The Doors - unhappy girl, 1967

"The band explored musique concrète techniques during the album's recording sessions. While recording "Unhappy Girl" for example, keyboardist Ray Manzarek played his keyboard introduction backwards, and the corresponding overdubs were later made."

Fanfarlo - tunguska, 2012

"In this song they are singing about mysterious event in 1908 that destroyed 80 million trees in Siberia with a force 1,000 times more powerful than the atomic bomb dropped on Hiroshima."

The KVB - happy xmas war is over cover, 2024

"Happy Xmas (War Is Over)" was the culmination of more than two years of peace activism"

Saint Etienne - last orders for gary stead, 2005

"After a somewhat deceptive, slow piano intro, “Last Orders For Gary Stead” suddenly locks into a two-chord glam rock groove, complete with electric guitar, pounding piano and Cracknell sounding like the love child of David Bowie and Dusty Springfield."

Tom McRae - wonderful christmastime cover, 2004

"a cover version of "Wonderful Christmastime" to a Christmas compilation album: Maybe This Christmas Tree released in 2004."

The Smashing Pumpkins - appels oranjes, 1998

"Appels + Oranjes" has the distinction of being the first song written for Adore, demoed out during a session with Matt Walker, as other music was being put together for what became the Ransom Soundtrack. And here lies another story, as the famed composer I was to share the album's cover with had me summarily kicked off it. Why? Because he claimed the work I'd done was not 'music,' and he would not be sullied by it. To him, and to you, I say it is better to make original noise than luke-warm, adopted themes trolled from the greats. To he, I dedicate this hymn. For what if his shining, erstwhile baton refused to shudder at our collective rebellion?"

Bad Lieutenant - this is home, 2009

"It's all rather strange actually as Bad Lieutenant' are essentially just New Order without Peter Hook. I suppose it's less about what's technically been lost and rather something more esoteric."

Scorpions - wind of change, 1991

"Wind of Change" is a song by German rock band Scorpions, recorded for their eleventh studio album Crazy World (1990). A power ballad, it was composed and written by the band's lead singer, Klaus Meine, and produced by Keith Olsen and the band. The lyrics were composed by Meine following the band's visit to the Soviet Union at the height of perestroika, when the enmity between the communist and capitalist blocs subsided concurrently with the promulgation of large-scale socioeconomic reforms in the Soviet Union."

Pet Shop Boys - you choose, 2002

"Neil has himself noted that this song expresses the exact opposite philosophy from that of "Love Comes Quickly." That is, the earlier song maintains that love happens to people unwillingly, without their consent. It's not a matter of choice. "You Choose," by contrast, states matter-of-factly that people do choose to fall in love. As a result, those who fall in love must accept responsibility for the measure of pain and sorrow that almost inevitably comes with it. "Choosing to love is risking a lot.… You take a chance and see it through."

U2 - where the streets have no name, 1987

"Lead vocalist Bono wrote the lyrics in response to the notion that it is possible to identify a person's religion and income based on the street on which they lived, particularly in Belfast."

Wild Nothing - bend, 2018

“Bend” is the goodbye this album deserves; huge harmonies, skyscraper highs, and a melodic uplift that sounds like the credits should start rolling any second."

The Style Council - luck, 1985

"Time has not been kind to The Style Council. Heck, I don't think the 1980s were kind to The Style Council. They were a pretty polarizing group, especially to Mod folk then and now."

The Rolling Stones - under my thumb, 1966

"It's never about a real woman, but simply about this instrument that the guitarist has to tame, which probably gets him into trouble at first, but which he finally manages to dominate with his fingertips—under his thumb!"

Wishy - spinning, 2023

“Spinning” is a warm, shimmery dream-pop jam driven by a propulsive breakbeat and some incandescent, reverb-heavy vocals from Nina Pitchkites, who also wrote the track. In a press release, she says, “This song is purely about self-discovery and letting yourself have fun even in the midst of uncertainty. I wrote it during a time of confusion in my early 20s. I was very inspired by the jangle-pop nature of the Sundays, which is a band that inspires a lot of my songwriting.”

The Flaming Lips - waitin for a superman remix, 1999

"When the Flaming Lips first appeared in the mid-80s, there was little indication of the stunning sonic masterworks that lay ahead."

Wim Mertens - no testament, 1989

"Welcome to the select and intimate world of Belgian minimalism. Never heard of Belgian minimalism? This is not entirely surprising, since Wim Mertens has long been its lone representative and one-man pioneer."

AC Newman - the heartbreak rides, 2009

"To listen to the music of A. C. Newman is to be invited into an imaginary world. Not your typical sort of imaginary world with dragons and sorcerors or robots and spaceships, but the kind where words themselves are pulled and stretched, chosen more for the value of their alliteration or rhyme rather than their meaning in logically constructed sentences."

Del Amitri - buttons on my clothes, 2002

"check out “buttons on my clothes” by the oft underrated del amitri which is my unofficial theme song"

Travis - why does it always rain on me, 1999

"Fran Healy started writing the song while on holiday in Eilat, Israel. According to Healy, he was looking for some winter sun when his accountant suggested Eilat, which is known for its hot weather even during winter time. However, on the way to the hotel, it began to rain, which lasted until he left a week later."

Windows 96 - apartments, 2024

"Apartments is incredible"

Club 8 - something's wrong in my head, 2024

"Club 8 have long been the kind of restless band not content to keep making the same record over and over. Unlike many groups who strike out when they attempt new things, the duo of Karolina Komstedt and Johan Angergård pretty much knock the cover off the ball every time they take a swing. Previous albums have taken on trip-hop, African pop, sample-based electronic, and synth pop, to name a few. 2025's A Year with Club 8 delves into fuzzy punk-pop with big hooks, guitars that jangle and crash, and tempos that inspire dancing around the room with abandon -- or staring moodily into space on the slower numbers."

Moscow Olympics - second trace, 2007

"Born in the sticky Philippines summer of 2006, the five-piece known as Moscow Olympics produce music that has been described by Alistair Fitchett (on his Unpopular blog) as "Blueboy leaping from the clouds and snogging The Wake in the sunset whilst drifting down over the Oresund bridge." Indeed, the band's fuzzy, dreamy pop is deliciously reminiscent of our most favourite bands of past decades, but they have a genuine just-for-the-love-of-music spirit/sound that's uniquely their own."

Keane - silenced by the night, 2012

"Silenced by the Night" is a song by English rock band Keane from their fourth studio album Strangeland."

Voxtrot - raised by wolves, 2005

"a pleasant and breezy introduction to a group for which indie pop fans should have high hopes."

Tame Impala - eventually, 2015

"Eventually" is a song by Australian psychedelic music project Tame Impala. It is the fifth track on the 2015 album Currents"

Enya - book of days, 1992

"With her trademark understated drama in full flow many other places, especially on the wonderful "Book of Days" (replaced on later pressings with an English language version done for the film Far and Away), Enya shows herself to still have it, to grand effect."

The Radio Dept - in america, 2010

"I discovered them from the Marie Antoinette soundtrack and fell in love pretty hard with these guys. A year later I found myself at the actual Versailles and all I cared about was touring the grounds and listening to their music."

