The Radio Dept - never follow suit live scala london, 2017

The Radio Dept.'s most recent concerts were in 2018–2020, with their last known show on April 18, 2020, at Plan B in Malmö, Sweden. They had been largely inactive live for several years afterward (with some planned 2020 dates likely affected by the pandemic). Their previous notable activity included a 2018 European run and a 2017 North American tour. The band is returning to live performances after a long hiatus, with these confirmed dates (their first in nearly a decade in some cities, including London): October 26, 2026 — Hotel Cecil, Copenhagen (København), Denmark, October 28, 2026 — Nefertiti, Göteborg, Sweden, October 29, 2026 — Hus 7, Stockholm (Johanneshov), Sweden, November 3, 2026 — KOKO (as part of Pitchfork Music Festival London), London, UK These Scandinavian dates were added to the London headline show. The band has also mentioned new music in progress and a vinyl reissue of Pet Grief planned.

Acid House Kings - tonight is forever, 2005

"The song stands out as an up-tempo, breezy, feel-good track with heart-pounding swooning choruses, handclaps, and a light, summery indie pop vibe."

Neil Young - words between the lines of age extended journey through the past soundtrack, 1972

"Neil Young has been involved in a lot of memorable rock music over the last seven years. He was one of the most interesting songwriters in Buffalo Springfield, and his own solo work with Crazy Horse still sounds fresh today."

Chumbawamba - give the anarchist a cigarette, 1994

"Anarchy is the sixth studio album by British anarcho-punk band Chumbawamba. Many of the tracks address specific social issues, such as homophobia, strikes or fascism."

Grant McLennan - haven't i been a fool, 1991

"It’s a poppy number that brings to attention the amalgamation of McLennan’s soft vocals and catchy musical refrains in perfect harmony."

The Coral - million eyes, 2016

"It's about being in a gang and feeling like you're out on your own and no one can touch you. When you're a gang you have your own language."

The Housemartins - flag day, 1985

"Flag Day" is the debut single released by British indie rock band The Housemartins. Released in 1985, it peaked at #124 on the UK Singles Chart, and a re-recorded version of it appeared on the debut album London 0 Hull 4. "Flag Day" also appears on the compilations Now That's What I Call Quite Good, Soup and as a shorter live version on Live at the BBC. The song was also sampled and used heavily on the dance track "Change the World" by Dino Lenny."

Pink Floyd - hey you, 1979

"The scene begins with Pink trying to claw out of his freshly completed wall. The scene then switches to Pink's concert-goers, all of them with a blank and vacant look on their faces. These are the people "Standing in the aisles with itchy feet and fading smiles" that Pink is trying to reach out to. Next is a shot of empty infirmary beds followed by a view of two empty chairs in a white room. A motionless Pink fades into the chair on the left, with his nude wife fading into the right chair a short time later. After turning her head to look at her unresponsive husband, she fades out of the scene, which shifts to a montage of rioting scenes, with people tipping over cars and throwing Molotov cocktails at riot police. After the montage, a hand is shown clawing at a window (the colour version of this is actually shown at the end of "The Trial") followed by a large group of maggots (the "worms" eating into Pink's brain). After a shot of Pink in an infirmary bed and his screaming wife superimposed over the image, the scene takes back to the riot, where a long line of police officers hold back a mob of rioters who have barricaded themselves behind a pile of desks and mattresses. The scene ends with Pink against his wall, having given up on finding a way out."

Electric Light Orchestra - it's over, 1977

"It's Over" is a song recorded by the Electric Light Orchestra (ELO). It is the second track from the LP Out of the Blue. It was the last single to be lifted from the album and was released exclusively in the United States, becoming a minor hit. The orchestral beginning was actually the end of "Mr. Blue Sky" reversed."

Acid House Kings - i write summer songs for no reason, 2005

"The up-tempo songs (such as the disco-fied "Tonight Is Forever" and the rollicking "I Write Summer Songs for a Reason") are lighter than the breeze and almost all kitted out in heart-pounding swooning choruses."

The Beatles - she said she said, 1966

"I had the privilege of listening to the four of them sing, play around and scheme about what they would compose and achieve. They were so enthusiastic, so full of fun. John was the wittiest and most astute. I enjoyed just hearing him speak and there were no pretensions in his manner. He just sat around, laying out lines of poetry and thinking – an amazing mind. He talked a lot yet he still seemed so private."

Crosby Stills Nash And Young - find the cost of freedom, 1971

"At the time of these concerts in mid-1970, many songs included on the eventual album had yet to be released as part of the combined and individual work of the four principals. Crosby's "The Lee Shore" had been recorded during the sessions for Déjà Vu but would not appear until the band's 1991 box set, and his controversial ménage à trois composition "Triad," which had been recorded but not released by his former band The Byrds, had been recorded by Jefferson Airplane on their Crown of Creation album but this is the first issued performance by Crosby himself. "Love the One You're With" would be the hit single taken from Stephen Stills, Stills's debut solo album, released later that year. "Chicago" by Nash would appear on his Songs for Beginners released in 1971, the same year as 4 Way Street, while "Right Between the Eyes" would later appear as a demo on his box set Reflections. "Don't Let It Bring You Down" and "Southern Man" by Young would be released on After the Gold Rush, his third album also released later that year. Young's "On the Way Home" had appeared on the final Buffalo Springfield album, Last Time Around, but with a lead vocal by Richie Furay rather than Young. Stills' "49 Bye-Byes/America's Children" medley interpolates the only top ten hit by Buffalo Springfield, his song "For What It's Worth." The band did include both sides of what was at the time of the shows their new record, the single "Ohio" and its B-side "Find the Cost of Freedom."

Bee Gees - words, 1968

"'Words' reflects a mood, It was written after an argument. Barry had been arguing with someone, I had been arguing with someone, and happened to be in the same mood. [The arguments were] about absolutely nothing. They were just words. That is what the song is all about; words can make you happy or words can make you sad."

Surf Rock Is Dead - back and forth, 2022

“Recently in life, we’ve all had an incredibly trying time the past few years, and as a result, conflict has likely become more present in our lives; sparking the inspiration for the song. ‘Back and Forth’ is an ode to our allies and enemies, a line which is often so fine that discerning the two is really a blur.”

Bloc Party - talons, 2008

"We wanted to keep things fresh and we thought the fans would be more excited to get a new song rather than something off the album. Talons is one of the last songs we recorded during the Intimacy sessions and I always had it in mind to be one of the extra tracks we promised for the CD if it turned out well. It turned out great so we decided to make it the next single. I'm enjoying this way of working, not over-thinking things, just make a decision and get on with it! It's quite liberating in a way,"

Paul McCartney - maybe i’m amazed, 1970

"McCartney wrote the song in 1969, just before the break-up of the Beatles. He credited his wife Linda with helping him get through the difficult time. Although most of his debut solo album was recorded at his home in London, McCartney recorded "Maybe I'm Amazed" entirely in EMI's Number Two studio in Abbey Road, on 15 February 1970."

Radiohead - house of cards, 2007

"It was a strange experience, sitting in front of a laser in the dark, then emailing back and forth with James the director as he sat in front of computers for a whole month with the amazing technicians who processed the data ... But it says something about the song and came out better than I had dared hope."

