Saturday, March 8, 2025

Neil Young - thrasher, 1979

"Thrasher" was written while filming Human Highway in New Mexico with Dennis Hopper. Young remembers in a 2022 post to his website: "After leaving Taos with Carpio, a Native American friend I had met during the filming of Human Highway, sitting in the front seat of his car, I wrote this song, "Thrasher". Driving through the magnificent beauty of New Mexico, the words just kept coming to me. I saw the eagles circling, the deep canyons, the road ahead, reflecting on my journey through recent years, and thankful to be where I was." The song's music bears similarity to Young's previous song "Evening Coconut," which he wrote about his boat. In the song's lyrics, he uncharitably describes his CSNY bandmates as "dead weight." Young explains in a 1985 interview: "Well, at that point I felt like it was kind of dead weight for me. Not for them. For me. I could go somewhere and they couldn't go there. I wasn't going to pull them along, they were doing fine without me. It might have come off a little more harsh than I meant it, but once I write I can't say, 'Oh, I'm going to hurt someone's feelings.' Poetically and on feeling it made good sense to me and it came right out. I think I'd be doing a disservice to change it based on what I think a reaction would be. I try not to do that." Young chose not to perform the song for several years after its initial release, due to his reaction to a particularly harsh review of the song. He would tell a 2014 audience "This song, you know, I did it, I haven't done it that much in my life because at a very vulnerable moment I read something about it. Just like the worst fucking review I've ever read. So for all your reviewers, if you feel like your words don't mean anything, you're probably right, but in that case, in that case they were damaging. So, anyway, I think I got this, I think this it's the one here. I hope so."

Beirut - when i die, 2019

"The members of Beirut unite for a series of therapeutic group experiments in their intense “When I Die” video. Multimedia artist Brody Condon directed the clip inside a Berlin Futuro house, guiding the musicians through meditative scenarios. They move around the floor in dramatic poses, sprawl out on their backs and lay their hands on each other — culminating in a scene with songwriter Zach Condon collapsing under their collective weight. “After the psychosomatic session that inspired the [cover art for Beirut’s recently issued LP, Gallipoli], I ran another session with Zach to guide a new video for ‘When I Die,'” Brody Condon said in a statement. “Something was missing. Later I learned the song was loosely about a fictional suicide cult, so I facilitated a group encounter with the band before their show in Berlin. I was surprised by their willingness to test each other’s boundaries, and spontaneously embody elements of Zach’s inner zone. They told me these intimate processes didn’t feel so differently from what they already do on stage.”

Stars - hope avenue, 2017

"Does no one fall in love under fluorescent light? Pretty sure that's not true, as many an office romance could attest. But as a statement in support of love's delusions, we will stand by it. In love, the lights are different, softer; the air has more oxygen in it; and for a second, all you need is a good chorus to believe this might be the one."

Saint Etienne - you're in a bad way, 1993

"despite the song’s bright and spritely joy, the lyrics address a man who’s been beset by the humdrum of life and has let it get him down. But have no fear, our good friend Sarah will save him (and us) with that golden voice of hers."

Simon And Garfunkel - homeward bound live, 1982

"New York City's Central Park was in a state of deterioration in the mid-1970s. Though Central Park had been designated a National Historic Landmark in 1962, at the start of the 1980s, the city lacked the financial resources to spend an estimated $3 million to restore or even to maintain the park. The nonprofit Central Park Conservancy was founded in 1980, and began a successful campaign to raise renovation funds."

New Order - true faith ninety-four, 1987

"True Faith" is a song by New Order, co-written and co-produced by the band and Stephen Hague. It was the first New Order single since their debut "Ceremony" to be issued in the UK as two separate 12" singles. The second 12" single features two remixes of "True Faith" by Shep Pettibone. Both versions of the 12" (and also the edited 7") include the song "1963". "True Faith" is one of New Order's most popular songs. The single peaked at No. 4 in the United Kingdom on its original release in 1987. In the United States, "True Faith" became New Order's first single to chart in the Hot 100, ultimately peaking at No. 32. A "True Faith" remix 12" single and CD single were released in 1994, and another "True Faith" remix 12" single and CD single were released in 2001. The 1994 remix charted in the UK at No. 9."

Prefab Sprout - appetite acoustic, 2006

"Although they sold millions of records during their heyday in the 1980s, deservedly so, UK "sophisti-pop" band Prefab Sprout is not really a household name despite their excellent and compelling music. A visually striking band, guitarist/singer-songwriter Paddy McAloon and girlfriend Wendy Smith gave the band a certain glamour rooted in humility. McAloon has suffered serious health issues in recent years, which may explain why the band has not had much promotion since the height of their career."

