Neil Young - jesus chariot, 2012

"Written in the 1800s based on an old Negro spiritual, this song refers to the second coming of Jesus and “she” is the chariot Jesus is coming on. Some interpret this as the end of the world. Others have said that “she” refers to union organizer Mary Harris “Mother” Jones going to promote formation of labor unions in the Appalachian coal mining camps. The Americana arrangement continues the folk process with a new melody, a new title and a combination of lyric sources."

Neva Dinova - it's hard to love you, 2008

"I'd imagine that Old School finds its way into many a Netflix queue at this point in the year, as outgoing college seniors face the grim specter of adulthood. Maybe it's just serendipitous timing, but I can't help but see this film as a primary influence on You May Already Be Dreaming, even if Neva Dinova has been around since the 1990s and are on their third full-length LP. As Saddle Creek's diaspora continues to expand sonically as well as geographically, for their label debut, the Nebraska band (previously featured with Conor Oberst on the One Jug of Wine, Two Vessels EP) sounds seduced by the prospect of "living the dream" via arrested development, in this case, a time when the imprint/collective could be relied on for little more than Omaha natives playing a tears-in-your-Sparks combo of "acceptable country" structure and indie self-centeredness. The simplicity of the form makes it incredibly hard to fuck up, but You May Already Be Dreaming posits that it's also incredibly hard to make interesting."

My Sad Captains - meta, 2012

 

 “Meta” is indeed the closing track — a beautiful, hazy, reverb-drenched slow-burner that feels like the perfect dreamy full-stop to the EP."

Pet Shop Boys - flamboyant michael mayer kompakt mix, 2006

"the Michael Mayer Kompakt Remix of the song includes near the end (at about 7:23) a very brief, faint sample, only a couple seconds in length, lifted from the Boys' own "So Hard"—probably included more as an in-joke and/or "tip of the hat" more than anything else. It also sounds as though it includes, at several different junctures, samples of the soprano saxophone solo from one of the Brothers in Rhythm remixes of "How Can You Expect to be Taken Seriously?" — either the Extended Mix or the Classical Reprise; it's very difficult to tell for sure which."

Neil Young - love and only love live weld, 1991

"We were there all the way through it, and to me, that's what Weld is about. It's very brutal, especially the songs with the big endings. I was trying to create the sound of violence and conflict, heavy machinery, outright destruction. We were watching CNN all the time, watching this shit happen, and then going out to play, singing these songs about conflict. It was a hard thing. And I feel there was nothing else I could do. Whatever could bring people together was more important than me playing a new song. We couldn't go out there and just be entertainment."

Pet Shop Boys - shameless vile celebrities, 2001

"This song, originally released by the Pet Shop Boys as the b-side of their "Go West" single, has long been a fan favorite. And it's such a natural for theatrical treatment that it's no wonder at all that Neil and Chris decided to use it in their first musical. That is, it was made to be a showstopper. The only trouble is, at least in its cast album recording, it's vastly inferior to the Boys' own version. The omission of the third verse is only one of its flaws. More damaging, the musical arrangement isn't nearly as effective (oh, how I miss Neil's sampled "oohs" and "ahs"!). Again, I'm sure that seeing it performed "live"— where the singers and dancers are engaged in a lot of comic posing and interacting — would have helped me enjoy this number a lot more. As it is, I'd much rather go back and listen to the original."

New Order - crystal radio edit, 2001

"Alternative Dance pioneers who fused electronic sounds and dance club rhythms to an indie rock aesthetic, proving dance music could be sophisticated and taken seriously. Formed by the remaining members of Joy Division in 1980 after the suicide of Ian Curtis, New Order at first struggled to emerge from the post-punk shadow of their prior success."

Neva Dinova - squirrels, 2008

"On your way home on a calm Monday evening you pass by a back road so inanimated that you can hear your own gaits and your own breath, when suddenly some sweet sound gets you prick-eared. Is there someone playing guitar? Where does this lyrical singing come from? You glance through the window of a self-help-bicycle-repair-shop where Jake Bellows seems to do some unusal rehearsal. Surrounded by bikes of all sizes and styles Jake starts the song “Squirrels” anew."

