The Beatles - things we said today, 1964

"I remember writing ‘Things We Said Today’ in one of the cabins below deck one afternoon on my acoustic guitar. I got away from the main party but it was a bit queasy downstairs; you could smell the oil and the boat was rocking a bit and I’m not the best sailor in the world, so I wrote a little bit of it downstairs and then the rest of it on the back deck where you couldn’t smell the engine. I don’t know why the engine was on, I suppose we were moving."

Genesis - supper's ready, 1972

"Frontman Peter Gabriel wrote the lyrics, which mainly describe a personal journey of scenes from the Book of Revelation and good versus evil, with several real life experiences providing further inspiration."

The New Pornographers - colosseums, 2017

“Colosseums” has echoy vocals and drums, along with “Caribbean” drums/xylophone. “Say it like a soothsayer” seems to be a deliberate self-challenge to the slight lisp that AC has."

Fazerdaze - little uneasy, 2017

“Little Uneasy” with the line “I’m still feeling my way” evokes that same restless, uncertain, unsettled transitional time where possibilities and limitations fight for ascendancy. It beefs up the sound without losing the intimacy and space and dynamics of that first EP. The instrumental passages here where the guitar picks out the melody remind me of “Before Hollywood” era Go-Betweens. Now there’s another band who could evoke an overwhelming feeling of time and place with some understated crafted guitar pop.

Club 8 - into air, 2013

"As the founder of Summersound Records, label manager at Labrador Records and the force behind three prominent indie-pop outfits, Johan Angergård has become a bit of an impresario in the underground scene in his native Sweden. A founding member of the Acid House Kings nearly two decades ago, Angergård helped define a twee brand of guitar-driven pop which inspired cardigan-clad followers such as Belle & Sebastian and the Pains of Being Pure at Heart. His three solo records under the Legends moniker have all been distinctive, impressive efforts, channeling the Jesus and Mary Chain, early albums by the Cure and Depeche Mode-flavored synth-pop, respectively. However, Angergård’s most enduring legacy may very well be his work with Karolina Komstedt as Club 8, which released its seventh full-length album, “The People’s Record,” last month. The duo’s career has led listeners on an arc away from their jangly infancy through records incorporating mellow bossa nova and chilled out drum machines."

Tindersticks - my sister, 1995

"For example, the third track, the spoken/sung “My Sister”, follows the story of the narrator’s younger sister from their childhood pillow fights in which she’d wield a Stanley knife, to her temporary blindness, to causing the death of their mother – and cat – by smoking in bed, through the scandal of moving in at 15 with a gym teacher, to becoming partially paralysed when, in a rage, he hits her over the neck with a Bullworker, finishing with her premature death at the age of 32."

Black Box Recorder - being number one, 2003

"Fantastic lines abound. Being Number One pictures the tabloids turning on a successful pop star: "Laughing all the way to the bank, a dozen illegitimate children, I guess we've got Max Clifford to thank." The New Diana is a scabrous attack on the aspirations of a would-be celebrity. "I want to be the new Diana, lying on a yacht reading photo magazines," sings Nixey as the backing vocals answer, "OK, Hello". As ever, the nasty lyrics are couched in beguiling music: chord sequences influenced by French chanson, gently plucked acoustic guitars, hazy electronics."

Tilly And The Wall - nights of the living dead, 2004

"Tilly & The Wall's roots lie in a band called Park Ave., which was one of the always-prolific Oberst's pre-Bright Eyes efforts. Park Ave. played saccharine, pointedly amateurish, yet relentlessly infectious sing-along pop, with a "My locker is stuck again!" lyrical purview that made sense, considering that its authors were actually living through such amplified teenage crises at the time, rather than exploiting them for forced pathos (cough Dashboard Confessional cough). Park Ave. also included Tilly & The Wall's Jaime Williams and Neely Jenkins, and their output, while just a hair above the Langley Schools Music Project in terms of musicianship, was ridiculously infectious, and revealed a songwriting acuity that was drastically disproportionate to its members' nominal experience."

Peter Bjorn And John - young folks, 2006

"Young Folks" is the first single from Swedish band Peter Bjorn and John's third album, Writer's Block (2006). The single features Victoria Bergsman as a guest vocalist. The song received generally positive reviews from critics and performed well in the record charts, reaching the top 40 in Canada, the Czech Republic, Finland, Germany, Hungary, Ireland, and the United Kingdom."