The Legends - no way out, 2004

"One of the most consistent independent labels in recent years has been Labrador. Initially formed in Stockholm by Bengt Rahm at the tail end of 1998, its first couple of releases being compilation seven-inch singles showcasing Swedish bands of the time. One of those bands were Acid House Kings, and it was through their involvement that main mouthpiece and songwriter Johan Angergård became involved with the label. Running his own label (Summersound) at the time, it was this merging of ideas with Rahm that built the foundations from which Labrador has grown ever since. Having been responsible for releases by the likes of The Radio Dept., The Mary Onettes, Sambassadeur, Club 8, The Legends, The Sound Of Arrows and Pelle Carlberg among a host of others, the label celebrated its tenth birthday in 2008 by releasing the 'Labrador 100: A Complete History Of Popular Music' boxset. Encompassing artists and songs from those first ten years, it also signified the label's 100th release."

Mike Oldfield - celtic rain, 1996

"The music on this album is the most overtly Celtic music Mike Oldfield has produced. The album was originally recorded using only acoustic hand-played instruments. After the daughter of a Warner Music exec said it sounded boring, Oldfield added synthesizers and more instruments to the album."

Pink Floyd - wot’s uh the deal, 1972

"Wot's... Uh the Deal?" is a song from Pink Floyd's 1972 album, Obscured by Clouds. The song features multi-tracked vocals by David Gilmour, who also wrote the music, and lyrics by Roger Waters that describe taking advantage of certain opportunities life gives and how they affect a person later on."

Stars - what the snowman learned about love, 2003

“What The Snowman Learned About Love” is a lyric book that I illustrated for a song of the same title by the band Stars. It’s a very short but beautiful song about how a snowman falls in love with the sun, but due to the sun’s heat begins to melt and eventually dies. While the story is quite dark, the song is written in a really sweet and almost lighthearted way. It is sad but beautiful."

The Lumineers - ho hey, 2012

"That song was an effort to get under people's skin at shows in Brooklyn, where everyone is pretty indifferent"

Rádio Macau - há dias assim, 1986

"In the age of innocence, a group of friends lived in a house in Algueirão, municipality of Sintra. The boys in their late teens. The girl a little younger. Everyone aspired to be something, it remained to know what."

The Cranberries - shattered, 1999

"The actual songs found on Bury the Hatchet, however, vary in terms of quality. On one hand, you have excellent cuts which include the likes of the blistering singe Promises; the upbeat Loud and Clear; Just My Imagination, a softer song which reminds me of the band's No Need to Argue album; and the laidback Shattered."

Pet Shop Boys - flamboyant, 2003

"The second previously unreleased track on PopArt, "Flamboyant" was the follow-up single to "Miracles." Co-produced by the German producer/remixer Tomcraft (Thomas Brückner), who generally works in an "electro" style, it's an uptempo, techno-oriented dance track"

Saint Etienne - milk bottle symphony, 2005

"Choosing a highlight from a concept album is always tricky. It could have been 'Relocate', in which Ms Cracknell and one David Essex argue about whether leaving London is leaving life itself. Having just done that very thing, my ears burned. But not as hotly as they did throughout 'Teenage Winter', where 'middle youth' is forced to accept that it's just middle-aged, and the local pub jukebox has been replaced by 'Aussie bar staff playing the Red Hot Chili Peppers'. But the vote goes to 'Milk Bottle Symphony', partly because it's the only pop anthem I own that stars the milk company Unigate, but mainly because it has the most fabulous melody of the year. The song simply introduces the album's central characters by waking them up and having them deliver and drink milk. That's it. But the symphony is the sum of all the melodies they are whistling and humming, making the morning bearable, transforming the mundane into the hope contained in every new day. It conjures memories of the early Seventies, when there was only one pop radio station and everyone emerged from their homes singing the same song in a silly symphony of human joy. Except, of course, that that never happened. Which is what this album is really all about, and what this song does its damnedest to redress."

AC Newman - there are maybe ten or twelve, 2009

"If you aren't familiar with the man's work, then I'd both urge you to make yourself so and also tell you that his work (particularly his solo work) sounds kind of like a mix between mid-period Kinks/Ray Davies (the sensibility), Randy Newman (the melodies), pre-Wild Honey Beach Boys (the harmonies), The Go-Betweens, and whatever other super-crisp power-pop records of which you can think. Maybe The Smithereens, from time to time? Lots of lazer (with a "z") guitars, lots of start-and-stop vocal melody lines, infrequent bouts of ornate and lush orchestration, etc.."

Fanfarlo - life in the sky, 2014

"Though seemingly complicated in theme, the London band, led by Swedish musician Simon Balthazar, makes it all eminently palatable with hook-laden choruses and a relaxed delivery. This strange but pleasing amalgam of sounds"

Lee Scratch Perry - dyon anaswa, 1978

"Lee "Scratch Perry" was never quite one of us mortals. Every word that came from his mouth was a spiritual or linguistic riddle or game and you’d be hard pressed to find any human being on the face of the earth who dressed more outlandishly cool for so long. When I first discovered his music I’d try to turn all my friends onto him by saying something trite like, “he’s the Sun Ra of reggae” or some such stuff."

New Order - mr disco, 1989

"platinum leftfield electronic pop, full of cool riffs & melodies, seamless production, and thumpingly good beats and bass. Being so spoiled for choice is a measure of the band’s (and indeed Technique’s) greatness. Mr Disco brings the groove on the album’s side-B trilogy of bliss, and there’s little left in the tank at the end. It’s a textbook example of top drawer late-’80s New Order electronica: wistful verse and punchy chorus vocals, over rolling layers of synth & rock bass, lush synths, bells & strings, plus superlative drum programming (i.e unlike most house/acid at the time, which was necessarily simplistic and repetitious)."

Everything But The Girl - twenty-fifth december, 1994

"the penultimate “25th December” is the album’s true centerpiece. Again, the music’s sparse—mostly gently chiming guitars (including an guest solo from Richard Thompson, another Fairport Convention member) backing Watt’s introspective, vulnerable, undeniably personal lyrics. The first verse reflects on how “my old man plays the piano for Christmas,” being surrounded once again by family for this most celebrated and often melancholy of holidays."

Black Sabbath - changes, 1972

"Changes" was not recorded with a real string ensemble. Instead, Geezer Butler and Tony Iommi used a Mellotron to create the sound of an orchestra. The ballad is generally an outlier in the band’s discography as it does not feature guitar or drums. To alleviate concerns about the band departing their well-known heavy sound, Osbourne promised in a 1972 interview "We're certainly not going to get any less heavy, we will probably do 'Changes' on stage with a Mellotron, but we'll never take strings on stage with us or anything like that."

Pet Shop Boys - the survivors, 1996

"With this track Neil and Chris responded to recurring rumors that one or both of them have AIDS. In essence, they simply express how they feel as "survivors" of the epidemic (which by 1996 seemed to have peaked since more effective treatments had recently become available), being able to continue and flourish while so many others, including close friends, sicken and die. They're grateful for their good fortune, yet saddened by the losses around them. They feel the best thing they—or anyone—can do to commemorate those who have passed on is indeed to survive, carrying on in their stead. "Somehow we'll survive."

The Jesus And Mary Chain - till it shines, 1994

"Anyone who has ever written a song is a romantic. A song isn't life - it's supposed to depict a part of life. Anything that isn't real life is romanticism. Anything that's under the heading of art is romanticism. Art exists to make us feel exalted and above bunny rabbits."