Au Revoir Simone - through the backyards, 2005

"Beyond the stimulating use of the drum machine Au Revoir Simone’s electronic dream pop still remains of a comforting nature."

Sintra de madrugada, há umas horas, pouco antes das 6 da manhã do dia 2 de julho de 2026

Acid House Kings - seven days, 2005

"like a week folded into a single breath: each day a small ignition, each night a new angle of the same pulse."

Sintra, pôr do sol sobre a casa do escritor Francisco Costa há poucos minutos atrás, em 1 de julho de 2026

The Beatles - yellow submarine, 1966

"The Beatles recorded "Yellow Submarine" during a period characterised by experimentation in the recording studio. After taping the basic track and vocals in late May 1966, they held a session to overdub nautical sound effects, party ambience and chorus singing, recalling producer George Martin's previous work with members of the Goons. As a novelty song coupled with "Eleanor Rigby", a track devoid of any rock instrumentation, the single marked a radical departure for the group."

Pet Shop Boys - being boring two thousand and twenty-four version, 2024

"it’s with the last of the three verses that “Being Boring” really makes its magic felt, as the tone shifts from one of gentle reminiscence to become a lament for friends lost: “All the people I was kissing/ Some are here and some are missing/ In the nineteen-nineties”. That verse takes on extra poignancy with the knowledge that Tennant had recently lost a close friend to AIDS, but despite that the song retains an air of positivity: more a celebration of life than a mourning of death. The title itself comes from the novelist F Scott Fitzgerald’s wife Zelda, herself an author, who wrote: “She refused to be bored chiefly because she wasn’t boring.”

Saint Etienne - bedfordshire, 2005

"in tribute to Stanley’s grandmother, who sometimes put him to bed by suggesting they go “up the wooden hills to Bedfordshire”

Pink Floyd - another brick in the wall part two, 1979

"Waters' attack on teachers who practice "dark sarcasm in the classroom" was inspired by his own schoolmasters. "The school I was at — they were really like that," Waters said. "[All] they had to offer was their own bitterness and cynicism."

Castlebeat - awake, 2026

"Opening track ‘Awake’ beckons you into the CASTLEBEAT world, and feels like driving in cars with the windows down across a sun-soaked Californian landscape. Tracking through moments of past loves, growth, and a life well-lived, ‘Promise’ closes the record–feeling like cruising under the nighttime city lights of London."

Acid House Kings - this heart is a stone, 2005

"Tim Sendra of AllMusic hailed Sing Along with Acid House Kings as "one of the best releases, indie or not, of 2005."

Ban - mundo de aventuras, 1990

"Just more music for “in between seasons”. What else can you say to describe the latter-day work of, sadly, now defunct, Portuguese sophisticated pop group, Ban? As I put on their Mundo de Aventuras it’s not hard to have your mind race back to more naive times when certain love songs spoke to youthful measures one can never truly quantify. It’s times like these we need songs just like these. We’ve heard some of these ideas in the music of Paddy McAloon’s Prefab Sprout, the Go-Betweens, and others, but to hear those twists of pop sweetness coming from such a group as you’ll meet here, now remains strikingly refreshing."

Never saw so much love in 1m20s.

 

Algures no terramoto da Venezuela. Coragem e fidelidade. When you need me, I'll be there. When you're afraid, I'll be there. When it happens — I'll be there. I'll be with you, today, tomorrow, and beyond.

Neil Young - the needle and the damage done live at massey hall, 1971

"Neil Young played “The Needle and the Damage Done” live at Massey Hall in Toronto in January 1971. The song captures the tension and cost of addiction through vivid, prophetic lyrics. In the live setting, Young’s phrasing feels raw and urgent, almost like a confession."

The Beach Boys - surfin, 1961

"Brian recalled that his brother had made the suggestion to write a surfing song, after which Brian conceived "Surfin'" while repeatedly singing the title line at his piano. In his recollection, it was within hours that he completed the song and titled it "Surfin'". The Wilson brothers' cousin, Mike Love, is credited with contributing the lyrics and the "bom-dip-di-dip" hook, which had been lifted from Jan and Dean's 1959 hit "Baby Talk". "I wanted it to have a doo-wop sound", Love said."

Acid House Kings - brighter, 1997

"Historically, acid house spread from club DJs and underground scenes to a wider audience by the late 1980s, and its sound went on to influence many later electronic genres (like techno, trance, breakbeat hardcore, jungle, and others)."

The Mountain Goats - done bleeding, 2019

“Done Bleeding” is the first song on the 2019 album “In League with Dragons”. John Darnielle has said the song is about his decision and time leaving his job as a psychiatric nurse at Metropolitan State Hospital in Norwalk, California."

Fleetwood Mac - mission bell, 1970

"The album title is taken from the name of two converted oast houses, known as Kiln House, in Truncheaunts Lane in East Worldham, near Alton, Hampshire. The oast houses had previously been used for drying hops for beer brewing and were later combined into one building."

Orchestral Manoeuvres In The Dark - electricity, 1979

"Electricity" was the first song that Andy McCluskey and Paul Humphreys wrote together at the age of 16. It addresses society's wasteful usage of energy resources. Inspired by Kraftwerk's "Radioactivity", the track was described by McCluskey as "a faster, punkier version of 'Radioactivity' with a chorus". As with single "Messages" from the same album, a sung chorus is substituted for a melodic synthesizer break."

The Beatles - taxman, 1966

"Written by the group's lead guitarist, George Harrison, with some lyrical assistance from John Lennon, it protests against the higher level of progressive tax imposed in the United Kingdom by the Labour government of Harold Wilson, which saw the Beatles paying over 90 per cent of their earnings to the Treasury. The song was selected as the album's opening track and contributed to Harrison's emergence as a songwriter beside the dominant Lennon–McCartney partnership. It was the group's first topical song and the first political statement they had made in their music."

Dystopian Novels - ignored, 2025

"This bittersweet ballad sings of topics of despair and hopelessness while drawing you in with sway-worthy acoustic guitar and a warm tone that one can only assume comes from an analog recording or something adjacent."

Death Cab For Cutie - full of stars, 2026

"I Built You a Tower was created during a period marked by both reflection on the band's past and significant personal change for frontman Ben Gibbard. At the time, they were touring to mark the 20th anniversaries of the albums Transatlanticism and Plans, while also performing with side project the Postal Service."

Club 8 - birthday, 2026

"dream pop and twee sound, the track features breezy, melancholic vocals and shimmering synth layers."

Acid House Kings - from the notes i've made so far, 1997

"With its bright, jangling guitars, breezy melodies, and that signature melancholic-yet-sweet Swedish pop vibe, it perfectly captures the early Sarah Records / Tweededeck-inspired sound they are known for."

My Morning Jacket - take my breath away cover, 2004

"Take My Breath Away" is a song written by Giorgio Moroder and Tom Whitlock for the 1986 film Top Gun's soundtrack, performed by American new wave band Berlin and included on their album Count Three & Pray."

Bob Dylan - tell me that it isn't true, 1969

"One of the more gratifying aspects of Dylan's career, so diverse and full of albums that sound remarkably different from each other, is that any number of his albums can grab your attention for long periods of time and not let go until you've fully exhausted the joys of that particular song cycle."

Pop Club - over the moon, 2026

"It's an upbeat, introspective indie/pop-rock track with themes of feeling out of place yet euphoric ("over the moon") in a relationship or moment."