Laurent Voulzy - radio collection, 2008

"Voulzy was born in Paris, France. He originally led the English-pop-influenced Le Temple de Vénus before joining Pascal Danel as guitarist from 1969 to 1974. However, he is best known for his collaborative songwriting efforts with singer-songwriter Alain Souchon and his solo singing career, which spanned several successful singles and albums."

Bear's Den - dew on the vine, 2016

"There’s an intimacy about Bear’s Den’s music that cuts deeper than most. Lead singer and songwriter Andrew Davie tends to avoid the well-traveled roads of love and romance; his introspective lyrics dive far below the surface, exploring the intricacies of human experience and the relationships that lie within. Friendship and family; life, loss, strength, and illness; memories of the past versus the present – these universal facts of life are examined with an especially personal touch to foster vivid connections between both listener and music, as well as listener and artist."

The Beatles - i'm only sleeping, 1966

"The first draft of Lennon's lyrics for "I'm Only Sleeping", written on the back of a letter from 1966, suggests that he was writing about the joys of staying in bed rather than any drug euphoria sometimes read into the lyrics. While not on tour, Lennon would usually spend his time sleeping, reading, writing or watching television, often under the influence of drugs, and would have to be woken by McCartney for their songwriting sessions. In a London Evening Standard article published on 4 March 1966, Maureen Cleave, a friend of Lennon, wrote: "He can sleep almost indefinitely, is probably the laziest person in England."

David Gilmour - there's no way out of here cover, 1978

"Stepping out of Pink Floyd’s shadow, Gilmour had championed the British folk-rock band Unicorn, around the time of Wish You Were Here, producing their very good third album Too Many Crooks (1976). One of the tracks on it, ‘No Way Out of Here’ penned by Unicorn bandleader Ken Baker, impressed Gilmour so much that he covered it for inclusion on his solo album, modifying the title to ‘There’s No Way Out of Here’, but preserving the feel, structure and tone of the original. It was even released as a single and Gilmour staged an excellent live performances to help promote it, however without the Pink Floyd ‘handle’, it flopped in the charts."

The Triffids - blinder by the hour, 1986

"It's the weight of lyrics which have been far more personal now... so intensely personal you can almost feel the pain"

Prince Far I - ten commandments, 1999

"Before the album was finished he was shot at his home in Kingston, Jamaica, during a robbery, allegedly relating to a dispute over money, and died later in hospital. Adrian Sherwood, deeply upset by the murder of his friend, took a production hiatus from his beloved reggae genre and in 1983 recorded with his group Circut and Neneh Cherry, "Dead Come Alive". Prince Far I is also referred to by The Clash in their single "Clash City Rockers" and also by The Mountain Goats in the song "Sept. 15th 1983", a reference to the date of his death."

The Radio Dept - against the tide, 2002

"The person is questioning what they’re doing in life so they want to take a risk but they’re afraid of the outcome it might have so they opt-out to “falling against the tide” which means they’re gonna stick to what they’re comfortable with and familiar with."

Pete Astor - model village, 2024

"2024 marks 40 years of Pete Astor making records, a suitable anniversary point at which to take stock and double back on songs that first appeared on records by Astor-fronted combos such as Creation Records trailblazers The Loft and The Weather Prophets and Matador recording artists The Wisdom of Harry, as well as selections from solo albums that appeared on labels such as Danceteria and Static Caravan. Astor’s motivation for Tall Stories & New Religions, his new album, which will be out on Tapete Records March 15th, 2024, is manifold: some songs are effectively re-examined in the way one might linger over a resonant picture from a box of old photographs -connecting with the essence of a younger self-, other songs are newly recast in wiser and more reflective hues, while others simply demanded exhumation from wilfully opaque, lo fi non- production."

Justice And Tame Impala - one night all night, 2024

"We wanted ['One Night/All Night'] to sound as if a dark / techno iteration of Justice had found a sample of a disco iteration of Kevin Parker. Kevin has a sense of melody that’s fascinating in the sense that he manages to write melodies that feel both simple and natural, but very peculiar at the same time. This song oscillates between pure electronic music and pure disco but you never really get the two at the same time. This very idea of switching instantly from a genre to another within a song runs through the whole record, and is maybe showcased the clearest in ‘One Night/All Night.’ [...] To us, ['Generator'] sounds like ‘Getaway’ by the Salsoul Orchestra, but with gabber and classic ’90s hardcore techno sounds. Disco / funk and electronic music at large have always been core elements of the music we make as Justice. In Hyperdrama, we make them coexist, but not in a peaceful way. We like this idea of making them fight a bit for attention."

