The National - the pull of you, 2019

"A song that didn’t make the cut for Sleep Well Beast, before being drastically reworked from “Hague Blue” to “Hague Pink,” which itself eventually turned into “The Pull of You.”

The Radio Dept - your true name, 2018

"Newly liberated from their former label Labrador, Swedish indie luminaries The Radio Dept. (Johan Duncanson and Martin Larsson) revisit their original laid-back college rock sound in their new single, “Your True Name,” released on their own independent label Just So! Signaling an optimistic outlook on the future ahead, the band explains, “‘Your True Name’ is a song about faith"

Neil Young - hey hey my my into the black live weld, 1991

"one of the definitive live Neil Young moments — raw, feedback-drenched, and unapologetically loud. “It’s better to burn out than to fade away…” never sounded so apocalyptic."

Pet Shop Boys - being boring extended mix, 1990

"In a 1993 interview, Tennant described "Being Boring" as "one of the best songs that we've written", and said that "For me it is a personal song because it's about a friend of mine who died of AIDS, and so it's about our lives when we were teenagers and how we moved to London, and I suppose me becoming successful and him becoming ill".

Nada Surf - bright side cover, 2010

"Nada Surf came out of New York City and got its foothold in 1996 with the intriguing, novelty single, “Popular.” It was from their first LP, High/Low¸ that reached #51 on the US charts. Mixing a slacker vibe, humour, and a not-quite-rap spoken word vocal, it was a good, original track for its time. I picked up the CD and listened to it a lot, pleased to find many solid, indie rock tunes such as, “The Plan.” After that, aside from a couple songs I had on compilations (“Hyperspace” and “Inside of Love”) over the next several years, I had little clue Nada Surf was a going concern until I saw a concert announcement for them in 2018."

Pet Shop Boys - where the streets have no name i can't take my eyes off you cover extended mix, 1991

"this track is one of the most insidious deconstructions of rock mythology that you're likely to find anywhere. It completely takes the wind out of U2's sails, essentially revealing the original to be precisely the dance track that it is but tries hard not to be."