Pink Floyd - free four, 1972

"The song begins with a rock and roll count-in, but in this case Pink Floyd decided to play with words and record, "One, Two, Free Four!" The song deals with reflection of one's life, the "evils" of the record industry, and also makes a reference to Roger Waters' father who was killed in World War 2."

Link3 - i wish we could have talked about it, 2026

"Releasing music under his indie project link3 since late 2022, Barry’s journey has been shaped by instinct, curiosity and a very clear vision, rooted in a self-described ‘slowcore revival’. Growing up in Australia, he gravitated towards the quiet intensity of artists like Dean Blunt, Powderfinger and, most predominantly, Duster, teaching himself guitar during lockdown with little more than determination and a desire to make something. That sense of raw, unfiltered creation still defines link3 today, even as the project edges closer to something much bigger."

Paul McCartney - the pound is sinking, 1982

"I think it’s funny how everyone gets serious about something that is obviously just going to keep on altering. The song ‘The Pound Is Sinking’ laughs at how everyone gets so serious about it."

Nilsson - without you cover, 1971

"Without You" is a song written by Pete Ham and Tom Evans of Welsh rock group Badfinger, and first released on their 1970 album No Dice. The power ballad has been recorded by over 180 artists, and versions released as singles by Harry Nilsson (1971) and Mariah Carey (1994) became international number one hits. The Nilsson version was included in 2021's Rolling Stone's 500 Greatest Songs of All Time. Paul McCartney once described it as "the killer song of all time".

The Go-Betweens - unkind and unwise, 1984

"Spring Hill Fair contains its fair share of Go-Betweens classics, with the rough, barbed emotional edge of many lyrics getting almost gentle arrangements"

Detects - we found out, 2026

"The band builds the tune from shimmering guitar lines that are vast and hollow, and synth layers that drift in and out of the mix and feel more like atmosphere than melody. The song progresses with a strong emotional vagueness, tangled between resentment and grief."