Bee Gees - heartbreaker, 2001

"The Bee Gees' own version, with Barry Gibb on lead vocals, was recorded in 1994. It was originally planned for an album called Love Songs to be released in 1995, but was eventually released in 2001 on Their Greatest Hits: The Record.[6] "Heartbreaker" was originally recorded as a single released on the Yep Roc label in 2019. Later it was released on a full length (Walkabout) originally released in Australia to commemorate their tour of the continent. Eventually it was released for the rest of the world as well.

Black Box Recorder - the deverell twins, 2000

"In St Bartholomew's Churchyard at Lower Basildon, there is a joint tomb for two sons of Edward and Priscilla Deverell. Both boys drowned together bathing in Thames. The tombstone reads "They were lovely and pleasant in their lives, and in their death they were not divided."

Tilly And The Wall - fell down the stairs, 2004

"Tilly and the Wall are an indie rock group which formed in Omaha, Nebraska, United States in 2001. The band consists of Derek Pressnall (vocals, guitar), his wife Jamie Pressnall (tap dancer), Neely Jenkins (vocals, bass), Kianna Alarid (vocals, recorder, bass) and Nick White (keyboards). The band has gained notoriety for having a tap dancer provide percussion instead of a drummer (although drums and drum machines are occasionally used on some of their recordings, and Pressnall is usually complemented by Alarid and Jenkins stomping on the floor)."

Neva Dinova - tryptophan, 2008

"Tryptophan affects brain serotonin synthesis when given orally in a purified form and is used to modify serotonin levels for research. Low brain serotonin level is induced by administration of tryptophan-poor protein in a technique called acute tryptophan depletion. Studies using this method have evaluated the effect of serotonin on mood and social behavior, finding that serotonin reduces aggression and increases agreeableness."

The Beatles - she's leaving home, 1967

“She’s Leaving Home” produced a brilliant set of lyrics addressing the impact of depression on the psyche. It tells of a young woman who tries to cope with loss of identity while finding the courage to run away from home, “leaving the note that she hoped would say more.” Resulting in confusion from the well-meaning family left behind. So often experienced when necessary moments of change arrive."

James - sound, 1991

"Doubtless this will infuriate James pop fan contingent expecting another ‘Come Home’. Instead James do the decent thing and spread their wings with a grace and elegance which – despite what people say – saves them from stadiumitis. There are stadium-guitar traits here, but thankfully, they don’t come wrapped up in the bombastic shroud widely reported of their recent live shows. Sound (even the title works on various levels) is a layered number with a nice urgent bassline and flickering guitars. Tim Booth, meantime, sounds less fraught than his ‘Gold Mother’ era, though still uncomfortable with the world in general. I like him."

The Embassy - it's always a new thing, 2013

"Melodic, beat-driven, and shiny enough to scan as commercial pop, but with wounded vocals and occasionally sloganeering lyrics that do, indeed, blur the line between innocence and a giant put-on, the Embassy inspired other artists with its iconoclastic spirit as much as its ecumenical anorak-house sound."

Damien Jurado - return to maraqopa, 2014

"The album detailed his character’s emergence from a car crash only to wander back into Maraqopa. Upon his return, the denizens of the town, all named Silver, began to allude to the character being a sort of prophet or “beacon between Heaven and Earth,” as Jurado once said."

Prefab Sprout - goodbye lucille one, 1985

"When Thomas Dolby began working with Prefab Sprout, McAloon played him a number of songs without telling him what period they belonged to. McAloon felt that because he had played the songs live so many times, he could no longer be objective about them. "Goodbye Lucille #1" is one of three songs included on Steve McQueen dating to the band's initial lineup, the others being "Faron Young" and "Bonny". According to Ian Pye of Melody Maker, "Goodbye Lucille #1" features "a beautifully haunting vocal from Wendy Smith"."

Bee Gees - holiday, 1967

"We were kids together, and teenagers. We spent the whole of our lives with each other because of our music. I can't accept that he's dead. I just imagine he's alive somewhere else."

Black Box Recorder - gsoh qed, 2003

"So exquisitely English that they make Radiohead, Coldplay and even Her Majesty the Queen seem like Bud-guzzling rednecks, Black Box Recorder are the pop project of Luke Haines, whose other band, the Auteurs, is a kind of hate-filled version of the Kinks. In this case, pop means honeyed synthesizer melodies acting as a Trojan horse for splendidly seedy lyrics about classified-ad dating, teenage lust and the horrors of the British school system."