Wim Mertens - houfnice, 1991

"I'd never heard anything like it before. Mertens seemingly played on some kind of electronic piano and sang along in his falsetto voice without lyrics. The staccato introduction was instantly arresting. Tension pulled as the music built up. Suddenly it paused. A soothing melody then caressed the rippling rhythm. When the vocal entered, I had some heavenly images in my head."

The Shins - the past and pending, 2001

"At this time of the year, I usually feel a sense of anticipatory loss over the passing of summer, but this year feels slightly different. Maybe I’m growing into a state of being more appreciative of the present moment, instead of dreading each one being over. Time will tell. I look forward to what’s next."

Elton John - nikita, 1985

"Nikita" is a song by English musician Elton John from his 19th studio album, Ice on Fire (1985). It was released as the album's lead single on 4 October 1985, charting at number three on the UK Singles Chart, peaking at number seven in the United States, and reaching the top 10 worldwide, topping the charts of eight countries. The song features George Michael on backing vocals and Nik Kershaw on guitar."

Seapony - blue star, 2011

"Seattle’s Seapony make a dreamy bliss pop that is so easy and enjoyable to listen to that I don’t quite understand why it isn’t on every blog in the whole wide world."

Saint Etienne - le ballade de saint etienne, 2001

"Saint Etienne have deftly escaped the clutches of obscurity. Mainmen Bob Stanley and Pete Wiggs have nipped and tucked their once dancefloor-tailored sound over the years."

Neil Young - like a hurricane unplugged, 1993

"no doubt in my mind that this song is a classic, and the unplugged version might even be better than the original."

Orchestral Manoeuvres In The Dark - we love you, 1986

"AllMusic critic Dave Thompson later wrote that "We Love You" had "all the makings of a smash [hit]", while praising its instrumentation and "splendidly anthemic chorus". He also observed "barely veiled lyrics with anti-militaristic intent".

Arco-íris caindo no telhado do Palácio da Vila de Sintra, hoje, 13 de Dezembro de 2024, há poucos minutos

Art Garfunkel - scissors cut, 1981

"Laurie was the greatest thing I ever knew in my life, now I've lost it."

Renaissance - let it grow, 1973

"It felt so good to relax and have fun and a few glasses of wine... I do have footage of me dancing during the evening, but not sure if I will share that LOL’s. I wasn’t expecting to ‘sing’ so luckily I wasn’t legless hahahahaha. The Brazilian band had learned our song ‘Let it Grow’ ahead of time. This song was a huge hit in Brazil in the 70’s, but that was still not enough for us to be able to tour."

AC Newman - the cloud prayer, 2004

"We would join a formless consciousness. If we were looking, we could find the ones we love and share consciousness. Makes as much sense as living on a cloud."

Beirut - the rip tide live seattle, 2012

"a significant homecoming for Condon, the seeker who rejected his hometown and travelled in search of romantic sounds; as if, having seen the world, he can see his home in a new, more mature light."

Girls In Hawaii - this farm will end up in fire, 2008

"It was basically a song about escaping Belgian weather and in a broader way escaping «who» or «where» we were at that time..."

The Shadows - good vibrations cover, 1973

"Good, good, good, good vibrations." He started telling me the story about his mother. ... He said he'd always thought that it would be fun to write a song about vibes and picking them up from other people. ... So as we started to work, he played this little rhythmic pattern—a riff on the piano, the thing that goes under the chorus."

Pet Shop Boys - young offender, 1993

"the music has a distinctly "techno" feel that includes "beeping" sounds common to computer games, highly appropriate to the scenario described in the lyrics of the younger man playing a computer game while the older man looks on somewhat bemusedly"

James - sometimes lester piggott, 1993

"Sometimes is track two on the 1993 James Laid album and was released as the first single from the album. The amusing sub-title is a reference to the racing beat of the song and carries on the band’s obsession with the tax-dodging jockey which first surfaced at the end of the original Sit Down. Tim often tells the story of Brian Eno being in tears the first time they played it live in the studio and how he told them it was one of the highlights of his musical life."

Violens - spectator and pupil, 2010

"Violens was an American synth-pop band. Jorge Elbrecht and Iddo Arad formed the band in 2007 while living in Brooklyn, New York, and Myles Matheny joined them in 2009. In 2008, the band released their self-titled extended play under the Deadly People record label. Their debut album Amoral was released in 2010, later followed by the second album True, released in 2012."

Club 8 - late nights, 2015

"Swedish indie pop pioneers Club 8 celebrated 20 years as a musical couple (which included several years as an actual couple) in 2015. That experience and chemistry are easy to track on the veteran band’s release of Pleasure, a new eight-song LP that Johan Angergård called the band’s “most focused work to date.”

AC Newman - on the table, 2004

"‘On The Table’ sounds like an outtake from The Electric Version"

Echo And The Bunnymen - jimmy brown, 2003

"Incidentally, the 25th Anniversary Expanded & RemasteredRe-Issue of that cd features ‘Jimmy Brown’ a much tougher, early version of ‘Dancing Horses’ which sounds closer to ‘Over Your Shoulder’."

The Beatles - she loves you, 1963

"the initial idea for the song began with Bobby Rydell's hit "Forget Him" with its call and response pattern, and that "as often happens, you think of one song when you write another ... I'd planned an 'answering song' where a couple of us would sing 'she loves you' and the other ones would answer 'yeah yeah'. We decided that was a crummy idea but at least we then had the idea of a song called 'She Loves You'. So we sat in the hotel bedroom for a few hours and wrote it – John and I, sitting on twin beds with guitars." Like many early Beatles songs, the title of "She Loves You" was framed around the use of personal pronouns. But unusually for a love song, the lyrics are not about the narrator's love for someone else; instead the narrator functions as a helpful go-between for estranged lovers"

Sintra hoje, 11 de Dezembro de 2024, há poucos minutos

Palma Violets - all the garden birds, 2013

"Palma Violets write perfectly catchy hooks, and know how to get people moving, but is their sound really built to last? Only time will tell, I suppose."

Acid House Kings - do what you wanna do, 2005

"The first time I heard “Do What You Wanna Do,” I thought it was the latest single by The Legends. The song features hand claps and a consistent tambourine–you can almost hear the producer telling the group I gotta have more hand claps like Bruce Dickinson to Gene Frenkle with the cowbell. While the Bruce and Gene sketch warrants a laugh, “Do What You Wanna Do” warrants applause as I gave it the runner-up position to Best Song of 2005, second only to Voxtrot’s “The Start of Something.”

Neil Young - tell me why, 1970

"Musically, the song marks a shift from the hard rock of 1969's Everybody Knows This Is Nowhere and bears more folk and country influences, which would continue onto 1972's Harvest. The only instruments are two acoustic guitars, played by Young and Nils Lofgren. He is, however, backed by the vocal harmonies of Crazy Horse during the choruses. 'Tell Me Why' has a simple lyrical structure, with two verses each followed by a bridge then chorus, and one final bridge and chorus before a short instrumental outro. The chorus line "Tell me why, tell me why/Is it hard to make arrangements with yourself/When you're old enough to repay/but young enough to sell?" is the most famous line from the song, typifying the introspective and melancholic nature of not just this song, but the whole album."