Michael Rother - südseewellen, 1987

"Traumreisen is the third studio album which Rother recorded without any assistance. The entirety of the album was written and performed by Rother utilising guitar and electronic instrumentation."

Acid House Kings - first time, 1997

"First Time" is a song by the Swedish indie pop band Acid House Kings from their 1997 album of the same name. It features the band's characteristic twee/80s-influenced sound: jangly guitars, bright synths, and simple, catchy melodies."

The Lightning Seeds - three lions live, 1998

"So successful was the original ‘Three Lions’, buoyed by England’s near miss at the 1996 European Championships, that the only logical thing for David Baddiel, Frank Skinner and Ian Brodie to do was re-record it for the next big international tournament: the 1998 World Cup."

Sintra, pôr do sol sobre a casa do escritor Francisco Costa há poucos minutos atrás, em 10 de junho de 2026

Belle And Sebastian - it only takes one lion, 2026

"The lyrics came to Stuart Murdoch in the hazy aftermath of Scotland’s dramatic qualification for the World Cup. The Belle and Sebastian frontman had watched his side’s playoff victory over Denmark through his fingers before deciding to write his own anthem to a team he has followed for more than 50 years. “Most people recognised instantly the next day that they’d witnessed the most important Scottish game ever,” says Murdoch. “That was our magic moment.”

Pink Floyd - goodbye cruel world, 1979

"With his final “goodbye,” Pink places his last brick, abruptly cutting off the music and his farewell, as if we’re stationed on the outside of his wall along with the rest of the “cruel world.” On an album where nearly every song segues into the next via an instrumental or sound effects interlude, the silence that cuts into the end of the album’s first half is instantly jarring, the immensity of Pink’s wall felt in the void where only seconds before a musical life existed. Figuratively speaking, the wall silences all."

The Innocence Mission - this boat, 2020

“This Boat” is lovely as ever, with limpid guitar, luminous piano and strings enveloping Karen Peris’ earnest, trembling vocals. The song seems to explore the strangeness of how time unfolds, historically and personally: Boats giving way to planes; the sunrise that begins each day. “Things that we started out here to say / went down the street and turned into a day,” Peris sings, musing on time’s constant forward motion, and its debt to what came before."

Ingraban - the one i love rem cover, 2026

"A long time ago, I played in a band covering this song (and many others). Of course, at some point I wanted to do my own cover version. In case, one of the old band members checks in here: "Hello!"

Saint Etienne - nothing can stop us instrumental, 1991

"The first song me and Pete ever wrote. Beginners luck."

Acid House Kings - heaven's just a kiss away, 1997

"The Creation Records boss Alan McGee had a band called Biff Bang Pow! released an album called The Acid House Album. We thought that was funny, so we decided to call ourselves Acid House Kings. In retrospect, maybe not a brilliant choice. Or maybe it was?"

Death Cab For Cutie - stone over water, 2026

"The band collectively had this to say about the new song in a press release: “‘Stone Over Water’ is a song about trying to convince everyone around you and most importantly, yourself, that you are okay when you definitely are not.”

Ingraban - strange things will happen the radio dept cover, 2022

"I watched the movie (Bon Appetit) and fell in love with this tune. And now, years later, off and on I still listen to the song - always in an endless loop. Obviously, I had to record my version. As a drum set, I used the little typewriter, I inherited from my great aunt some 25 years ago."

A-ha - time and again, 2002

"They still sound remarkably inventive, and in many cases ahead of their time."

Club 8 - she never call me, 1996

"One of their earliest tracks showcasing jangly, melancholic pop and Karolina's soft vocal style; helped establish their presence in the Swedish indie scene."

Neil Young - there's a world live at massey hall, 1971

"Singing in a hushed and fragile voice, it almost sounds like he's locked in a bedroom rather than on a theater stage, and as such it's jarring to hear the rapt-silent crowd explode into applause between songs."

The Beatles - wait, 1965

"The song was originally recorded for Help! in June 1965, but was rejected for inclusion on the album. When Rubber Soul fell one song short for a Christmas release, the Beatles revisited "Wait". Overdubs were added to the initial recording so it would blend in better with the more recent songs on Rubber Soul."

A little bit of religion

An excellent article of Tomichan Matheikal about religion and the Byung-Chul Han thinking: https://matheikal.blogspot.com/2026/06/is-god-dead.html

Marvin Gaye - god is love, 1971

"What's Going On is a concept album with most of its songs segueing into the next and has been categorized as a song cycle. The narrative established by the songs is told from the point of view of a Vietnam veteran returning to his home country to witness hatred, suffering, and injustice. Gaye's introspective lyrics explore themes of drug abuse, poverty, and the Vietnam War."

John Prine - hello in there, 1971

"John Prine painted songs with splintered brushstrokes. His songwriting poignancy, draped around a reedy, unmistakable timbre, was a natural, God-given gift. His style was often humor-laced, other times more plainspoken and directed at the everyman. His talents are best explored with such songs as “Hello in There,” off his 1971 self-titled debut, a stark examination of age, enduring love, and time’s merciless hand."

Pink Floyd - don't leave me now, 1979

"Don't Leave Me Now" is a song by the English rock band Pink Floyd. It appears on The Wall album (1979) and was released as a B-side on the single of "Run Like Hell". A 12" single of "Run Like Hell," "Don't Leave Me Now" and "Another Brick in the Wall (Part 2)" peaked at #57 on the Disco Top 100 chart in the U.S."

The Innocence Mission - the brothers williams said, 2020

"There’s a moment on The Brothers Williams Said from The Innocence Mission’s new album See You Tomorrow, where everything you know is thrown into a cocked hat. The solemn piano and fragile vocals of Karen Peris are joined with the sounds of an ancient mellotron, drums enter and one realizes that music still has the power to surprise and transfix listeners."

A-ha - solace, 2002

"Lifelines picks up, to an extent, where Minor Earth Major Sky left off and marks an evolution of a-ha’s sound, rather than a revolution. Harket’s trademark vocals sound virtually unchanged and there are still dramatic orchestral sweeps in various tunes, coupled with pop beats and a willingness to experiment with technology. But the mood is darker, more pensive and less immediate."

The Radio Dept - always a relief live in seoul, 2016

"The band is notoriously slow-releasing music and rarely gives interviews, cultivating a sense of mystery and ensuring they never compromise their art for commercial pressure"

Galaxie 500 - blue thunder, 1989

"Blue Thunder was Galaxie 500’s second single and contains the love-it-or-hate-it w/sax version of the title track. I fall very heavily on the love side!"

Sigur Rós - flugufrelsarinn, 1999

"Post-rock, as it is called, is a kind of alternative rock that contains harmonies, melodies, instrumentation, and rhythms that are completely different than what everyone’s definition of rock music is. Whereas there are many bands working in the genre, even some who don’t consider themselves to be part of the said genre at all, one of the most successful is Sigur Rós."

Bob Dylan - talkin new york, 1962

"Talkin' New York" is the second song on Bob Dylan's eponymous first album, released in 1962. A talking blues, the song describes his feelings on arriving in New York City from Minnesota, his time playing coffee houses in Greenwich Village, and his life as a folksinger without a record deal. The lyrics express the apparent difficulty he had finding gigs as a result of his unique sound, with a character in the song telling Dylan: "You sound like a hillbilly; We want folk singers here."