The Smile - teleharmonic, 2024

"This is the track that sticks out the most because it can appeal to many people of different tastes. If you were to leave this review listening to only one song on this album, I would advise you to choose “Teleharmonic” because it is simply just a good song."

The Radio Dept - bachelor kisses cover, 2008

"Swedish band, The Radio Dept., recorded an exclusive cover of "Bachelor Kisses", for the August 2007 issue of the Swedish fanzine I Godan Ro. Only 10 copies of that issue were printed. The track was subsequently included in their compilation album Passive Aggressive: Singles 2002–2010."

The Cranberries - animal instinct, 1999

“It’s like a hearty song, and it’s about a hearty thing. It’s just about love that comes when you’re carrying a child, when you give birth to a child and stuff when you become a parent. It’s the animal instinct, it’s a protection feeling that you’ve never felt before for anything […] I am a different person than I was two years ago. Women are extraordinary creatures really, you know, I mean the fact that we can give birth, what the bodies can do is pretty amazing, and feed, feed children with your own body […] It’s a pretty cool thing really, and it does change you, it makes you a lot more confident and happy in yourself makes you more thankful.”

Beach House - beyond love, 2015

"It's probably Beach House's most raw and emotionally potent song. If any track were to perfectly encapsulate the essense of Depression Cherry, Beyond Love is that song."

The Lightning Seeds - bound in a nutshell, 1990

"Cloudcuckooland was an antidote to the brewing Alternative Rock / Grunge of the then new decade. It opened with the bubbly Pop of “All I Want,” which Broudie co-wrote with the similarly silky-voiced Peter Coyle – the vocalist of the classic English New Romantic band The Lotus Eaters (“The First Picture of You”). The bright mood immediately turned gloomy with the heartrending sentiments of the piano-led, jazzy Baroque/Synthpop ballad “Bound in a Nutshell,” which exuded echoes of China Crisis (“Black Man Ray”), Frazier Chorus (“Dream Kitchen”), and The Blue Nile (“Tinseltown in the Rain”). This was then followed by what has become The Lightning Seeds’ anthemic single—the candy-cane sweet and marshmallow soft “Pure,” which is a concoction of synthesized flutes, horns, and other orchestral instruments of wonder."

Camel - sanctuary, 1975

"Absolutely beautiful is the best way to describe The Snow Goose. It’s about a lonely disfigured man (Philip) who buys an abandoned lighthouse among the salt marshes of Essex, a wild but beautiful landscape. It’s here that Philip provides a sanctuary for birds who seek shelter during the winter months."

Black Box Recorder - weekend, 2000

"The Facts of Life is a new wave, synth-pop and psychedelic-lounge rock album that took elements from the works of elements from the works of Momus, Pet Shop Boys and Saint Etienne. Alongside this, the Saint Etienne comparison extended to the lyrical style and frontwoman Sarah Nixey being seen as a counterpoint to that band's Sarah Cracknell."

Mew - behind the drapes, 2002

"i love this song. mew always makes me cheer up with these lonely songs. as the title 'behind the drapes' suggests, we as individuals feel all left out. like in a stage when all the attention is on the actors on stage, the ones working hard behind the drapes don't get so much credit at all."

Jome - hollow, 2017

"Everything we’ve put out so far is fairly mellow and has lots of subtlety but there is stuff on the album that is far more aggressive and energetic."

Mew - comforting sounds, 2000

"hearing that song was demonstrably a "my-life-has-been-leading-up-to-this-moment" event. Experiencing the instrumental buildup in person was one of my all-time greatest concert experiences; I could have been liquefying and I doubt I would have noticed."

Tilly And The Wall - brave day, 2006

"There’s just nothing better than being able to travel, and I think many of our favorite moments involve seeing some new wonderful parts of the world."

Black Box Recorder - when britain refused to sing, 2003

"Singer Sarah Nixey has never regretted taking up the invitation from Luke Haines (The Auteurs) and John Moore (The Jesus and Mary Chain) to form Black Box Recorder—even if the band never achieved the level of success of some of their other turn of the millennium peers. And it’s questionable if they ever made good on the promise that “they would make her famous.”

The Lightning Seeds - a small slice of heaven, 1992

"Can't say why this wonderful Lightning Seeds song suddenly came to mind, bringing such unexpected tears. The idea of a small slice of heaven waiting for us all?"