Saint Etienne - carnt sleep, 1991

"The drowsy, heartsick ballad "Carnt Sleep" sounds like a humid summer spent spinning Sarah Records 7"s back to back with Sade, slick soul secretly slid into an indie-friendly sleeve."

Okkervil River - plus ones, 2007

"Perhaps the most ingenious part of this song is in its title. It has not one, but three meanings that are prevalent throughout the song. As a whole, The Stage Names (and its spiritual successor, The Stand Ins) permeate with criticism of pop culture, and the lives of those who fall victim to its celebrity. Plus Ones is no exception."

Girls In Hawaii - sun of the sons, 2008

"Girls in Hawaii is a Belgian indie pop band. Girls in Hawaii's first release was Found in the Ground: The Winter EP in early 2003, after which the band toured Belgium and France. In the meantime they started recording what would become their first LP. From Here To There was released in November 2003 in Belgium and in early 2004 in Europe. It was well-received across Europe, where the band went on a promotional tour through Belgium, France, Italy, Germany and Spain. The record was later released in Japan and, in October 2005, China Shop Music released it in the United States. The band started a short tour of the West Coast of the United States in April 2006. Their second full-length album, Plan Your Escape, was released in February 2008 in Europe. It was recorded in old houses in the Ardennes Forest by producer Jean Lamoot (who has worked with French artists such as Noir Désir and Alain Bashung). The album, more complex and eclectic than the previous, contains twelve songs; the first single was called "This Farm Will End Up in Fire". The band toured Europe promoting the album during 2008. In February 2009 Not Here, a documentary relating the life of the band during that tour, was released on DVD. On 30 May 2010, 28 year-old drummer Denis Wielemans died in a car accident in Brussels. In 2012 they started working on their third album, Everest. The album was released on 2 September 2013. In the summer of 2014, they released a new EP, Refuge. In October 2014, they released a live album, Hello Strange, which revisits old songs in an acoustic and/or electronic way. In September 2017, they released Nocturne, their fourth album."

Wim Mertens - hufhuf, 1991

"Anyone who doesn't know Wim Mertens, should."

A-ha - dragonfly, 2002

"Magne Furuholmen (born 1 November 1962) is a Norwegian musician and visual artist. Also known by his stage name Mags, he is the keyboardist of the synth-pop band A-ha and co-wrote hits such as "Take On Me", "Stay on These Roads", "Manhattan Skyline", "Cry Wolf", "Forever Not Yours", "Analogue (All I Want)", "Minor Earth Major Sky", "Touchy!", "You Are the One", "Move To Memphis" and "Foot of the Mountain". A-ha has sold more than 50 million albums worldwide. He was named Knight First Class of the Order of St. Olav by King Harald for his services to Norwegian music and his international success."

Seapony - dreaming, 2011

"All initial sings point to the kind of hazy electro-pop we've heard so much of these last couple of years, yet when you actually press "play" on this Seattle indie rock trio's new single, you get something quite different and ultimately much more direct. This breezy, guitar-driven gem is compact and tuneful, getting by more on clear and simple statements than fuzzy allusions."

Barclay James Harvest - love is like a violin, 1977

"Love Is Like A Violin is a marvellously beautiful track"

Electronic - dark angel, 1996

"Dark Angel is a pleasant inclusion. Honestly I think it sounded pretty dated when it came out, and now it definitely belongs in another era, but it’s a strong song. This time, the middle section is nothing short of brilliant."

Lana Del Rey - let the light in, 2023

"Let the Light In" is a song by American singer and songwriter Lana Del Rey featuring fellow American singer-songwriter Father John Misty from her ninth studio album, Did You Know That There's a Tunnel Under Ocean Blvd"

Slade - everyday, 1974

"The idea for "Everyday" came out of an evening at Lea's house where he was entertaining friends. Responding to the question of how he wrote songs, Lea said "easy, anyone can do it" and each person then attempted to come up with their idea for a song on the spot. Lea's wife Louise had come up with an idea, which formed the basis of "Everyday"'s verse. Lea later developed her idea further to become a Slade song. Once he had finished the music and some more of the lyrics, Holder finished the final lyrics off. During the recording of the song, guitarist Dave Hill was abroad on his honeymoon so Lea played the guitar solo."

Kevin Max - stay, 2005

 

In this song there is a reference to Sintra that can be interpreted as alluding to the often rainy character of Sintra:
"Oh the English rain
Seems to follow me again
All the way from Sintra Portugal
It's where I met you just one year ago."
Sintra has in fact a microclimate that makes it unique in the Portuguese climate. It is often sunny everywhere and it only rains in Sintra.

The Beatles - got to get you into my life, 1966

"Got to Get You into My Life" is a song by the English rock band the Beatles, first released in 1966 on their album Revolver. It was written by Paul McCartney and credited to Lennon–McCartney. The song is a homage to the Motown Sound, with colourful brass instrumentation and lyrics that suggest a psychedelic experience. "It's actually an ode to pot," McCartney explained."

Paul McCartney - freedom, 2001

"Freedom" is a song written and recorded by Paul McCartney in response to the September 11 attacks in 2001. McCartney was in New York City at the time of the attacks and witnessed the event while sitting in a plane parked on the tarmac at New York's John F. Kennedy International Airport."

Voxtrot - kid gloves, 2007

"There are obvious political overtones, and parts of it make a lot of sense being about his father. It's probably mostly a mix of those two ideas."

Beach House - used to be, 2008

"Recorded over the summer of 2008 after many exhaustive months of touring, “Used To Be” contemplates the spiritual and physical effects of life on the everchanging road, love and getting older."

El Perro Del Mar - somebody's baby, 2008

"At first listen, From the Valley plays like the musical backdrop to a picturesque snow-topped village, the kind of whimsical setting where ponies pull sleighs and little girls in tam hats carry oversized lollipops. Except there’s something slightly off about this otherwise storybook scene, something just below the surface—a moodiness or an impish patter. Consider the opening track “Jubilee,” which is essentially a one-word song, a celebratory tune if the title is any indication; perhaps it’s the pulsating organs or Assbring’s choirgirl harmonization, or the combination of the two that creates a spooky sound effect. For whatever reason, the result is less festive than it is peculiar (in a positive way)."

Cocteau Twins - know who you are at every age, 1993

"I've always really been drawn to Know who you are at every age and Half-Gifts in particular. I think Half-Gifts is one of a few of their songs that really says something and has a lot of meaning."

The Go-Betweens - when people are dead, 1987

"I don't know if her name was originally Marion Stout but that's what she called herself when I knew her. (I wrote the article fredrik found). Marion used to go to poetry gigs in London in the late 1980s including 'Wooden Lambs'. I haven't seen her nor heard of her for years now; still have some photographs of her though which I could post if that would count as evidence."

U2 - when i look at the world, 2000

"When I Look at the World" is about a person's faith being shaken by tragedy. Lead vocalist Bono said that the song was told from "the point of view of someone who is having a crisis of faith looking at someone who has built their house upon the rock." The Edge interpreted the lyrics as being about seeing the world from someone else's perspective and finding comfort in that."

James - all good boys, 1999

"All Good Boys is a b-side from the James single I Know What I’m Here For released in July 1999. It was never played live at the time of release, but was introduced into the set for the 2014 La Petite Mort tour where it went down a storm with UK and Portuguese audiences."