Sambassadeur - orustfjord, 2019

"Orustfjord has a Nordic name but it sounds tropical and is more pop-ish than the rest. One thing we know for sure is that none of the Sambassadeur’s songs sound repetitive or at some point a replica of anything else. The band’s musicality is unique and that is felt in this track more than ever. It looks like they’ve reinvented their mark and turned it into a defined genre. A beautiful one!"

REM - first we take manhattan cover, 1991

"The song has been covered dozens of times. Most notably, American alternative rock band R.E.M. contributed a cover version for the Cohen tribute album I'm Your Fan (1991). Their presence on the compilation led to a re-arranging of the I'm Your Fan track list. In the U.S. release of the tribute, R.E.M.'s cover appeared as the first track, rather than the House of Love's "Who by Fire" which was the starting track in all other countries."

Saint Etienne - only love can break your heart cover foxbase beta mix, 2009

"a remix-cum-update-cum-re-upholstering of their 1991 debut, with Richard X at the controls. He’s been given free reign to do what he fancies with the album, revisiting all the DATs, cassettes, floppy discs and other storage solutions of the time to put a little oomph into the original. Neither a remaster nor a complete overhaul – the tracks remain in same order and he’s kept pretty much to the same length – Beta sees proceedings spruced up and reinvigorated, future-proofing an album that was very much of its time in October 1991."

Saint Etienne - london belongs to me, 1991

"Even as they sang about London life, about side streets and greasy spoons, they looked to the continent for inspiration, for an internationalist conception of nationality and Britishness, and it was intoxicatingly glamorous."

Jens Lekman - chapter zero seven we were here, 2026

"The song has a reflective, poetic feel typical of Lekman—mixing historical imagery, love, and the idea of leaving marks or memories"

A-ha - cannot hide, 2002

"Lifelines is the seventh studio album by the Norwegian synth-pop band A-ha, released on 24 April 2002 by WEA. The album topped the charts in Norway and Germany, and reached the top 10 in Austria, Denmark, Poland and Switzerland. In 2019, Lifelines and Minor Earth Major Sky, both of A-ha's albums recorded for Warner Music Germany, were remastered and re-released with an extra disc, which contained demos, early versions and alternate mixes."

Renaissance - spare some love, 1972

"'Spare Some Love' has probably the most complex vocal melody on the album: Annie's vocals spin round and twist in an incredibly difficult manner, as she makes her way through simplistic lyrics about giving love - and gives the lyrics an air of gravity and Godliness simply by the power of her voice."

The Lightning Seeds - love explosion, 1990

"The Lightning Seeds are not, as you might imagine, an obscure American garage band from Buttclench, Indiana, but the pop brainchild of Scouse wunderkind Ian Broudie (he of the almost legendary Liverpool groups Care and Original Mirrors). Possibly better known for his production work with Wah!, Echo And The Bunnymen and lcicle Works, Broudie’s first solo LP is an understated affair packed full of gentle semi-precious pop songs. Echoing the plaintive and highly unfashionable tones of bedsit balladeer Al Stewart, Broudie’s voice wafts angelically through the LP, counterpointed by a collection of neat and massively hummable songs, sometimes reminiscent of New Order’s surefire melodic touch. Aside from the energised percussive blast of Love Explosion, the delicately textured love song Joy and the effervescent pop of Pure, the finest cut is the beautiful and quietly despairing ballad Bound In A Nutshell, which mourns the disenfranchised and put-upon city of Liverpool, yearning for its regeneration through a breath of life to make our engines roar."

The Radio Dept - i wanted you to feel the same live at wfuv, 2011

"Fans often describe the performance as transporting, highlighting the vocalist's ability to convey deep sentiment, often noting the sound transports them to a "far off place"."

A-ha - turn the lights down, 2002

"Two of the very best tracks on the album Lifelines and Turn The Lights Down feature the gorgeous voice of Anneli Drecker. Classy and slightly dark (who would have thought it in 1985?) adult orientated pop/rock."

Club 8 - honestly, 2026

"Club 8 (the Swedish indie pop duo of Karolina Komstedt and Johan Angergård) released "Honestly" as a single around May 22, 2026. It's part of a string of 2026 singles from them, including tracks like "Travel Back In Time," "There Is A Light That Seems To Go Out," and "Don't Cry Baby, It's Only A Film."

Fleet Foxes - sun it rises, 2008

"Borrowing from ageless folk and classic rock (and nicking some of the best bits from prog and soft rock along the way), on their self-titled debut album Fleet Foxes don't just master the art of taking familiar influences and making them sound fresh again, they give a striking sense of who they are and what their world is like."

Happy Mondays - kinky afro, 1990

"Kinky Afro" is a song by the English alternative rock band Happy Mondays, produced by Paul Oakenfold and Steve Osborne. It was released as the second single from the band's third studio album, Pills 'n' Thrills and Bellyaches, on 8 October 1990. The song's chorus paraphrases the Labelle song "Lady Marmalade".

The Radio Dept - david semi-instrumental betheriel, 2023

"Been a fan of them for years, and the other day I hopped over to their Spotify page because I always randomly get the urge to listen to their music this time of year. I was kind of shocked to see them at nearly a million monthly listeners- last time I checked I believe they were at something like 200,000? Though I can’t recall when exactly that was. Curious if they’ve been having any kind of viral blowup lately. It’d be great id more people knew about them because they’ve always felt very underrated to me. Such a special band"

Neil Young - don't let it bring you down live at massey hall, 1971

"When Neil Young took the stage on that cold (I’m guessing) Toronto night in early 1971, it was just him, an acoustic guitar, a piano and that contraption that holds your harmonica and possibly fixes your scoliosis. Possibly. At the time, he was 26-years-old with a songbook and career that would’ve been the envy of musicians twice his age."

The Beatles - think for yourself, 1965

"In his 1980 autobiography, I, Me, Mine, George Harrison recalls little about the inspiration behind "Think for Yourself". He said that his intention was to target narrow-minded thinking and identified the British government as a possible source. Partly as a result of the vagueness of his comments, the song has invited interpretation as both a political commentary and a statement on a failing personal relationship."

James - space, 2001

"Space is the opening track from the 2001 James album Pleased To Meet You. It was not performed live during the Autumn 2000 tour when most of the new album was previewed. There are a couple of alternative versions of the song on early promos of the album, which mainly consist of a different opening section with more acoustic guitar. A live version of the song appears on the 2002 Getting Away With It Live cd and dvd. The song featured extensively on the 2011 orchestra tour and remained a regular in the set in 2012 and 2013. It reappeared at orchestral dates in 2023."

A-ha - i wish i cared, 2000

"'I Wish I Cared' shows just how talented Morten Harket is as his remarkable voice carries this gentle gem through with notes that few other male vocalists could see, never mind reach."

The Pains Of Being Pure At Heart - falling apart so slow, 2017

"the glimmering "Falling Apart So Slow" charts a seasonal year wherein intimacy unravels in his absence"

The Flaming Lips - oczy mlody, 2017

"he found the album title and some of the song titles and lyrics in a second-hand book, a Polish translation of Erskine Caldwell's Close to Home, titled Blisko domu. He and the band liked the words primarily due to their sound, rather than their meaning, "which he interpreted as 'Oxy Melody,' a futuristic drug."