Metronomy - right on time, 2022

"a summer/spring infused song"

Marillion - jigsaw, 1984

"When you watch kids doing jigsaws, they'll always take the eye of the koala bear or whatever and sit on it, just for the dominating factor of putting the last bit in. You get to the point where you lie about the last piece, you deny that you've got it. The other person is aware that you're lying and they hold back four or five pieces so that you can't put in the last piece. Eventually you tear up the jigsaw and say ' We'll do it another day'. That can grow into relationships - where no matter how important that piece is to the other person or the relationship. In general, the song is about the relationship that splits up and forever comes together again. It gets worse because each time it comes back together, more pieces of the jigsaw have got lost, and you can't get them back."

Silver Liz - high at the gym, 2022

"The cure for the increasing artifice of the internet age is unabashed honesty. Good art makes a space for us to feel like ourselves."

Neva Dinova - she can't change, 2005

"Neva Dinova, an interesting name for a band with a wholly unique sound. Mellow yet active, sweet yet bitter, and altogether original, this Nebraska band shares it’s title with lead member Jake Bellows late grandmother."

Editors - blood, 2005

"Tom's favourite album is R.E.M.'s Murmur, so they were his favourite band whilst growing up and I think they've always maintained a certain cool vibe about everything they've released. They haven't sold out at all, so they're big influences not just in songwriting, but the way they've protected themselves as musicians and as a band."

Carla Dal Forno - come around, 2022

"Carla dal Forno is an Australian electro-pop singer and multi-instrumentalist. Formerly of the groups Mole House (2010–2013) and Fingers (2013–2017), dal Forno has issued three solo studio albums You Know What It's Like (2016), Look Up Sharp (2019) and Come Around (2022)."

Neil Young And Crazy Horse - cinnamon girl, 1969

"Cinnamon Girl" is a song by Neil Young. It debuted on the 1969 album Everybody Knows This Is Nowhere, which was also Young's first album with backing band Crazy Horse."

Moby - living, 1996

"my living room is quite simple, with lots of light, and scandinavian furniture from the early 1960’s. the atmosphere is... clean and simple"

Beach House - ten thirty-seven, 2015

"Yeah shutting the eyes, I always feel that our band isn’t playing a good show if anybody has their eyes open."

They Live By Night - standing by the sea, 2008

"At times it feels like a time-machine back to the Sweden's 90's pop-scene, for example, I find the song "Standing by the sea" similar to Staffan Hellstrand's 1993 hit "Lilla fågel blå". TLBN's new release is high-quality pop and it sticks to you, for a while."

Sufjan Stevens - saturn, 2017

"The lyrics of the song reference the ancient Greek god Cronus (Saturn in Roman mythology). According to Greek and Roman mythology, after Cronus overthrew his father, the god Uranus, it was prophesied that Cronus's own sons would overthrow him. To prevent this eventuality, he devoured his newborn children, the gods Demeter, Hestia, Hera, Hades, and Poseidon. Cronus was eventually overthrown and imprisoned by his youngest son, Zeus."

The Thrills - the irish keep gate-crashing, 2004

"The album is unlike its predecessor in that it’s both short on hit singles but also, mercifully, on fillers, with every track earning a deserved place. The highlight for this reviewer, hard as it was to choose one specific track, is The Irish Keep Gate Crashing, which manages to be melancholic, melodic, and eminently pop at the same time – no mean feat."

The House Of Love - you don't understand, 1992

"The House of Love were formed in 1986 in Camberwell, London by former Kingdoms singer and guitarist Guy Chadwick: he had been inspired to start a new band after seeing The Jesus and Mary Chain in concert at London's Electric Ballroom. He wrote a new song called "Christine", which gave him ideas for progress: "The idea of the sound of the group and what kind of musicians to look for... female vocals... a good take on the Velvets' sonics... and of course the image." Chadwick teamed up with an old friend, drummer Pete Evans, and recruited the rest of the initial House of Love lineup via an advert in Melody Maker. This brought together an international band of London-born lead guitarist Terry Bickers (ex-Colenso Parade), German rhythm guitarist/co-singer Andrea Heukamp and bass player Chris Groothuizen (from New Zealand). Chadwick opted to name his new band The House of Love after Anaïs Nin's book A Spy in the House of Love. There was a considerable age differential in the band: Chadwick, by now aged 30, was nearly ten years older than Terry Bickers."

Low - disarray, 2018

"the song sounds as much decomposed as it is composed, as though the original tracks they laid down in the studio had been irretrievably corrupted. Its foundation is a gravelly, pulsing set of tones with all trace of their origins (bass? guitar? piano?) lost beneath the all-encompassing fuzz."