Cat Stevens - father and son, 1970

"The song frames a heartbreaking exchange between a father not understanding a son's desire to break away and shape a new life, and the son who cannot really explain himself but knows that it is time for him to seek his own destiny."

REM - the flowers of guatemala, 1986

"This song is an interesting one because although it’s a fairly simple song musically, there’s some background to it lyrically. The song starts off with some pretty picked out electric guitar arpeggios from Peter, a light drum beat from Bill that includes some type of percussion that sounds like a triangle, and a somewhat buried bassline from Mike. It’s a very pleasant sound and if the song was twice the speed, it sounds like it would belong on Murmur."

A-ha - a little bit, 2002

"A Little Bit” is an expert dose of classic a-ha melancholy that starts gently and gradually pervades with increasing instrumentation"

Amy Macdonald - barrowland ballroom, 2007

"Going to see gigs at Barrowlands was always a big event. Playing there myself was even better."

Voxtrot - every day, 2007

"Ramesh Srivastava was born on June 26, 1983, in Austin, Texas, to Patricia Noel Goettel and Rajendra Kumar Srivastava. His father is from Lucknow, Uttar Pradesh, while his mother is American, from New Jersey. He attended Leander High School in Leander, Texas, and later attended the University of Glasgow in Glasgow, Scotland, majoring in literature."

Pet Shop Boys - love comes quickly, 1986

"Many years later, the Boys would write another song, "You Choose," that seems completely contradictory to "Love Comes Quickly."

The Moody Blues - the balance, 1970

"The final track, "The Balance," centers around a spoken narration. The accompanying music was originally arranged for Lodge's song, "The Tortoise and the Hare", which was later reworked."

U2 - city of blinding lights, 2004

"The song's underlying theme reflects lost innocence and was inspired by an image Bono saw of himself from the early 1980s."

Maria Taylor - smile and wave, 2007

"In 2015, Taylor Swift included "Sleep" in a 6-song "breakup playlist" made for a fan via her official Tumblr. Azure Ray released their second album, Burn and Shiver in 2002. Eric Bachmann (Crooked Fingers and Archers of Loaf) produced both records. After meeting the band in Athens, Bright Eyes frontman Conor Oberst invited the band on tour and introduced them to Saddle Creek. Saddle Creek released their following records, November EP, and The Drinks We Drank Last Night. In 2002, the duo co-wrote and recorded "The Great Escape" (which appeared on Moby's 18) and "Landing" (which appeared on the XXX soundtrack), and afterward joined Moby on tour. Following the release of 2003's Hold on Love, Taylor and Fink began a 6-year hiatus."

A-ha - afternoon high, 2002

"The son of Reidar, a chief physician at a hospital, and Henny, an economics teacher, and brother to Gunvald, Håkon, Ingunn and Kjetil, Morten grew up in Asker in southern Norway. His early musical influences included Uriah Heep, Jimi Hendrix, Queen, Johnny Cash, Simon and Garfunkel, David Bowie, and James Brown. Morten's father had contemplated becoming a classical pianist; Morten also took piano lessons for a while but lacked the discipline to practice. At the age of four he started writing music and playing piano."

Bee Gees - to love somebody, 1967

"In a 2017 interview with Piers Morgan's Life Stories, Barry was asked "of all the songs that you've ever written, which song would you choose?" Barry said that "To Love Somebody" was the song that he'd choose as it has "a clear, emotional message".

Wim Mertens - the scene, 1997

"Mertens has released more than 60 albums to date, the majority of which were issued by Les Disques du Crépuscule from 1980 until 2004. Mertens also produced a number of Crépuscule releases and consulted with the label on its choice of works by contemporary composers such as Michael Nyman, Gavin Bryars, and Glenn Branca. Mertens also curated a series of releases for a Crépuscle imprint, Lome Armé, that featured works from the classical era as well as contemporary jazz."

Ride - crown of creation, 1994

"Ride broke up in 1996 prior to the release of their fourth album Tarantula, which received negative reviews. Bell joined Oasis in 1999 as their bassist. The band reunited in 2014 to tour again, and also put out the albums Weather Diaries (2017), This Is Not a Safe Place (2019) and Interplay (2024)."

New Radicals - you get what you give, 1998

"the central theme of the song was "remembering to fly high and be completely off your head in a world where you can't control all elements". Alexander wrote the song after having a dream in which he heard music coming from a house and walked in to find Joni Mitchell, who told him, "Have a seat." Mitchell would later, in real life, go on to praise the song as one of her favourites."

The Pigeon Detectives - stop and go, 2007

"The album was recorded at Soundworks Studios in Leeds in the second half of 2006. In between recording the album the band toured vigorously, touring with The Holloways and Kaiser Chiefs. The first release from the album sessions was "I Found Out" which came out in November 2006 and became the band their first top 40 hit."

Beirut - no dice, 2009

"This is absolutely one of my favorite songs of all time. Electronic, loopy and taking you places."

The Style Council - homebreakers, 1985

"We’d moved from being Europeans and were now Internationalists."

The Jesus And Mary Chain - black, 1998

"The Jesus And Mary Chain covered me in darkness, but they did it in a way that didn’t make me feel low. If anything, they provided some kind of comfort. I’d much rather listen to songs that expose ugly and dark feelings than songs about how the sun is shining and how in love a person is."

Moscow Olympics - no winter no autumn, 2008

“No Winter, No Autumn” is certainly more demonstrative of their post-punk roots, using a halted guitar correspondence reminiscent of Lawrence Hayward’s Felt. The vocals regain the same composure as more shoegaze-oriented tracks like “What is Left Unsaid” and “Carolyn”, but the instrumentation attributes to an excitable stylistic flair that should have fans of both genres in a state of bliss."

America - sister golden hair, 1975

"There was no actual Sister Gold Hair." The lyrics were largely inspired by the works of Jackson Browne. Beckley commented, "[Jackson Browne] has a knack, an ability to put words to music, that is much more like the L.A. approach to just genuine observation as opposed to simplifying it down to its bare essentials... I find Jackson can depress me a little bit, but only through his honesty; and it was that style of his which led to a song of mine, 'Sister Golden Hair', which is probably the more L.A. of my lyrics." Beckley adds that "Sister Golden Hair" "was one of the first times I used 'ain't' in a song, but I wasn't making an effort to. I was just putting myself in that frame of mind and I got those kind of lyrics out of it."

Yes - wonderous stories, 1977

"Wonderous Stories" is a ballad solely credited to Anderson. He wrote the song during "a beautiful day" while staying in Montreux, "one of those days you want to remember for years afterwards". It was then when the words "wonderous stories" entered his head, which he later used for the song's lyrics. He noted the song's meaning as "the joys of life, as opposed to the uptightedness of some aspects of life" that was inspired by romantic stories and "a kind of dream sequence". Author Bill Martin believed the song is about the importance of hearing and listening."

A-ha - lifelines, 2002

"When later asked how he dared to go out in public without bodyguards, he replied that "he had 4 million bodyguards" – the population of Norway was at the time 4 million."

Sinéad O'Connor - nothing compares two u, 1990

"Our family is very messed up. We can't communicate with each other. We are all in agony. I for one am in agony."

Guillemots - the basket, 2011

"I think in some way it's about a mania within, caused by something external, and the conflict over whether to embrace this thing or just ignore it and crawl away into familiar comforts."