Pink Floyd - one of my turns, 1979

"The song features some of Waters' most strenuous recorded vocal workouts, with him ending at a relatively high A above middle C. The composition's instrumental introduction makes use of the Phrygian mode, a musical mode rarely used in pop and rock music."

Fischerspooner - turn on, 2001

"Fischerspooner was an electroclash duo and performance troupe formed in 1998 in New York City after meeting in school. The name is a combination of the last names of the founders, Warren Fischer and Casey Spooner."

A-ha - to let you win, 2000

"They do not seem to have concern about attracting the youth/dance market, but instead seem to be focusing in on how to make perfect middle of the road pop songs with '90s technology."

Ulver - nemoralia, 2017

"opening track “Nemoralia” is every inch the crowning jewel its location implies it should be. Musically, it’s one of the most quintessential tracks on the album; the groovy bass line, the rich synths, the atmospheric vocals which move between sweet allure and chilling mystery. Everything about it is 100% what makes this album work, and work well. Conceptually, the track is chock full of references and clever juxtapositions that lead us around and around its main theme. Is that theme the historical events described, their cultural referents or something all together alien to both? The trick is not to try and answer that question but rather let it soak into you as you listen again and again. First, “Nemoralia” itself is a Roman ritual to the goddess Diana. It wouldn’t surprise you to learn that, on top of being the goddess of the moon, she’s also the goddess of the hunt and the wolf, fitting in beautifully with Ulver’s history and namesake. The festival itself was also called “The Festival of Torches”, explaining the opening lines but did not take place on “the 18th to 19th of July”, as the track’s chorus says. Instead, those are the dates of the “Great Fire of Rome”, when the infamous Nero burned down the everlasting city in the fires of his madness. Torches and fire mingle together as the moon rises above, blending celebration, ecstasy, divinity, and destruction into one heady mix of meaning and imagery."

Neil Young - see the sky about to rain live at massey hall, 1971

"It never rains but it pours eh? A good decade and a half after taunting us with tales of boundless archive treats and multiple disc box sets Neil Young seems to have finally decided that we’ve been patient enough. Mere months after releasing the awesomely good Live At The Fillmore East (with Crazy Horse) he now brings us this historic gig from 1971 in its entirety. Boy, was it worth the wait..."

My Morning Jacket - just one thing demo, 2004

“Just One Thing (Demo)” is an early, stripped‑down version of the My Morning Jacket song, released on November 23, 2004 as part of the compilation Chapter 2: Learning: Early Recordings, B‑Sides, Covers, Y Mas. It was written and produced by Jim James, featuring his signature lo‑fi, intimate home‑recording style."

A-ha - summer moved on, 2000

"The longest same-pitch vocal note in a song that made the UK’s Official Singles Chart was set at 20.2 seconds (eight measures), as performed by A-ha frontman Morten Harket (Norway) on “Summer Moved On”, the band’s No.33 hit from 2000. Harket’s lung-busting effort starts at 3 minutes 12 seconds on the word “ask”. “Summer Moved On” was taken from A-ha’s 2000 album Minor Earth, Major Sky."

As we sit at the wall of the ego

As we sit at the wall of the ego, and say the mantra, listen to the mantra, hearing the word to the best of our ability, and returning to the word faithfully day by day, this very simple, childlike work, inner work that we come to love, this very simple, childlike work has a transformative effect. It is changing the way the wall is. It changes our ego doesn’t destroy the ego, because we need an ego. But it transforms the way this part of our psyche, the ego, operates. ( Breakthrough, by Laurence Freeman ) https://wccm.org/

Bob Dylan - one more night, 1969

"It’s a fun jolly tune, very singable, very easy to get the hang of, and with dead simple words that have nothing to do with the music. Why not throw a brick through the window half way through, just to make sure we are still awake? Just to remind us this is Bob Dylan."

Sintra, Praia do Magoito, hoje, 12 de Maio de 2026, a meio da tarde

Sintra, hoje, 12 de Maio de 2026, pôr do sol há poucos minutos

Paul McCartney And Ringo Starr - home to us, 2026

"We decided to give one line to me, the next line to Ringo, one line to me. It was really nice, because we've never done that."

The Beatles - paperback writer, 1966

"Years ago, my Auntie Lil said to me, 'Why do you always write songs about love all the time? Can't you ever write about a horse or the summit conference or something interesting?' So, I thought, 'All right, Auntie Lil.'"

Tilly And The Wall - bessa, 2004

"The album starts like a party (albeit a 'let's fuck things up and make a mark on a world that doesn't care about us' sort of party) but by the third track gets more musically introspective, with the piano/guitar/tap shoes ballad "Bessa," a moving slice-of-life breakup song. "Bessa" was written "with help from" Blake Sennett of The Elected and Rilo Kiley; the album is the first release on Conor Oberst's new label Team Love, and there's appearances throughout by a few of the stalwart Saddle Creek accompanists."

Pink Floyd - young lust, 1979

"a blues-inflected hard rock number in E minor, approximately 3 minutes, 25 seconds in length. The song was composed by David Gilmour, who also provided lead vocals with backing vocals from Roger Waters during the chorus, who wrote the lyrics."

A-ha - velvet, 2000

"Originally, "The Sun Never Shone That Day" was to be released in Norway instead of "Velvet", but it was later decided that "Velvet" would also be released in Norway."

Pet Shop Boys - the squadron, 2005

"After the crew members debate their next steps ("Stormy Meetings"), they settle in for the night ("Night Falls"). As they sleep, however, a squadron of intercepting battleships approaches. Alerted to this, the crew prepares to defend themselves ("Full Steam Ahead") — a battle they know they are doomed to lose unless they can persuade the crews of the approaching ships to join them in revolution. As the squadron bears down on the Potemkin ("The Squadron"), its crew members signal, "Join us!" After a few tense moments in which it appears a battle is inevitable, the other crews stand down, agreeing to join the revolution ("For Freedom"). The Potemkin — and the revolution — is saved."

Genesis - the serpent, 1969

"Imagine if someone wrote that today, how it might be received. This is some serious hippy music"

The Pipettes - we are the pipettes, 2006

"The theme song "We Are the Pipettes" is just plain silly, and not in a good way. Although the album does drop a little in quality towards the end, there's not much filler on We Are the Pipettes; considering that this is a 14-song debut album, that's no small feat."

The The - pillar box red, 2002

"Pillar Box Red is a lesser-known vaudevillian ballad from 2002 that descends in scale while a vertiginous signature melody strikes over the top, making it sound like the soundtrack to a French detective series. “I paint my lips a pillar box red,” sings Johnson sotto voce, with a supporting female vocal less pronounced still. “It reminds me of the country where I was born and bred.” He actually grew up above a pub in the East End among a close but extended family, and in the promo video he is back on the premises of a local boozer, providing the entertainment with an acoustic while punters chatter among themselves. “The sarcasm / The bitter remarks,” he laments, “that pierce the chest and wound the heart.” Whether he is in character or singing from personal experience, it’s a beautifully realised song."

The Beatles - drive my car, 1965

"Drive My Car" is a song by the English rock band the Beatles, written primarily by Paul McCartney, with lyrical contributions from John Lennon. It was first released on the band's 1965 album Rubber Soul as the opening track. The song later appeared in North America on the Yesterday and Today collection, again to open the record, as the track had been dropped from the American version of Rubber Soul."