Saint Etienne - the clothes show, 1999

"Commissioned track for BBC Clothes Show program (unfortunately used for Wild About Wool segment)"

The Chameleons - second skin, 1983

"Over six minutes long, "Second Skin" was nearly an epic. It's all jangly right-angled, with sounds shifting through the ether, as drums and singular guitar riffs drift into focus, while Mark Burgess' vocals are mostly underneath the heady mix. It was easy, too, to see where the band drew inspiration. But, good as Second Skin is, and it's still one of the band's best, what made the Chameleons so precious was their ability to make anything completely, uniquely their own."

Green Day - scattered, 1997

"Nimrod is more musically diverse than previous Green Day albums. Armstrong noted that with the album, Green Day went down "different avenues," adding: "Each song has its own character and identity so we wanted to be able to bring that out as much as possible."

Paul McCartney - i've just seen a face live, 2005

"Although the song is credited to the Lennon–McCartney songwriting partnership, John Lennon and Paul McCartney each identified "I've Just Seen a Face" as having been written entirely by McCartney. McCartney recalled writing it in the basement music room at 57 Wimpole Street in central London. The house was the family home of his girlfriend, actress Jane Asher, where McCartney lodged from November 1963. Working on a piano, he composed the melody first, beginning it as an uptempo country and western-inflected piece. After he played it on the piano at a family gathering, his aunt Gin enjoyed the tune, prompting him to give it the working title "Auntie Gin's Theme". He added fast-paced lyrics which may have been inspired by his relationship with Asher, turning the song into a cheerful love ballad."

Electronic - some distant memory, 1991

"Penultimate song on the debut album by Electronic, the duo of Bernard Sumner (Joy Division/New Order) and Johnny Marr (The Smiths). A bit of a melancholy song, with some nice but simple Sumner lyrics, which he is great at writing. And of course that great oboe section in the last part of the song."

Seapony - into the sea, 2011

"The breezy, jangling rock tunes located here could easily garner comparisons to Best Coast due to their corresponding guitar pop mannerisms, uncomplicated drum patterns, and summer night arousal. It’s in the lyrics, however, sung by vocalist Jen Weidl and contributed by songwriter Danny Rowlands, where Seapony branches away, as they are certainly less redundant and don’t even begin to address the marijuana happiness, or relationship-abandoned woes of Bethany Cosentino."

Del Amitri - last cheap shot at the dream, 2002

"by the turn of the new century their music company was turning weary, the band were inclined to excess and in 2002 the released their last cheap shot at the dream “Can You Do Me Good”.

Broome - winter sun, 2021

"Brooklyn, New York"

The Go-Betweens - head full of steam, 1986

"Head Full of Steam" is a song by the Australian alternative rock band The Go-Betweens that was released as the second single from their fourth album Liberty Belle and the Black Diamond Express. It was released as a 7" and 12" vinyl single on the Beggars Banquet label in the United Kingdom in May 1986, with "Don't Let Him Come Back" as the B-side. In Australia it was released in 1987 by True Tone Records, with "Little Joe" as the B-Side."

Michael Head And The Red Elastic Band - kismet, 2022

"‘Kismet’ – written about the kindness of strangers and based on a real-life experience, when Head found himself stranded in the middle of nowhere with a dead phone – is joyous and jangly guitar pop"

Laurent Voulzy - all i have to do is dream cover, 2006

"French singer Laurent Voulzy recorded a version of the song in a duet with Andrea Corr. It was featured on his album La Septième Vague, recorded in 2006 and on the Corrs album Dreams: The Ultimate Corrs Collection, also recorded in 2006."

Vansire - every time around, 2020

"Tuning in to Vansire feels more like you’re dreaming than listening to music. Their music paints pictures, soundscapes that wash through synth loops, propulsive bass lines, and watery guitar arpeggios. Within these ambient, often dance-y textures, their lyrics offer an authentic view into relationships, coming of age, and escapist dreams all set over a backdrop of Midwestern geography and life in a late-capitalist state."

Of Monsters And Men - king and lionheart, 2011

"King and Lionheart" is a song recorded by Icelandic alternative folk band Of Monsters and Men, written by co-lead vocalist Nanna Bryndís Hilmarsdóttir and produced by the band with Aron Arnarsson and Jacquire King for the band's debut studio album, My Head Is an Animal."