The Cranberries - joe, 2002

"Joe feature the typical Cranberries themes such as love and reminiscence of the past. But we you don't listen to this band for impressive, introspective lyrics, so this short coming should not be a problem for many listeners."

The Radio Dept - every time live, 2011

“It’s been really tough economically,” says Duncanson. “We’ve tried to live off the band for a while. [But] even if we’re really poor, it’s still a luxury to be able to live off your music.”

The Radio Dept - the one, 2010

"I never imagined that The Radio Dept would produce a 1960s girl group cover. For me, You’re Lookin’ at My Guy only confirms the fact that genre aside, The Radio Dept are fantastic songwriters. Whether it’s indie-pop or lover’s rock, the strength of their music is in the quality of their writing and delivery, particularly their choice of melody. Could You Be the One is the perfect TRD ballad. That Bacharach-esque call and response between Johan’s vocals and that horn-sounding synth is heavenly. Pure genius."

Club 8 - leave the north, 2007

“Leave the North” may be the darkest sounding track they’ve ever produced."

Bee Gees - another lonely night in new york, 1983

"The song's intro bears only minimal resemblance to Foreigner's 1981 hit "Waiting for a Girl Like You", before indulging in its own, time-space specific melodic structure in full force."

Youth Lagoon - afternoon, 2011

"‘Afternoon’ positively beams optimism and irony-free cheerfulness, from the infectious, whistled melody to the late-coming drums, yet it does so in a way which escapes the bubblegum effect."

Big Thief - vampire empire, 2023

"It’s maybe not a coincidence then that on their breathless new single, “Vampire Empire,” Lenker offers her own twist on one of Prince's most famous lines, from one of his most canonical songs: “I wanted to be your woman/I wanted to be your man/I wanted to be the one that you could understand.” The song, simply put, is another marvel."

Counting Crows - a long december, 1996

"Lead singer Adam Duritz was inspired to write the track after his friend was hit by a motorist and injured, making the song about reflecting on tragedy with a positive disposition."

The Moody Blues - emily's song, 1971

The track "Emily's Song" was written by John Lodge for his newborn daughter.

A-ha - you'll never get over me, 2000

"a spiky, slow-tempo pop song which tells the story of an in-progress break-up. The verses are vague – “you say you wanna run/you’re not the only one…you say you want some/you’re not the only one” – but the chorus pulls no punches – especially in the second chorus when the protagonist trades barbs with his former lover. Just as he’s declaring “You’ll never get over me/I’ll never get under you/Whenever our voices speak/It’s never our minds that meet“, a female voice counters “I will get over you” repeatedly. I’m not sure if they took the idea from somewhere else but apart from being great storytelling, it sounds fantastic. The female voice in this instance is Paul’s wife, Lauren Savoy."

Renaissance - day of the dreamer, 1978

"Day of the Dreamer was a highlight of the Song For All Seasons album and is no less impressive in this reading. The interplay between the band and the strings displays an integration that most such pairings never seem to achieve. Maybe that’s because much of composer Michael Dunford’s music was based on quotes from classical pieces. Haslam’s voice rises to the occasion, hitting all the notes and holding them with apparent ease."

Laurent Voulzy - bubble star part one, 1978

"His voice is so gentle and soft and sweet and charming and it is nothing not short of great. I remember the first time I heard him. We were driving in Theoule. We were just winding a bend that overlooks the bay. Nostalgie was on the radio"

Mika - relax take it easy, 2006

"The song makes use of a melody line from the Cutting Crew hit single "(I Just) Died in Your Arms". In North America, it was released as the third single from the album. The song was released as Mika's sixth single in the UK in stores on 31 December 2007, and for digital download on 24 December 2007 as a double A-side with "Lollipop". This single peaked at number 18 on the UK Singles Chart. The song was also featured prominently in the movie Were the World Mine. It is also in the 2011 film Monte Carlo."

Of Monsters And Men - love love love, 2011

"The ENTIRE album constantly alludes to metaphors revolving around divorce, or a similar fallout, and the perspectives of the many individuals impacted by the subsequent tearing apart of a family which that usually brings. If we factor that theming into Love, Love, Love, it'd imply the lyrics are something about someone who believes that they can't bring themselves to carry a proper connection with their children after betraying their responsibilities as a parent - despite one child still having unbridled hope and faith that they can reconnect."

The Cranberries - go your own way cover, 1996

"Lindsey was beating his acoustic guitar as hard as he could and screaming his lungs out. The first time I heard it, I thought, What the heck is going on? It sounded so non-musical. I didn’t know if anything would come from it."

Elton John - the fox, 1981

"I can sit through this whole album without flinching once - there's some really nice material here, and whilst it's a far cry from classic Elton John, it's decent enough. The thundering opener "Breaking Down Barriers" is excellent, making the album seem rather promising when I first put it on. And I'm also pretty fond of "Just Like Belgium", which has perhaps the album's best pop hooks, although the nothing-instrumentation doesn't do it any favors. Then there's "Elton's Song", a complex but pleasant ballad that seems to be just the right length."

Beach House - walk in the park, 2010

"a walk in the park is a metaphor for something being easy, but the song doesn't seem like that at all."

Cliff Richard - the young ones, 1962

"‘The Young Ones’ does have its moments. I love the beat-band drum fills, while the guitars are very reminiscent of Buddy Holly’s mid-tempo hits – ‘Heartbeat’, ‘Maybe Baby’ and the like. Yet it’s far from perfect – corny couplets like: Oh I need you, And you need me, Oh my darlin’, Can’t you see…? make sure of that."

Youth Lagoon - bobby, 2011

"Bobby" is a somber and pretty cut that appears on the digital release as a bonus track and on a bonus 7" that comes along with the vinyl LP"

Saint Etienne - conchita martinez, 1993

"So Tough takes its title from the Beach Boys album Carl and the Passions – "So Tough". "Conchita Martinez" is named after the Grand Slam-winning Spanish tennis player Conchita Martínez, who later went on to win the Wimbledon singles title."

El Perro Del Mar - l is for love, 2009

"Death, taxes, and life's other inevitability: break-up records. Sad-eyed Swede Sarah Assbring already has one under her belt, if you count 2005 Scandinavian release Look! It's El Perro Del Mar! (later refashioned with a slightly different tracklisting in the UK and North America as the self-titled El Perro Del Mar). But that's the thing about break-ups and, by extension, break-up records: At the time each feels like a cataclysm to end all cataclysms, the definitive statement on cessation. Yet in light of the next one-- and, God help us, chances are there will be a next one-- all the ones before can seem quaint, trite, overblown, and anything but definitive. So it makes sense that Assbring should craft another ode to getting over it, just as it makes a certain sad kind of sense that the gal who sang of being sad all day long (and thinking about being sad all night long) and suggested loneliness can be pretty would again find herself in a position to make such a record. Refreshingly, Love Is Not Pop does indeed make what came before it seem quaint, representing a significant maturation for El Perro Del Mar both in sonics and sentiments. If Look!/ El Perro Del Mar was Assbring rebounding from a failed high school romance to the tune of a candy bender and the familiar, comforting sounds of 1960s pop music, Love documents a more complicated, post-collegiate parting of ways against the more sophisticated sounds of late nights and dancefloors, courtesy of co-producer (and Studio half) Rasmus Hägg."