Sintra, Praia do Magoito, hoje, 7 de Maio de 2026, ao fim da tarde

The Broken Radios - living life like a fever dream, 2026

"a melodic Britpop/alternative rock cut with groove-driven energy, fitting the band's Oasis and Stone Roses-inspired sound-think jangly guitars, driving rhythms, and introspective yet anthemic vibes."

The Embassy - related artist, 2013

"In the small but massively influential so-called Swedish Balearic scene that emerged at the start of the last decade, Gothenburg duo the Embassy – Fredrik Lindson and Torbjörn Håkansson – were unwittingly cast as pioneers."

Genesis - stagnation, 1970

"Stagnation" and "Dusk" showed Phillips and Rutherford's combined twelve-string sound, along with Banks taking leads on piano, organ and Mellotron. The organ lead uses a surreal descending note which Banks produced by turning the organ off and then turning it back on. Rutherford later recalled there were around ten acoustic guitars on part of "Stagnation", but they cancelled each other out in the final mix. Gabriel described the track as a "journey song" with its lack of a more typical verse/chorus structure and the variety of mood changes it presents. Sections were removed or altered, but the introduction remained unchanged. The vocal effect on the section referencing "bitter minnows amongst the weeds and slimy water" was created by having Gabriel sing into a narrow tube with the intent of making it sound like he was underwater."

Tegan And Sara - where does the good go, 2004

"a Canadian indie pop duo formed in 1998 in Calgary, Alberta. The band is led by identical twin sisters, Tegan Rain Quin and Sara Keirsten Quin (born September 19, 1980). Both musicians are songwriters and multi-instrumentalists. After releasing a number of demos on cassette tape, the duo released their debut album in 1999, after which they were signed by Neil Young's Vapor Records. They have released ten studio albums, most recently Crybaby in 2022."

A-ha - little black heart, 2000

"They do not seem to have concern about attracting the youth/dance market, but instead seem to be focusing in on how to make perfect middle-of-the-road pop songs with '90s technology."

Neil Young - bad fog of loneliness live at massey hall, 1971

"Bad Fog of Loneliness" is a song written by Canadian singer-songwriter Neil Young, recorded in 1971 but not released until 2007 on the album Live at Massey Hall 1971 (which was later a disc on The Archives Vol. 1 1963–1972), in 2009 on The Archives Vol. 1 1963–1972 as a studio outtake, and in 2013 on Live at the Cellar Door. It also appeared on Young's live "Red Rocks" DVD released in 2000."

The Creem - goodbye, 2026

“Goodbye” is an absolutely delightful pop throwback that incorporates infectious harmonies, a rhythmically enchanting piano melody, and a guitar solo that is the perfect middle ground between Mike’s Ratatat past and his Creem-filled future."

Pink Floyd - goodbye blue sky, 1979

"When he was just two years old, his father brought him into the studio while they were recording The Wall to read the line “look mummy, there’s an aeroplane up in the sky,” which kicks off “Goodbye Blue Sky.” “I certainly remember sitting there with a microphone and being asked to say some things,” he says. “Whenever I hear it, I go, ‘Oh God, that’s me.’ It’s quite weird.”

Bob Dylan - the boxer cover, 1970

"Bob Dylan, in turn, covered the song on his Self Portrait album, replacing the word "glove" with "blow". Paul Simon himself has suggested that the lyrics are largely autobiographical, written during a time when he felt he was being unfairly criticized: I think I was reading the Bible around that time. That's where I think phrases such as "workman's wages" came from, and "seeking out the poorer quarters". That was biblical. I think the song was about me: everybody's beating me up, and I'm telling you now I'm going to go away if you don't stop."

Fleet Foxes - sun giant, 2008

"The Sun Giant EP introduces the band to the world with a just plain pretty a cappella harmony passage that lays their pastoral tendencies bare, while later on the disc "Mykonos" and "English House" show us their muscle and easy way with loose song structures. The lyrics are non-narrative but vivid nonetheless. See the way the Fleet Foxes refrain "and Michael you would fall and turn the white snow red as strawberries in summertime" plunges you into the stunning guitar-and-voice counterpoint that blows "White Winter Hymnal" wide open. Lead singer Robin Pecknold has a strong, clear voice and knows when to let fly with a drawn-out, impassioned bellow and when to withdraw into the shelter of his bandmates' harmonies. The group shares his sense of dynamics, and Fleet Foxes flows like a river, wild and free but logical, filling what needs to be filled and moving on."

Kneecap - liars tale, 2026

"lurking beneath the headline-grabbing stuff – largely crowded together at the start – there’s another side to Fenian. As it progresses, a different mood takes hold: less swagger, more disquiet. Big Bad Mo’s braggadocio is set to fidgety, chattering acid house that noticeably changes in tone: as the track progresses, it becomes darker and less celebratory, more anxious and intense."

Saint Etienne - paper, 1992

"Sarah Cracknell, Bob Stanley and Pete Wiggs are obviously fanatical about music and that’s part of what makes their music so special. The heart of the band is how they convey that love and obsession with music for people just like them. When they invited us to, join their club in 1992 they meant it and it was an honour to go along with them for the ride. A ride which has lasted 35 glorious years."

Tindersticks - buried bones, 1997

"Lost in music, again. But things weren’t quite as easy. We were not so impregnable. I am not sure that we believed in each other quite as much."

Kaki King - bone chaos in the castle, 2008

"while playing "Bone Chaos in the Castle," at no point does King touch the strings in a way that a normal guitar player would. King slaps the strings and hits the body of the guitar in a percussive way, to the point where it's easy to wonder how such unconventional techniques result in a song."

Club 8 - don't cry baby it's only a film, 2026

"For Swedish indie duo Club 8 every day seems to be the first day of summer, with freshly-minted guitar pop playing sweetly in the background."

The Beatles - words of love cover, 1964

"The Beatles recorded a cover version of the song on October 18, 1964, for the UK album Beatles for Sale. It first appeared in the US on the album Beatles VI. It was also on a 7-inch extended play, Beatles for Sale No. 2, released by Parlophone/EMI in 1965. John Lennon and Paul McCartney, who were fans of Holly, sang in harmony with George Harrison, holding to the vocal and instrumental sound of Holly's original as well as they could. Before their big break, the group had performed the song live between 1958 and 1962, with Lennon and Harrison singing. For the official release, though, Lennon and McCartney shared vocal duties. The song only took two takes, along with a vocal overdub."

A-ha - train of thought remix, 1991

“In the ‘80s it was like we were run over by this massive train. We were not there to be pin-up idols. We knew that was part of it, but it was not the reason for doing what we were doing. The media was crazy, and that was one of the main reasons why we quit for some years, because we just had enough of it. We just wanted to make music.”

The Weather Station - separated, 2021

"Separated, isn’t just one of my oft-misspelled words, it’s also a song about how social media has cultivated a niche culture. Sometimes, that creates a place for people to argue in the comments section."

Mogwai - thank you space expert, 2008

"The favoured adjective when describing Mogwai is "cinematic". The band take sound composition seriously and their recent soundtrack work has left a mark on The Hawk is Howling. Each track projects imaginary films into your head. The filmic appeal is present in the spiritual uplift of the baroque Thank You Space Expert, the shimmering space rock of I'm Jim Morrison, I'm Dead, or the endless space boogie of Danphe and the Brain."