The Thrills - the curse of comfort, 2004

"What’s missing from The Thrills is trust that their internal lives, unobscured by secondhand imagery and legs up from heroes for hire, will be enough to sustain us. Of course it will! Internal lives are amazing, intriguing things. Ulysses is just a Dub talking to himself for the day. We are all endlessly mysterious and complex from the moment of birth. Sing about that. A key line: “The curse of comfort has plagued your artistic life” (‘The Curse Of Comfort’). Maybe Conor Deasy thinks he hasn’t suffered enough. Bono, who said he would carry The Thrills’ luggage, worked with Van Dyke Parks once, on ‘All I Want Is You’, on an album also too heavily in debt to history."

I Break Horses - denial, 2014

"I Break Horses' promising debut, 2011's Hearts, found Swedish duo Maria Lindén and Fredrick Balck working extensively with shoegaze's oily swarm, embracing the genre's more digitally frizzed tics to create something that sounded both familiar and overwhelming. A proper follow-up to that LP hasn't been announced yet, but for now we have "Denial", the A-side of a white-label 12" that's seeing release soon on Bella Union. "Denial" is a change-up for Lindén and Balck, a glistening slice of synth-pop that retains the pair's tendency to create sweeping, epic gestures but casts that ability in a different, more explicitly pop-friendly light. The crashing synths that enter in and out are reminiscent of M83's all-encompassing flair, suggesting that there's more sides to I Break Horses than they initially displayed."

Det Vackra Livet - askan, 2011

"Det Vackra Livet was formed in Gothenburg by brothers Henrik and Philip Ekström. The brothers are also founding members of Swedish dreampop group The Mary Onettes, with whom Det Vackra Livet shares much of its sound and influences. By contrast, The Mary Onettes' lyrics are performed in English, whereas Det Vackra Livet's lyrics are sung in Swedish. Inspired by his grandmother's memories and Finland Swedish poet Claes Andersson, Philip Ekström wrote fifteen songs which would become material for the band during a creative outburst in late 2010. The group's first single "Viljan" was released digitally on Labrador Records in January 2011. The group released a ten-track self-titled debut album in May 2011. Det Vackra Livet translates to The Beautiful Life in English."

Mike Oldfield - let there be light, 1994

"Let There Be Light" is a single by musician Mike Oldfield, released in 1995. It is from the album The Songs of Distant Earth and uses audio from the Apollo 8 space mission. For the intro, the single uses the Apollo 8 Genesis reading."

Cocteau Twins - lazy calm, 1986

"The album title refers to the part of Antarctica known as Victoria Land, after Queen Victoria (and forming the British claim to the continent, currently dormant under international treaty). Some of the track titles were borrowed from passages on the Arctic and Antarctic in David Attenborough's The Living Planet: A Portrait of the Earth"

Suzanne Vega - rosemary, 1998

"I was there for a couple of weeks in May of 1995, and yes, I did meet someone in that garden, though if anyone were to have watched the scene, nothing exciting happened – he was someone who lived in Granada, and he was showing me the town. That is, nothing happened on the surface. El Carmen de los Martires is a garden near the Alhambra in the south of Spain, in Granada. It is one of many gardens near the main one. In this garden are statues of saints. Many (if not most) of them are missing their heads and their hands because people have stolen them. I guess they feel it brings luck to take these pieces of the statues home."

Headlights - put us back together right, 2006

"When the first song on the Headlights' debut full-length, "Your Old Street," begins - a string group pulling and bowing in melancholic unison, a soft, plaintive cymbal, a lonely guitar - it seems as if the tone - sad, pretty indie pop - has been set for the rest of the album. Yes, there are some hints of electronic instrumentation in the tinny keyboards and the guitar even gets aggressive as the song comes to a close, but mostly it's just another well-crafted pop song, sung perfectly by Erin Fein and Tristan Wraight, with the right mix of orchestration and empty space, of despair and joy."

Scott McKenzie - san francisco be sure to wear flowers in your hair, 1967

"One thing is certain: the new pop music that emerged from those times was indeed wonderful. Never before or since, with the exception of rap, has popular music contained such sheer poetic and social power. Even at the end of the decade, when so many of us had lost hope, when the summer of love had turned into a winter of despair, our music helped keep us alive and carry us forward into a world we had hoped to change. And so it still does."