A-ha - barely hanging on, 2000

"After reforming in 1998 to perform two songs together at the Nobel Peace Prize concert, a-ha decided to make it more than a one-time thing. The resulting album reached platinum sales and spawned four #1 hits, "Minor Earth Major Sky," "Velvet," "The Sun Never Shone That Day" and "Summer Moved On." The latter went to #1 in an astonishing 17 countries and features a world record 20-second vocal note by Morten."

Renaissance - kindness at the end, 1978

"Given its date of release, “A Song For All Seasons” must be considered as a considerable triumph. If “A Song For All Seasons” isn’t quite as good as their previous albums, at least has the distinction of coming very close. Renaissance seemed to be immune from the onrushes of punk and AOR. If there was a capitulation, on this album, it was a minor capitulation involved, because it was more in the direction of the Euro-pop than anything else, which is to say, that this “capitulation” still allowed the group to operate within their normal parameters, in a way, at least on this album."

U2 - original of the species, 2004

"Bono dedicates it to his two daughters. The image of Bono singing this song from the live recording in Chicago was used as the icon Apple used for the artist tab in the music app on their devices until 2015. Bono has also said he believes this to be the best song on How to Dismantle an Atomic Bomb."

Violens - when to let go, 2012

"We realize it’s something many artists have done in the past – singing softly to deliver a brutal message – but when we started Violens that was one of the main ideas behind it, violence and violins."

Edward II - miles away, 1991

"Some ideas lead you to wonder why nobody thought of them before, while you wonder why anybody thought of other ideas at all. Edward II's fusion of British folk dance and Morris music with reggae is definitely in the latter category, but the result is genuinely fun. Rees Wesson's accordion and Jon Moore's fiddle fit right in with Alton Zebby's slapped reggae percussion and the lively brass section. As with Edward II's other releases, there are some intermittently interesting straightforward reggae cuts on Wicked Men, but things only get really interesting when the band starts playing with folk influences. The last two cuts, the Morris dance tune "Shepherd's Hey" and the rocked-up folk lament "List for a Sailor," are the best tracks on the album, and both received limited airplay when the album was released."

Sarah Cracknell - ready or not, 1997

"When bandmates Pete Wiggs and Bob Stanley took time out in 1996 to set up their own label, Cracknell took the opportunity to record her solo debut Lipslide (which came out in Britain in 1997, albeit with slightly different tracks). As Cracknell commented in an interview in the English press, this project was in part motivated by being tired of "people assuming that I was just a frontperson for Bob and Pete, that I was a puppet, that I didn't do any of the real work."

A-ha - thought that it was you, 2000

"Over the years his versatile and adaptable voice has lent itself to several musical genres, including synth-pop, Christian pop, rock, jazz, folk and even drum ‘n’ bass; while his interest in theology, nature, environmental issues and politics has frequently seeped into his recordings, giving much of the material a spiritual – and often philosophical – slant. With his chiselled, boyish looks and distinctive vocals, Harket was certainly the most marketable member of a-ha – but the transition to a successful solo career, following the band’s hiatus in the 1990s, wasn’t without its challenges…"

Renaissance - face of yesterday, 1971

"Following an American tour to support their first album, the band returned to the studio in the spring of 1970 to begin work on their second. The band recorded "Love Goes On", "Golden Thread", "Love Is All", and "Face of Yesterday" before they began to fall apart. Keith Relf and Jim McCarty were the first to leave, deciding to cease as performing members but remain involved with production and composition for the band. John Hawken recruited singer Terry Crowe and guitarist Michael Dunford (both from Hawken's previous band The Nashville Teens), as well as session drummer Terry Slade to replace Relf and McCarty. Louis Cennamo left shortly afterwards to join Colosseum. Bassist Neil Korner, another former member of The Nashville Teens, replaced him."

My Morning Jacket - hopefully, 2001

"This beautiful, reverb-soaked acoustic ballad is, to me, one of their best love songs. Like much of At Dawn, "Hopefully" is empty yet full of much emotion. I love this song for its simplicity and its ability to evoke strong feelings."

Cat Stevens – morning has broken, 1971

"Morning Has Broken" is a Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune, "Bunessan". English pop musician and folk singer Cat Stevens included a version on his album Teaser and the Firecat (1971). The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chart in 1972, and number four on the Canadian RPM magazine charts."

The Beatles - what you're doing, 1964

"What You're Doing" is a song by the English rock band the Beatles from their album Beatles for Sale, released in December 1964. It was written by Paul McCartney, although credited to Lennon–McCartney. The song was one of eight original compositions on Beatles for Sale. In North America, where Capitol Records typically altered the content of the band's albums, "What You're Doing" instead appeared on the 1965 US release Beatles VI."

Fanfarlo - the beginning and the end, 2014

"There is gold beneath the ashes," sings Simon Balthazar on ‘The Beginning and the End’, the penultimate track on Fanfarlo’s excellent if flawed third album. "We have mouths to feed and Utopia to reach." These are fine, optimistic sentiments on an album that is generally thoughtful, uplifting and musically engaging, packed with deceptively complex, melodic songs that stimulate the mind and the senses alike. Yet, as indicated by its title, it’s a record that also seems sadly on the verge of giving up entirely."

Barclay James Harvest - poor boy blues, 1974

"The album ends with a trilogy of tracks which join together to form a single piece. "Poor boy blues" and "Mill Boys" cleverly reverse 2 themes between their vocal and instrumental sections. These almost folk like songs give way to one of BJH's great powerful tracks, "For no one" (no relation to the Beatle song). The track crashes in, in similar fashion to "After the day" from "..and other short stories", with John Lees pleading vocals lifting the song to an impassioned climax. "Everyone's a loner till he needs a helping hand, everyone is everybody else".

America - lonely people, 1974

"Peek spent much of the 1990s in semi-retirement, occasionally recording music at his home in Bodden Town, Grand Cayman Island. He released several solo projects and collaborated with Ken Marvin and Brian Gentry as "Peace" on three albums. In the years before his death, Peek released music via his website. His last musical collaboration was performing lead vocal on a track on the 2011 album Steps on the Water by Etcetera. He published An American Band, an autobiography based on America's most successful period, and his own spiritual journey."

The Postmarks - three little birds cover, 2008

"Bob got inspired by a lot of things around him, he observed life. I remember the three little birds. They were pretty birds, canaries, who would come by the windowsill at Hope Road."

Etienne Daho - week-end à rome, 1984

"The only song on my playlist not by a female artist was by colossal French superstar Étienne Daho and it is called Week-end à Rome, and if you haven’t heard it before you might want to sit down round about now."

Wild Nothing - only heather, 2012

"the introverted musicians those fans loved and identified with found their own solace in the Cocteau Twins’ and the Cure’s limpid eddies of pedal-pulled guitars."

Fleet Foxes - your protector, 2008

"I love how it starts really small and gets to be this huge expanse of sound with a great chorus melody. Pecknold's vocals in the beginning are great and somehow eerie."

Belle And Sebastian - the cat with the cream, 2015

"The only way to describe this song is that its Belle and Sebastian at their finest, their twee-est, and it makes us want to go home and order greasy food and cuddle something or someone in this time of polar freeze."