Cocteau Twins - iceblink luck, 1990

"Iceblink Luck" is a single by Scottish band Cocteau Twins, released by 4AD Records in August 1990. It was the first single from the Heaven or Las Vegas album and the band's first single to be released in the United States. It was the band's second single to reach the Top 40 in the UK Singles Chart, peaking at No. 38. The single was a moderate success in Europe, debuting at No. 43 on the European Airplay Chart as well as at No. 91 on the European Hot 100 Singles chart."

Damien Jurado - leaving my keys in kennewick, 2026

"Leaving My Keys in Kennewick" is a recently released Damien Jurado track. It's part of a split single with Lilly Miller titled I Was Always Leaving, featuring "Leaving My Keys in Kennewick" and "It Will Come Back." The single came out on April 13, 2026. Interestingly, the song has been in Jurado's orbit for a while — it appeared in a 2020 private concert setlist as a "new song," during a period when he was writing prolifically during quarantine. A full collaborative LP with Lilly Miller, Did Something in me Break?, is also on the way, set for release on May 1, 2026 through Jurado's own Maraqopa Records."

Green Day - burnout, 1994

"After several years of grunge's dominance in popular music, Dookie brought a livelier, more melodic rock sound to the mainstream and propelled Green Day to worldwide fame. Considered one of the defining albums of the 1990s and of punk rock in general, it was also pivotal in solidifying the genre's mainstream popularity. Its influence continued into the new millennium and beyond, being cited as an inspiration by many punk rock and pop-punk bands, as well as artists from other genres."

Pink Floyd - the happiest days of our lives, 1979

"The song is approximately one minute, 46 seconds in length, beginning with 24 seconds of a helicopter sound effect, followed by the schoolmaster shouting, "You! Yes, you! Stand still, laddie!" performed by Roger Waters. Waters's lead vocal is treated with a reverse echo. The song features an electric guitar with an added delay effect and an electric bass guitar playing staccato punctuations of the chordal root notes."

The Love Variants - golden age, 2025

"Austin quartet The Love Variants emerge onto the underground indie pop scene as subtle as their music. Their eight-song debut cassette, Life of Riley (released by Keeper Records), is one of those records where one spin in, you already know they are not your average jangle dream pop band. Take Golden Age, where it becomes clear how much this band values letting melodies linger and shimmer rather than rush past you. The vocals match that mood, romantic and dreamy, but with enough melancholy underneath to keep things grounded."

Hannah Lew - another twilight, 2026

"Hannah Lew has long been a quietly influential presence in the U.S. underground, best known for her work in San Francisco post-punk bands Grass Widow and Cold Beat. Now stepping into the spotlight on her own, she’s channeling years of songwriting instinct into her solo project, which blends emotional directness with a dreamy, slightly surreal edge."

Neil Young - a man needs a maid heart of gold suite live at massey hall, 1971

"The relaxed, rambling intros suggest that herbal self-medication was on the agenda. And if so, it only seems to have helped him to focus on the music; once into a song, the hangdog hippy is banished and magic takes hold, with Young attaining cinematic scope from minimal instrumental accompaniment."

Matchbox Twenty - if you're gone, 2000

"We were separated for a few weeks and were on the phone all the time, and I was thinking, 'I met this wonderful person', and I wondered if everything I was going through [with Matchbox Twenty's success] was going to make it too crazy to build a relationship."

Cocteau Twins - lorelei, 1984

"Treasure is the third studio album by Scottish rock band Cocteau Twins, released on 12 November 1984 by 4AD. With this album, the band settled on what would, from then on, be their primary lineup: vocalist Elizabeth Fraser, guitarist Robin Guthrie and bass guitarist Simon Raymonde. The album also reflected the group's embrace of the distinctive ethereal sound with which they became associated."

A-ha - the weight of the wind, 1986

"In my mind this song is where the Scoundrel Days album finds its way back to the great side A. Super energetic and with great vocals and great keyboards. This is such a great pop song and still it has this melancholic feel to it. A crazy great chorus."

James - leviathan, 2018

"Leviathan" began as two jams, one of which had a decent chorus and average verse, while the other had a good verse section and an as not as strong chorus. Andrew went on holiday and telephoned Giles, telling him to edit the jams together and change the key. Andrew and Giles visited several London studios in an attempt to find a specific keyboard sound, which they found at Urchin Studios. The song talks about "hitting a wall" before suddenly moving on to another part of one's life. "Leviathan" opens with a keyboard line before shifting into techno music."

Pet Shop Boys - to speak is a sin, 1993

"Pervaded by an overwhelming sense of loneliness, echoed by a prominent solo soprano saxophone, this is one of Neil and Chris's slower, more downbeat tracks and seems somewhat out of place amidst the generally more "up" mood of Very."

REM - me marlon brando marlon brando and i, 2011

"a kind of meta-pop song that references a Neil Young number called 'Pocahontas'. In that song, Young imagines himself shooting the breeze around a campfire with Pocahontas and Marlon Brando, who, among other things, was a campaigner for Native American rights. I ask Stipe what his Marlon Brando song is about. 'It's about me going to Neil Young for advice,' he replies, as if this was the most natural thing in the world to write a song about. Has he actually done that? 'Oh, no. It's entirely made up, but it's sincere. I hold Neil in high regard, but I have never asked him for advice, though I am sure he would have honoured it if I had.'"

Phil Collins - testify, 2002

"the longest and most complex sounding song on the album, is according to Collins "one of the most direct and most personal love songs I have ever written".

The Beatles - mr moonlight cover, 1964

"Mr. Moonlight" is a song written by Roy Lee Johnson and recorded by Dr. Feelgood and the Interns in 1962. The song was covered by the Beatles on their 1964 albums Beatles for Sale (in the U.K.) and Beatles '65 (in the U.S.)."

Bayonne - january, 2026

"Combining Americana, indie-rock and dream-pop together on this new release, Bayonne has created something mesmerisingly cinematic."

New Order - ceremony live retro, 1984

"Ceremony" is a song written by Joy Division, and first released as New Order's debut single in 1981. The track and its B-side, "In a Lonely Place", were recorded as Joy Division before the death of their lead singer Ian Curtis. Both were re-recorded and carried over to Joy Division's re-formation as New Order."

A-ha - we're looking for the whales, 1986

"a song of longing, a return to innocence, with the whale the symbol of that freedom. It’s filled with the ache of life which I love about a-ha’s music. The freedom of childhood is contrasted with the beached whales"

Pink Floyd - another brick in the wall part one, 1979

"Young Pink begins building a mental wall between himself and the world, distancing himself from the pains of life, such as having to grow up without a father."

Morrissey - kerching kerching, 2026

"Kerching Kerching jeers at a man – once a “small boy” with a “shy smile” – ground down by a lover who appears to be the embodiment of modern capitalism’s relentless demands."

The Waterboys - another kind of circus, 1983

"Whilst the sound may seem dated across the years (Linn drums, anyone?) and Scott’s voice lacks the authority that it gained with subsequent maturity, the songs on The Waterboys still sound as fresh as a daisy and as startling as a summer rainstorm."

