Flaming Lips' batteries for the superb Transmissions From the Satellite Heart, another prismatic delicacy that continues the group's drift toward pop nirvana."

Neil Young - the loner, 1969

"It's one of Young's most enduring early songs, blending acoustic folk elements with electric guitar flair and subtle string arrangements. Critics praised its "ice-pick vocal" and powerful instrumentals"

The Beatles - the walk cover, 2021

"The Beatles recorded a version of Jimmy McCracklin’s 1958 hit ‘The Walk’ during the Get Back/Let It Be sessions in January 1969. The song was written by Jimmy McCracklin and Bob Garlic. Released as a single in January 1958, it peaked at number seven on the US Billboard Hot 100 in 1958."

Air - surfing on a rocket, 2004

"Surfing on a Rocket" is a song by French electronic music duo Air from their third studio album, Talkie Walkie (2004). It was released on 9 April 2004 as the album's second single and features additional vocals by singer Lisa Papineau. In the United States, "Surfing on a Rocket" was released as an EP on 19 October 2004. The track also appears on the soundtrack to the football video game FIFA Football 2005."

Mew - why are you looking grave, 2005

"To end out the week, we ask Mew frontman Jonas Bjerre some questions about endings and death. The Danish band formed way back in 1995, releasing their debut album, A Triumph for Man two years later in 1997. But it was 2003’s Frengers that first garnered them international attention, with 2005’s And the Glass Handed Kites further growing their audience outside of Denmark thanks to songs such as “Special” and “Why Are You Looking Grave?” (which featured the guest vocals of Dinosaur Jr.‘s J Mascis)."

The Go-Betweens - that way, 1983

"The Go-Betweens' country of origin has been of crucial importance in forging their identity. Unlike many groups in this country, they still maintain an admirable idealism — an uncompromising belief in their music and a distaste for the manipulative moguls operating inside the major record corporations. They don't like Britain much, they're here briefly because their record company is Rough Trade. It has faults, but they feel it's been about the best option on offer."

Bom ano novo de 2026

Confio-Te, Senhor, o próximo ano.

Dá-nos sabedoria para apascentar os dias, paciência suficiente para suportar o que deve ser suportado, e um coração puro para acreditar.
Concede que saibamos colocar-nos em humilde relação com as grandes coisas de que a vida é feita.
Que nos sintamos como aprendizes e discípulos da revelação do teu amor que acontece no tempo.
Não nos deixes acomodar: que o conforto da estalagem nunca nos seduza mais do que a beleza da viagem; 
que o conhecimento acumulado de ontem não nos dissuada de sairmos para contemplar o novo orvalho que brilha, hoje, nos prados;
que o nosso olhar não esteja fixo no dedo que aponta, mas naquela flor silenciosa que é a lua.
Em cada estação ensina-nos a tomar, a decifrar a noite inteira, não a escuridão mas uma estrela.
Ensina-nos a considerar que não é o mal, mas um traço de bondade, que melhor reflete um coração.
Ensina-nos a prestar atenção ao rebanho de nuvens para compreender que sempre, acima de nós que pisamos o chão, os céus ficam extasiados.
Ensina-nos a não querer ser senhores de nada nem de ninguém, mas sim peregrinos conscientes de que a história a que atracam é uma terra sagrada.
Para quem o quer ouvir, o vento do teu Espírito passa como um assobio primaveril anunciando o degelo.

A nossa existência nunca é tão bela como quando nos olhas, Senhor! — Card. José Tolentino de Mendonça