Sarah Cracknell - desert baby, 1997

"Preceded by the single "Anymore" in 1996, Cracknell released a solo album, Lipslide, in May 1997. Originally released in the UK only by Gut Records, the album featured dance, indie and pop tunes and received good reviews from critics."

A-ha - stay on these roads, 1988

"Life is sad and so is Pal Waaktaar. Pal, writer or co-writer of all these songs, seems over-run by melancholy. His lyrics are about crying, going away and yearning, and even the happier songs seem riddled with resignation rather than out-and-out pop joy"

Micheál And Eilish - cliffs of dooneen, 1990

"The late Liam Buckley who was born in the cottage immediately adjacent to the Cliffs of Dooneen has stated the poem was penned by Jack McAuliffe who had travelled from Lixnaw to Beale to visit his sister. Jack had spent time with locals in the fields above and shore below the cliffs. He then visited Bill and Nell Buckley's cottage, known as "99" a few hundred metres away - for tea and scones. Liam was told by his mother (Jack's host) that the poem was written at the kitchen window of the cottage. Liam says the poem was put to music years later by a local musician. Liam did not know the date the poem was written but he remembers it from the 1930s."

Paul Weller - down In the seine live, 2001

“My Best Friend’s Coat” is such a French-sounding song. I suppose there are touches of the Style Council’s “A Paris” EP and Cafe Bleu: “Down In The Seine”, “The Paris Match”, all that stuff. My lyrics were trying to tap into that vibe, get into that mindset of strolling down the Champs Elysee, hanging out down by the Seine."

Neil Young - my boy, 1985

"Of all the obsessions that live on the thousand acres of his ranch, the family is the one that enables all the rest"

Marillion - lavender, 1985

"Lavender" is a song by the British neo-prog band Marillion. It was released as the second single from their 1985 UK number one concept album Misplaced Childhood. The follow-up to the UK number two hit "Kayleigh", the song was their second Top Five UK hit, entering the chart on 7 September 1985, reaching number five and staying on the chart for nine weeks."

The Durutti Column - menina ao pé duma piscina, 1983

"Initially a three-chord venting unit that sounded a lot like its peers, the Durutti Column is perhaps the weirdest boy-band of all time. I say that because the band was formed on the Factory label founder Tony Wilson's whim, around guitarist Vini Reilly (who was previously in The Nosebleeds, another famous Manchester punk band; which at one point was fronted by Morrissey; a seed that would flower in the late 80's with Moz' first solo album)."

Sarah Cracknell - goldie, 1997

“London’s like a magnet, I could never wait to get there. I remember when I was about 13 getting the train from Egham to go to school in Clapham. I’d hop on the Northern Line to make the last leg of the journey, which was actually quite scary at that time. I used to go ice skating in Richmond, browsing around Kensington Market and up the Kings Road with my friend as soon as we were able to really."

Lily Allen - chinese, 2009

"‘Chinese’ is one of my favorite tracks from Lily Allen’s 2009 album It’s Not Me, It’s You. I like it even more after learning, just now, that it’s about her mother. I always assumed it was about a romantic relationship, but the lyrics about returning home to a comforting meal, relaxing, and being lovingly reassured make a lot more sense when you know she’s writing about a parent."

A-ha - you are the one remix, 1988

"When you look at the sleeve of the 7" single of 'You are the one' and compare it with this one from the 12" single, you'll see that a different photograph was used from the same photo session. You'd wish this was done more often, because all too often the sleeve of the 12" single is an exact replica, if only a bigger one, of the 7" single. Another attractive feature of this 12" single was the inclusion of an extended remix of 'You are the one', plus the instrumental version. Which in turn makes you wonder why these were never released on cd."

Neil Young - out on the weekend, 1972

"the music has a "searching, yearning melody that has the element of infinity and journey" that perfectly reflects the theme of the lyrics."

Passion Pit - hideaway, 2012

"Gossamer commands its listener directly through some precise and unambiguous emotional corridors, Angelakos’ lyrics often high and centre in the mix, frequently delivered with a more conventional vocal performance for clarity."

Bee Gees - turn of the century, 1967

"I did more stuff with Ossie Byrne without the Bee Gees than I did with the Bee Gees. Ossie had a knack of keeping quiet and letting people get on, and then he went adrift a bit and got some bands that weren't quite so good. I had a lot of time for Ossie, he was a nice chap… he didn't have much talent as a producer I have to say, but he had enough talent to see the band. He had this talent of keeping people together and making them productive."

America - never be lonely, 1982

"View from the Ground is the tenth studio album by British-American folk rock duo America, released by Capitol Records in August 1982. This album marked a comeback for a group that had been generally written off since Dan Peek's departure five years before. It was a modest hit in the US, reaching number 41 on the Billboard album chart, and produced two hit singles: "You Can Do Magic" reached number eight on the Billboard singles chart and number five on the adult contemporary chart, and "Right Before Your Eyes" (also popularly known as "Rudolph Valentino") peaked at 45 on the Billboard singles chart and 16 on the adult contemporary chart. "You Can Do Magic" spent more time on the charts, 20 weeks, than any other America single. The song "Inspector Mills" was a hit in the Philippines in the '80s and remains one of the band's best-known songs in the country to date."

James - van gogh's dog, 1997

"Van Gogh’s Dog actually opens with a great deal of promise. A slow number with a bit of noodly synth music in the background… something a bit different appears to be coming our way."

Keane - disconnected, 2012

"Disconnected" is a song by English alternative rock band Keane from their fourth studio album Strangeland. It was released as the album's second single on 27 April 2012 in Germany, Austria and Switzerland. The band played the song for first time during the Night Train Tour in 2010. It was released officially, worldwide, on 8 October 2012."

Kavinsky - nightcall dustin nguyen remix, 2010

"Nightcall" is a song by French electro house artist Kavinsky, released as a single in 2010. It was produced with Daft Punk's Guy-Manuel de Homem-Christo and mixed by electronic artist Sebastian. It features Lovefoxxx, lead singer of Brazilian band CSS, on vocals and includes remixes by Xavier de Rosnay, Jackson and His Computerband and Breakbot."

Sambassadeur - marie, 2006

"I grew up in a quite small town called Lidköping. It’s around 150 kilometers from Göteborg, and after that I moved to Stockholm and eventually to Göteborg. And about my musical influences growing up, it was from Marianne Faithful, Velvet Underground and Nico, and this kind of oldies, in a way. I always listened a lot to that. But also bands like Guided by Voices and the more lo-fi bands."

Tracey Thorn - small town girl, 1982

"Has there been a female singer in the last twenty years with a voice as sad, distinctive, unaffected and English as Tracey Thorn's?"

The Avett Brothers - live and die, 2012

"In terms of introductions, The Carpenter is the band's strongest effort. This song begins with one of my all-time favorite banjo lines. It's so damn infectious. It introduces the chord progression in a very intriguing way. Seth enters with a walk-up to the tonic and a repetition of the progression, and we're off."

Editors - smokers outside the hospital doors, 2007

"at 5 minutes long it's worth every second."

Moby - beautiful, 2005

"Beautiful" is a song by American electronica musician Moby. It was released as the fifth single from his seventh studio album Hotel exclusively in mainland Europe on September 12, 2005. Its music video revolves around a swinger party featuring patrons in animal costumes. The song was later used in the soundtrack of David Frankel's movie The Devil Wears Prada (2006)."