Alvvays - very online guy, 2022

“Very Online Guy” is a bit more of a departure from what we’ve come to expect from the band. The track sounds distinctly European, channeling strains of Italo Disco and French chansons, and it’s hard to tell at first whether Rankin is singing in another language."

Club 8 - echoes of our time, 2026

"a nostalgia-inducing bop that channels classic New Order and shimmering, 80s pop while showcasing the duo’s unerring knack for catchy hooks and rousingly anthemic choruses."

Craft Spells - nausea, 2014

"Craft Spells is an American indie rock/dream pop band from Stockton, California, formed in late 2009 by Justin Vallesteros. To date, Craft Spells has released two studio albums, Idle Labor (2011) and Nausea (2014) on the Captured Tracks label."

The Beatles - i'll follow the sun, 1964

"I wrote that in my front parlour in Forthlin Road. I was about 16. 'I'll Follow the Sun' was one of those very early ones. I seem to remember writing it just after I'd had the flu and I had that cigarette. I remember standing in the parlour, with my guitar, looking out through the lace curtains of the window, and writing that one."

The Mary Onettes - stop this melody, 2025

"The drums take center-stage and it seems a little darker. It also ends with a tiny sample and makes a nice nice bookend to the record's start."

A Weather - it's good to know, 2008

"The song is a gentle, introspective indie-folk reflection on everyday life and the importance of appreciating small, fleeting moments."

Morrissey - there is a light that never goes out live manchester, 2005

"Something about the open air and the catch-all nature of the crowd makes for a more light-hearted set and sound, and the version of There Is A Light That Never Goes Out from here is superior."

Club 8 - there is a light that seems to go out, 2026

"a smooth, laid-back Dream Pop track. The follow up to last month's dreamy Travel Back In Time, There Is a Light That Seems to Go out continues to showcase their captivating warm, soothing sound that is quite comforting and relaxing, perfect for a laid-back weekend. I am particularly fond of how delicate and enchanting Karolina Komstedt's vocals are, gliding beautifully over steady drum beats, killer bass, lush guitar plucks and rhythms that together create an overall warm and dreamy atmosphere perfect for a relaxing weekend."

The Beatles - rock and roll music cover, 1964

"Rock and Roll Music" is a song by American musician and songwriter Chuck Berry, written and recorded by Berry in May 1957. It has been widely covered and is one of Berry's most popular and enduring compositions. "Rock and Roll Music" was met with instant success, reaching the top 10 in the United States. The Beatles' 1964 recording topped singles charts in Europe and in Australia, and the Beach Boys had a U.S. top 10 hit with the song in 1976."

Neil Young - see the sky about to rain, 1974

"I always picture a rural highway. Summertime, a humid day, a battle between blue and gray above. There’s a farm house in the foreground bracing for the shower. Before long, the rain begins. But Neil’s song doesn’t take place during the downpour."

A-ha - october, 1986

"The album was another big hit by A-ha and sold over 6 million copies worldwide which gave the band international recognition. Scoundrel Days achieved Platinum status in the UK and Switzerland as well as Germany and Brazil. The album reached number two in the European Top 100 Albums chart."

Pink Floyd - the thin ice, 1979

"The song, which is two minutes and 30 seconds in length, begins with the sound of an infant crying. The main body of the song is a '50s progression, with time signature in 6/8, commonly heard in doo-wop songs such as Ben E. King's "Stand by Me", progressing from C Major to A minor, then F Major to G Major, played softly on piano and synthesiser. The first half of the lyrics are sung by David Gilmour in a gentle tone, beginning with "Mama loves her baby", and a refrain of "Ooh babe, ooh, baby blue". A bass guitar creates a dissonant effect mid-song, when it plays an F♯ against an A minor, the major sixth of the chord, and the augmented fourth of the key. Then Roger Waters takes over the lead vocal. The piano becomes staccato, as the lyric takes on a warning tone, with Waters singing "If you should go skating/On the thin ice of modern life...."

A Weather - pinky toe, 2008

"turning something as mundane and painful as stubbing your pinky toe into a meditation on vulnerability, everyday hurts, and emotional resilience."

Marillion - just for the record, 1987

"This is quite different to the stuff before, it's a real contrast."

David Sylvian - september, 1987

"September 1987, Sylvian’s new single was coming out and I would be in Birmingham. I had to get my hands on a copy so, when the classes had finished on the day of release, I headed straight for one of the large record stores in town. As I climbed to the first floor, that introduction came over the powerful sound system"

Paul McCartney - days we left behind, 2026

"Days We Left Behind also suggests a wholehearted embrace of a notion that McCartney’s recent albums have hinted at without fully committing to: what you might call a convincing mature style, similar to that first minted by Bob Dylan on 1997’s Time Out of Mind and profitably deployed by him thereafter."

The Beatles - i wanna be your man, 1963

"The only two versions of the song were Ringo and the Rolling Stones. That shows how much importance we put on it: We weren't going to give them anything great, right?"

Pure Bathing Culture - dreams cover, 2012

"Pure Bathing Culture contributed a version of “Dreams” that slowed down the tempo and replaced much of the instrumentation with airy, ethereal keyboards."

Ride - kaleidoscope, 1990

"Rolling Stone called Nowhere a “masterpiece”, The Guardian dubbed Ride “Teenage saviours of rock ’n’ roll”, while Creation Records boss Alan McGee quipped that the Oxford band had achieved overnight a genius status his label’s tarnished elder statesmen Primal Scream had taken six years to carve out."

A Weather - hanging towers of baltimore, 2008

"Aaron Gerber switches between an acoustic guitar and a Rhodes. There are two other guitarists, Aaron Krenkel and Zach Boyle, and a bassist, Louis Thomas. Drummer Sarah Winchester plays on a minimal kit consisting of a floor tom, a snare and a cymbal. The songs often have several parts and change time signatures in a way that flows very naturally. Sarah adds many layers of her sometimes smokey and always lovely vocals that match perfectly with whispers of the Aaron’s vocals. The tunes often reside between the slow burner and pretty poppy territory."

Easterhouse - waiting for the redbird, 1989

"the modus operandi of many Christian musicians: keep the crusade intact—the form of the music carrying it out is incidental"

The Beach Boys - caroline no, 1966

"Wilson produced the track in early 1966 at Western Studio with 12 session musicians who variously played harpsichord, flutes, guitars, basses, and vibraphone. Some of the percussion involved an empty water cooler jug struck from the bottom with a mallet. Wilson sped up the mix by one semitone to make his voice sound younger. The album version was edited to include a non-musical tag consisting of the sounds of Wilson's dogs barking and a passing train."

Neil Young - old man live at massey hall, 1971

"This is a remarkably rich set of songs, touching on nearly every aspect of Young's personality, whether it's his sweetness, his sensitivity, his loneliness, or even his often-neglected sense of fun. True, the latter only appears on "Dance Dance Dance," but that comes as a welcome contrast to the stark sadness of "See the Sky About to Rain."

A-ha - the blue sky, 1985

"Anyone old enough probably remembers first hearing Norway’s top band a-ha. It was on one of my “dead-of-night” MTV aircheck videotapes where I first saw the video that changed everything for the band. But it didn’t stay in graveyard rotation for long. In record time the rotoscoped Steve Baron directed music video for “Take On Me” quite rightly zoomed to the highest standard of rotation on the channel that was still all about music videos in 1985."