The Smashing Pumpkins - ava adore, 1998

"Ava Adore" is a song by American alternative rock band the Smashing Pumpkins. It was the first single from their fourth album, Adore, and exhibited a new sound from the band which integrated traditional instruments with loops and electronic music. "Ava Adore" and the B-sides were written by Billy Corgan. When released as a single in May 1998, "Ava Adore" reached number one in Iceland, number two in Greece, number five in New Zealand, and the top 20 in Australia, Canada, Hungary, Ireland, Norway, Sweden, and the United Kingdom. In the United States, it reached number 42 on the Billboard Hot 100, number three on the Modern Rock Tracks chart, and number eight on the Mainstream Rock chart."

Soft Cell - what, 1982

“What!” came a few months after “Tainted Love” and Non-Stop Erotic Cabaret‘s release, a non-LP single to mark time until Soft Cell’s next album. While non-album single releases were a regular thing in other parts of the world, it was still a relative rarity in the U.S., which may explain why it failed to chart, since record labels tend to ignore songs that don’t promote album sales. “What!” also had a fun, Pop Art-inspired video that despite being pretty fabulous got scant airplay – that didn’t help matters much."

Moby - help me to believe, 1992

"Moby's melodic sense developed much quicker than other early techno producers; despite the criticisms leveled at his later direction (or lack thereof), his first album is a masterpiece of challenging, unrepetitive, beautifully programmed rave-techno."

The House Of Love - thirty-second floor, 1990

"Between the Smiths/Echo and the Bunnymen and the Britpop resurgence, this London quartet briefly caught England’s late-’80s imagination on the strength of stunning early singles, leader Guy Chadwick’s forceful, smart persona, lead guitarist Terry Bickers’ array of powerful, echoed sounds and the sustained promise of importance and (or) greatness."

Belle And Sebastian - family tree, 2003

"While Stuart is usually my favorite B&S vocalist, Isobel Campbell does a great job with this one."

Barclay James Harvest - the world goes on, 1976

"The "red side" (which opens the presentation here on both CD and DVD) featured just three songs. Les Holroyd's poetically ruminative ballad "The World Goes On" employed CSN-style harmonies over shimmering strings provided by Ritchie Close, while John Lees' "May Day" delivered a political message as it imagined what the British reaction to a totalitarian government might be."

Friday, March 7, 2025

The Radio Dept - freddie and the trojan horse, 2008

"Sweden’s new-wave shoegazer outfit presents the perfect summer song from their wonderful new EP. It’s sweet like a popsicle."

Renaissance - can you understand, 1973

"With electric guitarist Andy Powell sitting in on the title track, Renaissance delivered its best, and first fully formed album, mixing Russian, French, and Indian influences in musical settings that are both lively and elegant. The title track is one of the few lengthy progressive-rock pieces of the era that holds up, and the rest of the material runs the gamut from folk ("Carpet of the Sun") to Impressionist ("At the Harbor"), all of it hauntingly beautiful and enlivening."

Mike Oldfield - ringscape, 2005

"2005 Light and Shade: It could be retitled "Mike Oldfield: Bite Sized!" Little nuggets of Oldfield brilliance, like Angelique and Our Father, Resolution and Ringscape. He used mostly computer programs and plugins for this album (exactly the kind of method he protested and fought against for so many years), and as a result it sounds like everything else out there."

King Hüsky - wish I had a dog, 2025

"Kvelertak guitarist Vidar Landa has been kicking out surprisingly poppy rock tracks under the name King Hüsky ahead of his self-titled debut album, tapping into an entirely different side of Norwegian musical history."

Veronica Falls - teenage, 2013

"The ideal encapsulation of Veronica Falls; perfectly balancing joyous melodic pop with undercurrents of sadness and adolescent yearning. The vocal harmonies are pure heaven, and the economical playing and arranging showcase a band operating at a level of skill and craft not often found in today's indiepop scene. Plainly put, "Teenage" is perfect pop and sure to be one of the finest singles of 2013."

The Techniques - world without love, 1964

"McCartney wrote the song when he was 16. When he moved into the London home of his then-girlfriend Jane Asher in 1963, sharing a room with her brother Peter Asher, who asked McCartney if he could use the song after he and Gordon Waller had signed a recording contract as Peter and Gordon. McCartney described John Lennon's reaction to the song: "The funny first line always used to please John. 'Please lock me away –' 'Yes, okay.' End of song." Lennon said of the song that "I think that was resurrected from the past. ... I think he had that whole song before the Beatles. ... That has the line 'Please lock me away' that we always used to crack up at."

Postiljonen - supreme, 2013

"Swedish/Norwegian trio Postiljonen, a staple as of always, returns with their latest single ‘Supreme’. Following up on their last release ‘How Will I Know/All That We Had Is Lost,’ they’ve continued to move away from the slow and brooding nature of some their earliest songs like ‘Vi var en gang’ and ‘Skyer’ in favor of bigger beats. I couldn’t be happier — Postiljonen take it one step closer to that sun-soaked, Air France/Southern Shores/Korallreven irresistibility with this latest jam."