Nada Surf - the way you wear your head, 2002

"The Way You Wear Your Head" is a jangly, bittersweet power-pop song with Matthew Caws’ signature introspective lyrics about self-consciousness, identity, and quiet resilience."

My Sad Captains - resolutions, 2012

“Resolutions” is a bittersweet New Year’s/reflection song about failed attempts to change, holding on to small moments of warmth amid loneliness"

Neil Young - i am a child live at massey hall, 1971

"This concert was filmed and recorded with such care that Neil later called it one of his favorite live documents. The version of "I Am a Child" here is considered by many fans to be definitive."

The National - rylan, 2019

“Rylan” sat around for nearly a decade before it finally was recorded on The National’s 2019 album I Am Easy to Find. Matt Berninger wrote the song some time around the band’s 2010 album High Violet was made. They started playing it live, and it immediately became a favorite of many concertgoers who heard it. Why then wouldn’t the band put the song on a record? Well, for one thing, they couldn’t quite settle on an arrangement that felt just right. On top of that, The National are sticklers for having the songs on each album contribute to an overall sense of thematic unity. For whatever reason, “Rylan” was the odd song out each time they settled in to make a new one."

New Order - round and round ninety-four, 1994

"New Order's first compilation album, Substance (1987), finally broke the group through to commercial success in the U.S. Its second one, The Best of New Order, isn't exactly Substance II. The previous set was a singles collection, and Best Of does pick up that story, including a series of songs - "True Faith" (in a new remix), "Touched by the Hand of God," "Blue Monday 88," "Fine Time," "Round & Round" (in a new remix), "Run," and "World in Motion" - that were bigger hits in the U.K. than in the U.S. (Also included is the group's biggest U.S. hit, "Regret" as well as its charting follow-up, "World [The Price of Love].") But in addition, the compilers have included one song each from the group's albums - "Dreams Never End" from Movement, "Age of Consent" from Power, Corruption & Lies, "Love Vigilantes" from Low-Life, "Vanishing Point" from Technique, and "Ruined in a Day" from Republic."

The Moody Blues - ride my see-saw live at the royal albert hall, 2000

"Ride My See-Saw" (from their 1968 album In Search of the Lost Chord) served as the explosive encore closer, ramping up the energy after hits like "Nights in White Satin" and "I'm Just a Singer (In a Rock and Roll Band)." Reviewers called it a "metal melting point" high, with the orchestra amplifying the song's playful psychedelia into something triumphant and crowd-pleasing. The full concert runs about 90 minutes, capturing the band in fine form for an audience heavy on longtime fans."

Club 8 - working on the next life, 2025

"Club 8, the Swedish indie pop duo of Karolina Komstedt and Johan Angergård, released "Working on the Next Life" as a single on March 7, 2025. It's their third single of the year, following "Stay Together" and "Sneaky Feelings," and serves as a key track on their 12th studio album, Seasonal Echoes. The album dropped on October 10, 2025, via Shelflife Records and Labrador, blending their signature dreamy, melancholic pop with influences from 60s British and Francophone pop, layered in shimmering dreampop production."

My Sad Captains - round and back again, 2011

"There’s no better way describe Fight Less Win More than to say that it is the perfect album for a fall afternoon. The acoustic guitar is finger-picked superbly (as on the excellent Heavy Lifting) while the bass and drums establish a sort of coffeehouse laid-back groove and the keyboard launches subtle but affecting atmospherics."

Pale - dreaming, 2025

"Pale delivers melodic alt-pop with winding guitar lines, dreamy shoegaze textures, and introspective vibes reminiscent of Soccer Mommy or early Alvvays—think hazy, cathartic soundscapes perfect for late-night introspection."