Edward II And The Red Hot Polkas - lovers two step, 1989

"Edward II (known also as EII, and previously as Edward the Second and the Red Hot Polkas and e2K) are an English band which play a fusion of world music, English folk and reggae. Active from 1980, the band broke up after losing several key members in 1999, relaunching as "e2K" in 2000. In 2003, the band dissolved once more, but have since reformed for a one-year reunion tour in 2009 under the "Edward II" name, celebrating the tenth anniversary of the breakup of the original band. They reformed in 2015 specifically to produce the Manchester's Improving Daily project, which includes the release of new recorded material and a book. The project is designed to celebrate a collection of tunes written in Manchester during the Industrial Revolution, published as Broadsides and currently held in Manchester Central Library. In 2021 Edward II released the album "Dancing Tunes", bringing their own unique style to a collection of traditional and historic Jamaican calypso and mento songs that pre-date reggae as we know it today."

CD Ghost - i don't wanna live forever, 2022

"Night Music is their debut with Born Losers Records, expanding their dream pop palette toward the edges of dark wave, avant-pop, and shoegaze. The LP was conceived as an ode to the musical tradition of nocturnes – songs written about or for the night. Observe the changes of the moon as cool air begins to surround you, and you pass into the astral plane."

Tilly And The Wall - the ice storm big gust and you, 2004

"we didn’t want to limit ourselves to a tap dancing beat as the main percussion. We didn’t feel like doing that. For me, I wanted to challenge myself and do different things. I wanted to incorporate other kinds of percussion. We all talked about it. It was a way for us to do something new and interesting to us. So we’ve got drums"

Black Box Recorder - the art of driving, 2000

"The whole experience felt like a dream – I wish I could relive it and take it all in properly."

The Thrills - not for all the love in the world, 2004

"Not for All the Love in the World" is the second single from the album Let's Bottle Bohemia by Irish Alternative Rock band The Thrills. It was released on 15 November 2004. The single marked a significant change in the band's direction as a slower, more melancholic release."

Beach House - wildflower, 2015

"I'm really glad nobody came to our shows at the start, because we had no idea what we were doing."

The Radio Dept - liebling, 2002

"The song was ‘Liebling’, a 3-minute blast of lo-fi pop in the vein of Jesus and Mary Chain; fuzzy, fast and utterly fantastic."

Sambassadeur - between the lines, 2005

"The breakdown on “Between the Lines” — the snare hit, the ethereal “ahs,” the chord progression — is completely irresistible to simple minds and hearts such as mine."

Renaissance - love is all, 1971

"Thatcher's friend Liz Kellett introduced her to Kellett's school friend Jane Relf, the younger sister of ex-Yardbirds singer Keith Relf. When Keith and Jane formed Renaissance, they asked her to be the lyricist, Relf having read Thatcher's letters to Jane. When Betty moved to St Ives, Cornwall, she sent her lyrics from there to Jim McCarty who would write songs around them, including "Love Is All" and "Past Orbits of Dust" from the album Illusion, produced by Paul Samwell-Smith and released in Germany in 1971, but not released in the UK until 1976."

Zach Schimpf - ten whole years, 2022

"St. Louis based artist Zach Schimpf has produced music since receiving his first audio recorder at 13. After stints in several bands and many amateur projects while in high school, he began a serious pursuit of songwriting and audio production while in college."

Jimmy Clanton - venus in blue jeans, 1962

"In 1962, Jimmy Clanton went to New York after pausing his career to serve with the National Guard, and got in touch with Greenfield and Sedaka to record some songs. He found "Venus in Blue Jeans" in a pile of rejected demos and liked the chord changes of the opening bars, although Greenfield dismissed it because it had been rejected by other artists. Clanton, however, failed to find other suitable songs, and so he chose to record "Venus in Blue Jeans" as a throwaway."

Surf Rock Is Dead - so comfy, 2022

"Brooklyn-based duo, Surf Rock is Dead combines the musical stylings of Kevin Pariso and Joel Wittenberg. Their airy harmonies and smooth synths are best listened to while driving down a long California highway or escaping the cold in a cozy Boston apartment. Their music transcends genres and transports you to a land of mellow bliss."

The Triffids - goodbye little boy, 1989

"I remember one night at the Burswood Casino, it must have been in about 1990. The Western Australia Music Industry had this big event at the showroom and someone announced the winner of the most outstanding WA contribution to the national and international music scene. It was The Triffids. There was a young woman who was working at the show serving drinks. All of a sudden, she put down her tray, walked up on stage in her Burswood uniform and collected the prize. It was Jill Birt, the keyboardist. While the rest of the music industry was sitting around in black ties and tuxes, the only person from the band who was there to accept the award was serving them drinks. It was very telling."