The Moody Blues - question live at the royal albert hall, 2000

"The Moody Blues performed "Question" live during their concert at the Royal Albert Hall in London on May 1, 2000, backed by the World Festival Orchestra. This performance was part of a special Hall of Fame induction celebration and was captured for both audio and video releases. "Question" (from their 1970 album A Question of Balance) was the penultimate song in the 14-track setlist, delivering an energetic, orchestral rendition that highlighted Justin Hayward's soaring vocals and guitar work."

Pet Shop Boys - you only tell me you love me when you're drunk live at the mermaid theatre, 2006

"The live version of "You Only Tell Me You Love Me When You're Drunk" (the third track on the album) captures the song's poignant, synth-pop melancholy with lush orchestral swells, emphasizing its themes of conditional love and emotional vulnerability."

Lunar Isles - dust, 2025

"Lunar Isles - Dust (2025)Lunar Isles is a hazy indie-pop project based in Seoul, South Korea, led by musician David Skimming. Known for their motorik dream pop sound—often compared to The Sundays with Slowdive influences—their music features ethereal, reverb-drenched guitars, introspective lyrics, and a nostalgic, summery vibe."

My Morning Jacket - i can’t wait, 2015

"I Can't Wait" is a standout track from My Morning Jacket's seventh studio album, The Waterfall, recorded at a cliffside house in Stinson Beach, California. The song captures the band’s signature blend of psychedelic rock, soulful melodies, and Jim James’ soaring falsetto. It’s a dreamy, mid-tempo love song with lush reverb, shimmering guitars, and a heartbeat-like rhythm section."

Mar de Sintra, ontem, 11 de novembro de 2025, esperando a chegada da tempestade Cláudia

Nada Surf - what is your secret, 2005

"Nada Surf have composed fine songs for free-thinking, analytical, and pensive individuals, without being overly complex. The result of all this experience and reflection is that Nada Surf and producer Chris Walla have made a great pop/rock record. It's more of an emotive affair, with soft-hued guitar layers, hushed harmonies, and frontman Matthew Caws' signature aching, bittersweet vocals."

The Moody Blues - legend of a mind live at the royal albert hall, 2000

"The Psychedelic Experience (1964) was the inspiration for John Lennon's song "Tomorrow Never Knows", on The Beatles' album Revolver (1966). The Moody Blues recorded two songs about Leary. "Legend of a Mind", written and sung by Ray Thomas on their album In Search of the Lost Chord (1968), begins: "Timothy Leary's dead. No, no, no, no, he's outside looking in". The second was "When You're a Free Man" on the Seventh Sojourn album."

Neil Young - la, 1973

"Young's is a pain-dominated, rather Old Testament sensibility, and nowhere is all this more obvious than in 'L.A.' Young's self-righteousness becomes absolute, and he depicts himself as some neo-Israelite prophet warning the unhearing masses of the inevitable apocalypse."

Nada Surf - always love, 2005

"The album was produced by Death Cab for Cutie guitarist Chris Walla and mixed by Geoff Sanoff, John Goodmanson, John Agnello and Ed Stasium. Tom Beaujour did some guitar overdubs. The album features vocals from the Long Winters frontman John Roderick."

Pet Shop Boys - left to my own devices live at the mermaid theatre, 2006

"Recorded at London's Mermaid Theatre for Radio 2 in May 2006, Concrete offers grandiose orchestral arrangements not just of songs from current studio album Fundamental but many of the duo's most memorable hits from their quarter-century spanning career too. The album's most striking characteristic is evident at the close of the first track. Tennant, already comfortable with the dual role of lyricist and vocalist, becomes narrator of his own career too with a range of plummy vignettes about each of the songs."

The Moody Blues - ride my see-saw live at red rocks, 1993

"Ride My See-Saw," originally written by bassist John Lodge and released as a single from the band's 1968 album In Search of the Lost Chord, closes the concert as the explosive encore. The song's themes of life's ups and downs (using the see-saw metaphor) blend psychedelic rock with driving rhythms and the Moody Blues' signature spoken-word intro."